As the Washington Post says, "Dore Ashton brings the reader to the very core of Mark Rothko's art." She draws on her countless interviews with the artist--giving little credence to the false mythology surrounding his work--to take us to the heart of Rothko's painting, showing its derivation from his reading, travel, and thought.

This is the premier collection of dialogues, talks, and writings by Philip Guston (1913-1980), one of the most intellectually adventurous and poetically gifted of modern painters. Over the course of his life, Guston's wide reading in literature and philosophy deepened his commitment to his art - from his early Abstract Expressionist paintings to his later gritty, intense figurative works. This collection, with many pieces appearing in print for the first time, lets us hear Guston's voice - as the artist delivers a lecture on Renaissance painting, instructs students in a classroom setting, and discusses such artists and writers as Piero della Francesca, de Chirico, Picasso, Kafka, Beckett, and Gogol.

With the emergence of Abstract Expressionism after World War II, the attention of the international art world turned from Paris to New York. Dore Ashton captures the vitality of the cultural milieu in which the New York School artists worked and argued and critiqued each other's work from the 1930s to the 1950s. Working from unsifted archives, from contemporary newspapers and books, and from extensive conversations with the men and women who participated in the rise of the New York School, Ashton provides a rich cultural and intellectual history of this period. In examining the complex sources of this important movement--from the WPA program of the 1930s and the influx of European ideas to the recognition in the 1950s of American painting on an international scale--she conveys the concerns of an extraordinary group of artists including Willem de Kooning, Jackson Pollock, Ad Reinhardt, Philip Guston, Barnett Newman, Arshile Gorky, and many others. Rare documentary photographs illustrate Ashton's classic appraisal of the New York School scene.

An anthology of Pablo Picasso's statements about art

"Robert Motherwell was not just a great painter, he was a brilliant thinker. As the founding editor of "The Documents of Twentieth-Century of Art," he decisively shaped our understanding of modernism. This new and expanded selection of Motherwell's criticism provides an essential guide to the art of the high modern period, both American and European."--Pepe Karmel, author of "Picasso and the Invention of Cubism"
"In the past two decades Abstract Expressionism has become one of the most dynamic subjects in art history; sometimes the reading is so dense it is like swimming through peanut butter. But, cutting through to the essential questions that generated the movement, the writings of Robert Motherwell are a treasure. Written at the same time he was painting, Motherwell's texts make me feel like a witness to the philosophical curiosity that generated one of the most powerful art movements of the twentieth century."--Michael Auping, author of "Abstract Expressionism: The Critical Developments"
"This book is essential reading for anyone thinking about the uneasy clash of modernism and postmodernism in postwar America; Motherwell's writing played a decisive role and this volume is an admirably full account of it."--Jonathan Fineberg, author of "When We Were Young: New Perspectives on the Art of the Child"