A brilliantly original exploration of our obsession with the end of the world, from Mary Shelley’s The Last Man to the Manic Street Preachers’ Everything Must Go.

For two millennia, Christians have anticipated the end of the world, haunted by the apocalyptic visions of the Book of Revelation. But over the past two centuries, these dark fantasies have given way to secular stories of how the world, our planet, or our species (or all of the above) might be annihilated.

In Everything Must Go – a cultural history of the modern world that weaves together politics, history, science, high and popular culture – Dorian Lynskey explores the endings that we have read, listened to, or watched, while perched on the edge of our seats with eyes wide, (mostly) loving every moment.

Whether with visions of destruction by nuclear holocaust or a mighty collision with a meteor, a devastating epidemic or a violent takeover by robots, why do we like to scare ourselves, and why do we keep coming back for more?

Deeply illuminating about our past, our present and – given the revelation that the end of the world has seemingly always been nigh – hopeful about our future, Everything Must Go will grip you from beginning to, well, end.

From one of the United Kingdom's most prominent music critics, a page-turning and wonderfully researched history of 33 songs that have transformed the world through the twentieth century and beyond.

When pop music meets politics, the results are often thrilling, sometimes life-changing, and never simple. The protest songs of such great artists as Woody Guthrie, Bob Dylan, Stevie Wonder, U2, Public Enemy, Fela Kuti, R.E.M., Rage Against the Machine, and the Clash represent pop music at its most charged and relevant, providing the soundtrack and informing social change since the 1930s. They capture the attention and passions of listeners, force their way into the news, and make their presence felt from the streets to the corridors of power.

33 Revolutions Per Minute is a history of protest music embodied in 33 songs that span seven decades and four continents, from Billie Holiday crooning "Strange Fruit" before a shocked audience to Crosby, Stills, Nash, and Young paying tribute to the Vietnam protesters killed at Kent State in "Ohio," to Green Day railing against President Bush and twenty-first-century media in "American Idiot." With the aid of exclusive new interviews, Dorian Lynskey explores the individuals, ideas, and events behind each song. This expansive survey examines how music has engaged with racial unrest, nuclear paranoia, apartheid, war, poverty, and oppression, offering hope, stirring anger, inciting action, and producing songs that continue to resonate years down the line, sometimes at great cost to the musicians involved.

For the audience who embraced Alex Ross's The Rest Is Noise, Bob Dylan's Chronicles, or Simon Reynolds's Rip It Up and Start Again, 33 Revolutions Per Minute is an absorbing and moving account of 33 songs that made history.

Longlisted for the Baillie Gifford Prize for Non-Fiction 2019 Longlisted for the Orwell Prize for Political Writing 2020 'If you have even the slightest interest in Orwell or in the development of our culture, you should not miss this engrossing, enlightening book.' John Carey, Sunday Times George Orwell's last novel has become one of the iconic narratives of the modern world. Its ideas have become part of the language - from 'Big Brother' to the 'Thought Police', 'Doublethink', and 'Newspeak' - and seem ever more relevant in the era of 'fake news' and 'alternative facts'. The cultural influence of 1984 can be observed in some of the most notable creations of the past seventy years, from Margaret Atwood's The Handmaids Tale to Terry Gilliam's Brazil, from Alan Moore and David Lloyd's V for Vendetta to David Bowie's Diamond Dogs - and from the launch of Apple Mac to the reality TV landmark, Big Brother. In this remarkable and original book. Dorian Lynskey investigates the influences that came together in the writing of 1984 from Orwell's experiences in the Spanish Civil War and war-time London to his book's roots in utopian and dystopian fiction. He explores the phenomenon that the novel became on publication and the changing ways in which it has been read over the decades since. 2019 marks the seventieth anniversary of the publication of what is arguably Orwell's masterpiece, while the year 1984 itself is now as distant from us as it was from Orwell on publication day. The Ministry of Truth is a fascinating examination of one of the most significant works of modern English literature. It describes how history can inform fiction and how fiction can influence history.

George Orwell’s Nineteen Eighty-Four is one of the most famous and influential novels of the 20th century. This terrifying dystopia, which he created in a time of great social and political unrest, remains acutely relevant and influential to this day.

Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features an introduction by writer and journalist Dorian Lynskey.

The year is 1984. The country is impoverished and permanently at war, people are watched day and night by Big Brother and their every action and thought is controlled by the Thought Police. Winston Smith works in the department of propaganda, where his job is to rewrite the past. Spurred by his longing to escape, Winston rebels. He breaks the law by falling in love with Julia, and, as part of the clandestine organization the Brotherhood, they attempt the unimaginable – to bring down the Party.

33 Revolutions Per Minute tracks the turbulent relationship between popular music and politics, through 33 pivotal songs that span seven decades and four continents, from Billie Holiday singing 'Strange Fruit' to Green Day raging against the Iraq war. Dorian Lynskey explores the individuals, ideas and events behind each song, showing how protest music has soundtracked and informed social change since the 1930s. Through the work of such artists as Woody Guthrie, Bob Dylan, Stevie Wonder, Fela Kuti, The Clash, Public Enemy and Gil Scott Heron, Lynskey examines how music has engaged with racial unrest, nuclear paranoia, apartheid, war, poverty and oppression, offering hope, stirring anger, inciting action and producing songs which continue to resonate years down the line.

George Orwell's last novel has become one of the iconic narratives of the modern world. Its ideas have become part of the language - from 'Big Brother’ to the 'Thought Police', 'Doublethink', and 'Newspeak' - and seem ever more relevant in the era of 'fake news' and 'alternative facts’.

The cultural influence of 1984 can be observed in some of the most notable creations of the past seventy years, from Margaret Atwood's The Handmaid’s Tale to Terry Gilliam's Brazil, from Alan Moore and David Lloyd’s V for Vendetta to David Bowie's Diamond Dogs – and from the launch of Apple Mac to the reality TV landmark, Big Brother. In this remarkable and original book, Dorian Lynskey investigates the influences that came together in the writing of 1984 from Orwell's experiences in the Spanish Civil War and war-time London to his book's roots in utopian and dystopian fiction. He explores the phenomenon that the novel became on publication and the changing ways in which it has been read over the decades since.

2019 marked the seventieth anniversary of the publication of what is arguably Orwell’s masterpiece, while the year 1984 itself is now as distant from us as it was from Orwell on publication day. The Ministry of Truth is a fascinating examination of one of the most significant works of modern English literature.