Classic drama in which three soulful sisters rise out of Harlem to become music's hottest singing group. Against the vibrant grooves of Curtis Mayfield, these divas explode onto the scene with off-the-hook harmonies and a sexy style that catapults them to superstardom. But not every fairytale has a happy ending and when success leads to excess, one sister's star will fade, while another's will sparkle.

A brilliantly original exploration of our obsession with the end of the world, from Mary Shelley’s The Last Man to the Manic Street Preachers’ Everything Must Go.

For two millennia, Christians have anticipated the end of the world, haunted by the apocalyptic visions of the Book of Revelation. But over the past two centuries, these dark fantasies have given way to secular stories of how the world, our planet, or our species (or all of the above) might be annihilated.

In Everything Must Go – a cultural history of the modern world that weaves together politics, history, science, high and popular culture – Dorian Lynskey explores the endings that we have read, listened to, or watched, while perched on the edge of our seats with eyes wide, (mostly) loving every moment.

Whether with visions of destruction by nuclear holocaust or a mighty collision with a meteor, a devastating epidemic or a violent takeover by robots, why do we like to scare ourselves, and why do we keep coming back for more?

Deeply illuminating about our past, our present and – given the revelation that the end of the world has seemingly always been nigh – hopeful about our future, Everything Must Go will grip you from beginning to, well, end.

From one of the United Kingdom's most prominent music critics, a page-turning and wonderfully researched history of 33 songs that have transformed the world through the twentieth century and beyond.

When pop music meets politics, the results are often thrilling, sometimes life-changing, and never simple. The protest songs of such great artists as Woody Guthrie, Bob Dylan, Stevie Wonder, U2, Public Enemy, Fela Kuti, R.E.M., Rage Against the Machine, and the Clash represent pop music at its most charged and relevant, providing the soundtrack and informing social change since the 1930s. They capture the attention and passions of listeners, force their way into the news, and make their presence felt from the streets to the corridors of power.

33 Revolutions Per Minute is a history of protest music embodied in 33 songs that span seven decades and four continents, from Billie Holiday crooning "Strange Fruit" before a shocked audience to Crosby, Stills, Nash, and Young paying tribute to the Vietnam protesters killed at Kent State in "Ohio," to Green Day railing against President Bush and twenty-first-century media in "American Idiot." With the aid of exclusive new interviews, Dorian Lynskey explores the individuals, ideas, and events behind each song. This expansive survey examines how music has engaged with racial unrest, nuclear paranoia, apartheid, war, poverty, and oppression, offering hope, stirring anger, inciting action, and producing songs that continue to resonate years down the line, sometimes at great cost to the musicians involved.

For the audience who embraced Alex Ross's The Rest Is Noise, Bob Dylan's Chronicles, or Simon Reynolds's Rip It Up and Start Again, 33 Revolutions Per Minute is an absorbing and moving account of 33 songs that made history.

This graduate-level textbook provides an elementary exposition of the theory of automorphic representations and L-functions for the general linear group in an adelic setting. Definitions are kept to a minimum and repeated when reintroduced so that the book is accessible from any entry point, and with no prior knowledge of representation theory. The book includes concrete examples of global and local representations of GL(n), and presents their associated L-functions. In Volume 1, the theory is developed from first principles for GL(1), then carefully extended to GL(2) with complete detailed proofs of key theorems. Several proofs are presented for the first time, including Jacquet's simple and elegant proof of the tensor product theorem. In Volume 2, the higher rank situation of GL(n) is given a detailed treatment. Containing numerous exercises by Xander Faber, this book will motivate students and researchers to begin working in this fertile field of research.

The 1931 Universal Pictures film adaptation of Frankenstein directed by James Whale and starring Boris Karloff as the now iconic Monster claims in its credits to be ‘Adapted from the play by Peggy Webling’. Webling’s play sought to humanize the creature, was the first to position Frankenstein and his creation as doppelgängers, and offered a feminist perspective on scientific efforts to create life without women, ideas that suffuse today’s perceptions of Frankenstein’s monster. Buried in a private archive, scholars have never had access to the original play script and so could not fully chart the evolution of Frankenstein from book to stage to screen. In Peggy Webling’s Frankenstein, Dorian Gieseler Greenbaum (Webling’s great grandniece) and Bruce Graver present the full texts of Webling’s unpublished play for the first time. A vital critical edition, this book includes: - the 1928 Library of Congress version of the play Frankenstein with a short manuscript census - the 1927 British Library version of the first production of the play in Preston, Lancashire - the 1930 Prompt Script for the London production, held by the Westminster Archive, London - Webling’s private correspondence including negotiations with theatres managers and Universal Pictures, family letters about the production process, and selected contracts - Text of the chapter ‘Frankenstein’ from Webling’s unpublished literary memoir, The Story of a Pen for additional context - Exposition on Webling’s life that bears directly on the sensibilities and skills she brought to the writing of her play - History of how the play came to be written and produced - The relationship of Webling’s play to earlier stage adaptations - An exploration of playwright and screenwriter John L. Balderston’s changes to Webling’s play and how the 1931 film compares Offering a new perspective on the genesis of the Frankenstein movie, this critical exploration makes available a unique and necessary ‘missing link’ in the novel’s otherwise well-documented transmedia cultural history.

Rahja is an ailing old man. As his life draws near to its end, he begins to experience visions of his past and glimpses of eternal life. Failed relationships, long bouts of unrestricted alcoholism, and the longtime estrangement of his only son haunt his dying days. His attempts to resolve these issues find an unlikely ally in the companionship of an aging Catholic priest named Padre Pauly.

Padre Pauly has also confronted similar tribulations. With his help, Rahja comes to sudden promise late in life. He finds resolve in the realm of the unexplained. Rahja's answers come in the form of inspired healing and the plainly mysterious. On his lonely path to rejuvenation, Rahja finds brief connection with his first and only wife, Rose. His answers come in the form of questions. His problems are answered by listening and quietly accepting the soft melodies of An Exceptional Zephyr.

Bald Ambition is a potpourri of ideas, essays, writing styles and assorted madness representing a unique voice of black gayness regurgitated from the ghetto bowels of Detroit Brent's Fagenda and Brent Reloaded From 2001 through 2004, the outrageous, thought-provoking, award-winning column in the Detroit-based Between The Lines newspaper chronicled the life of the writer struggling to cope with the everyday freak shows and fallacies of being black, gay, HIV-positive and bipolar in America. Includes such classic essays as "Dreading the Term 'N-Word' More than the Word Itself," "C'mon, Baby, Let Me Just Stick the Head In," "In Search of the Perfect Orgy," "When the Bottom Falls Out of the Market," "Girl, He Tore my Guts Out," and "When are You Queens Going to Let Go of Astrology" Historically Black, Historically Gay 40 short bios and beautifully rendered drawings of black gay historical figures, including Barbara Jordan, George Washington Carver, Angela Davis, Bayard Rustin, Billie Holiday, Benjamin Banneker and many more Black Pride Diaries A snapshot of the Black Gay Pride circuit as witnessed by the writer during three summers of book tours Verse Perverse A twisted collection of five very naughty black gay erotic fantasies, including the unspeakably blunt "Prisoners of Lust " Don't miss out on this groundbreaking latest work from the up-and-coming writer of the electrifying novels Man of the Cloth, This Time Around, and The 21st Century Chronicles of Thugg the Barbarian King

The story of Thugg begins atop Mt. Kilimanjaro, Tanzania, where his perfectly preserved frozen body is discovered after 12,000 years in the ice. The ancient African is transported to the prestigious Yancey University in Massachusetts for study, where the head of the Bio-engineering department announces that it is possible to restore him to life utilizing the emerging new science of microrobotics called nanotechnology. Setting this mind-boggling enterprise into motion, it is quickly realized by the university staff that the Kilimanjaroan is unprepared to cope with the shocking circumstances of his resurrection and the realities he faces in 21st Century. Thugg is deeply distrustful of white people, having never seen one in his original lifetime, and thus is paired with the head of YU's Psychology Department, a brilliant African American named Dr. Quantez Phillips, and his best friend and colleague, Dr. Ruthenia Haynes, head of the Language Department. Together they set out to prove that they can teach this "caveman" to become a thinking and productive member of modern-day society. They succeed beyond their wildest imaginations. As Thugg's language skills become increasingly sophisticated, he reveals that he was born a barbarian and ruled as the king of a vast, now extinct African empire. His saga intrigues and inspires all of humanity, especially African Americans, who hold him up as proof that blacks can achieve any goal they set their minds upon. Thugg becomes a global celebrity-a cross between Dr. Martin Luther King and Tupac Shakur. As he becomes increasingly cognizant of the dire plight of the black race, he invokes his royal roots and uses his status to speak out for revolution-acall that has the potential to dramatically alter race relations across the planet, for better or worse, forever. The epic saga plays out against the backdrop of the convoluted love triangle that erupts between Thugg, Dr. Haynes and Dr. Phillips, whose homosexuality is a closely guarded secret. Haynes' and Phillips' deep friendship is jeopardized as the two academicians battle each other for Thugg's affections. And thus, the story examines the paramount issue of homophobia, as well as racism, sexism, ethics, drug and celebrity culture, and the prison/industrial complex, from the unique perspective of an ancient African 12 millennia misplaced from the time period of his birth. Born a barbarian. Died a king. Resurrected as legend. Destined to conquer. The 21st Century Chronicles of Thugg the Barbarian King is a homoerotic ghetto love story between the three most unexpected characters of all time-the latest stunning literary event from the unique bipolar mind of Brent Dorian Carpenter.

In Drawing the Past, Volume 2: Comics and the Historical Imagination in the World, contributors seek to examine the many ways in which history worldwide has been explored and (re)represented through comics and how history is a complex construction of imagination, reality, and manipulation. Through a close analysis of such works as V for Vendetta, Maus, and Persepolis, this volume contends that comics are a form of mediation between sources (both primary and secondary) and the reader. Historical comics are not drawn from memory but offer a nonliteral interpretation of an object (re)constructed in the creator's mind. Indeed, when it comes to history, stretching the limits of the imagination only serves to aid in our understanding of the past and, through that understanding, shape ourselves and our futures. This volume, the second in a two-volume series, is divided into three sections: History and Form, Historical Trauma, and Mythic Histories. The first section considers the relationship between history and the comic book form. The second section engages academic scholarship on comics that has recurring interest in the representation of war and trauma. The final section looks at mythic histories that consciously play with events that did not occur but nonetheless inflect our understanding of history. Contributors to the volume also explore questions of diversity and relationality, addressing differences between nations and the cultural, historical, and economic threads that bind them together, however loosely, and however much those bonds might chafe. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world. Contributions by Dorian Alexander, Chris Bishop, David Budgen, Lewis Call, Lillian Cespedes Gonzalez, Dominic Davies, Sean Eedy, Adam Fotos, Michael Goodrum, Simon Gough, David Hitchcock, Robert Hutton, Iain A. MacInnes, Malgorzata Olsza, Philip Smith, Edward Still, and Jing Zhang.

This work is motivated by the ongoing open question of how information in the outside world is represented and processed by the brain. Consequently, several novel methods are developed. A new mathematical formulation is proposed for the encoding and decoding of analog signals using integrate-and-fire neuron models. Based on this formulation, a novel algorithm, significantly faster than the state-of-the-art method, is proposed for reconstructing the input of the neuron. Two new identification methods are proposed for neural circuits comprising a filter in series with a spiking neuron model. These methods reduce the number of assumptions made by the state-of-the-art identification framework, allowing for a wider range of models of sensory processing circuits to be inferred directly from input-output observations. A third contribution is an algorithm that computes the spike time sequence generated by an integrate-and-fire neuron model in response to the output of a linear filter, given the input of the filter encoded with the same neuron model.

History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fuelling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world. Contributions by Lawrence Abrams, Dorian Alexander, Max Bledstein, Peter Cullen Bryan, Stephen Connor, Matthew J. Costello, Martin Flanagan, Michael Fuchs, Michael Goodrum, Bridget Keown, Kaleb Knoblach, Christina M. Knopf, Martin Lund, Jordan Newton, Stefan Rabitsch, Maryanne Rhett, and Philip Smith.

Serge Lang was an iconic figure in mathematics, both for his own important work and for the indelible impact he left on the field of mathematics, on his students, and on his colleagues. Over the course of his career, Lang traversed a tremendous amount of mathematical ground. As he moved from subject to subject, he found analogies that led to important questions in such areas as number theory, arithmetic geometry, and the theory of negatively curved spaces. Lang's conjectures will keep many mathematicians occupied far into the future. In the spirit of Lang's vast contribution to mathematics, this memorial volume contains articles by prominent mathematicians in a variety of areas of the field, namely Number Theory, Analysis, and Geometry, representing Lang's own breadth of interest and impact. A special introduction by John Tate includes a brief and fascinating account of the Serge Lang's life. This volume's group of 6 editors are also highly prominent mathematicians and were close to Serge Lang, both academically and personally. The volume is suitable to research mathematicians in the areas of Number Theory, Analysis, and Geometry.

This 1993 book examines the road haulage trade in England when it depended on horses and wagons, chiefly through the letters and papers of one of the largest firms which operated between the West Country and London in the early nineteenth century. Other documents extend the coverage of the firm's history from the seventeenth century to the mid-nineteenth century, making it possible to examine how road transport changed during the course of two centuries. The Russell letters are all extraordinary and unique survival, showing in detail how the firm managed to convey up to six tons at a time in all weathers, how dominated it was by the capabilities and needs of the horse, how reliable its services were, who it served and how important it was to a variety of users. In sum the book provides a full account of the road haulage industry from the seventeenth century until the coming of the railways.

The immune system is not bound by a single tissue but is instead bestowed with the challenge of warding off invading pathogens throughout the body. Constant surveillance of the body requires that the immune system be highly mobile and able to purge pathogens from all tissues. Because each tissue presents its own unique architecture and milieu, it is necessary for the immune system to be as malleable as it is dynamic. For example, how the immune system handles a pathogen in the lung can differ significantly from a pathogen encountered in the gut.

Understanding immune complexity in diverse tissue environments is a challenge for researchers. However, advances in imaging have greatly improved our ability to probe the immune system. From snap-shots in time to 4D movies, imaging systems have been used to generate stunning visualizations of immune cells in action throughout the body. These visualizations are not only aesthetically pleasing but they have yielded great advances in our understanding of immune function. This volume provides a synopsis of major insights in immunology revealed using imaging approaches. "Seeing is truly believing," and this volume was assembled to recognize past accomplishments and to provide visions of what the future holds in store in this exciting field.

Multiple Dirichlet Series, L-functions and Automorphic Forms gives the latest advances in the rapidly developing subject of Multiple Dirichlet Series, an area with origins in the theory of automorphic forms that exhibits surprising and deep connections to crystal graphs and mathematical physics. As such, it represents a new way in which areas including number theory, combinatorics, statistical mechanics, and quantum groups are seen to fit together. The volume also includes papers on automorphic forms and L-functions and related number-theoretic topics. This volume will be a valuable resource for graduate students and researchers in number theory, combinatorics, representation theory, mathematical physics, and special functions. Contributors: J. Beineke, B. Brubaker, D. Bump, G. Chinta, G. Cornelissen, C.A. Diaconu, S. Frechette, S. Friedberg, P. Garrett, D. Goldfeld, P.E. Gunnells, B. Heim, J. Hundley, D. Ivanov, Y. Komori, A.V. Kontorovich, O. Lorscheid, K. Matsumoto, P.J. McNamara, S.J. Patterson, M. Suzuki, H. Tsumura.

Police psychology has become an integral part of present-day police agencies, providing support in the areas of personnel assessment, individual and organisational intervention, consultation, and operational assistance. Research-based resources contribute to those efforts by shedding light on best practices, identifying recent research and developments, and calling attention to important challenges and growth areas that remain.Police Psychology and Its Growing Impact on Modern Law Enforcement emphasises key elements of police psychology as it relates to current issues and challenges in law enforcement and police agencies. Focusing on topics relevant to assessment and evaluation of applicants and incumbent officers, clinical intervention and prevention, employee wellness and support, operational consultation, and emerging trends and developments, this edited publication is an essential reference source for practising police psychologists, researchers, graduate-level students, and law enforcement executives.