"Barn quilts are rural gifts, a bright spot along America's highways and byways. As a quilter myself, the simple sight of a barn quilt has often made my heart smile. We recognize the blocks, they speak to us without words. This book captures everything I love about barn quilts with beautiful photos and captivating details. Where will you spy your next barn quilt?" -Bonnie K. Hunter, Quiltville.comSuzi Parron, in cooperation with Donna Sue Groves, documented the massive public art project known as the barn quilt trail in her 2012 book Barn Quilts and the American Quilt Trail Movement. The first of these projects began in 2001, when Groves and community members created a series of twenty painted quilt squares in Adams County, Ohio. Since then, barn quilts have spread throughout forty-eight states and several Canadian provinces. In Following the Barn Quilt Trail, Parron brings readers along as she, her new love, Glen, their dog Gracie, and their converted bus Ruby, leave the stationary life behind. Suzi and Glen follow the barn quilt trail through thirty states across thirteen thousand miles as Suzi collects the stories behind the brightly painted squares. With plentiful color photographs, this endearing hybrid of memoir and travelogue is for quilt lovers, Americana and folk art enthusiasts, or anyone up for a good story.

The story of the American Quilt Trail, featuring the colorful patterns of quilt squares writ large on barns throughout North America, is the story of one of the fastest-growing grassroots public arts movements in the United States and Canada. In "Barn Quilts and the American Quilt Trail Movement" Suzi Parron travels through twenty-nine states and two Canadian provinces to visit the people and places that have put this movement on America's tourist and folk art map.

Through dozens of interviews with barn artists, committee members, and barn owners Parron documents a journey that began in 2001 with the founder of the movement, Donna Sue Groves. Groves's desire to honor her mother with a quilt square painted on their barn became a group effort that eventually grew into a county-wide project. Today, registered quilt squares form a long imaginary clothesline, appearing on more than three thousand barns scattered along one hundred driving trails.

With more than fifty full-color photographs, Parron documents a movement that combines rural economic development with an American folk art phenomenon.