Why Catalans insist on their identity. The tragic fate of the millenary personality of Catalonia has rarely been fully appreciated abroad. Since the early eighteenth century its national voice has been submerged and fractured by a centralist state intent on its arbitrary, unitarian vision of a homogenized Spain. Catalan difference has emerged sporadically in the persons of such irrepressible geniuses as Gaudí, Dalí, Miró and Bigas Luna but, in the configuration of modern Europe, the relentlessinevitability of the unified state has imposed and re-imposed its singular cultural voice. The present volume attempts to equip the English-speaking reader with a fuller understanding of the uniqueness and quality of the culture of Catalonia by providing a comprehensive portfolio of the creative contribution of the nation across a broad spectrum of achievement. Though the artistic wealth of the medieval period is acknowledged appropriately, this study, with its focus on the modern age, privileges excellence not only in the more conventional, academic spheres of history, music, language, literature and the arts but also explores the value of more basic, popular experience inareas such as sport, cinema, festivals, cuisine and the city of Barcelona. DOMINIC KEOWN is Reader in Catalan at the University of Cambridge. CONTRIBUTORS: Elisenda Barbé, Robert Davidson, Alexander Ibarz, Louise Johnson, Dominic Keown, Tess Knighton, Jaume Martí-Olivella, Dorothy Noyes, Montserrat Roser i Puig, Antoni Segura, Miquel Strubell.

Fire in the Placa Catalan Festival Politics After Franco Dorothy Noyes Winner of the 2005 Fellows of the American Folklore Society Book Prize "An excellent model of how to approach the analysis of principal communities, in Europe and elsewhere, that are struggling to overcome internal conflicts and contradictions and find acceptable ways of participating in a wider, increasingly globalized world."--"South European Society and Politics" "This impressive contribution to the anthropology of Europe is the first full-length study in English of the Patum, a Corpus Christi fire festival unique to the town of Berga, in the foothills of the Catalan Pyrenees (Spain). It also marks the emergence of an important scholar. Noyes combines that rarity--well-crafted and accessible prose--with a theoretical architecture that borrows from hermeneutics and the anthropology of power. . . . Highly recommended."--"Choice" "This book stands above other festival studies in its ability not only to convey information but also, of equal importance, to recreate the emotional texture of events for performers and audience alike. . . . This book is a must."--"Journal of American Folklore" Selected by "Choice" magazine as an Outstanding Academic Title "Fire in the Placa" is the first full-length study in English of the Patum, a Corpus Christi fire festival unique to Berga, Catalonia, Spain, celebrated annually since the seventeenth century. Participants in the festival are transformed through drink, sleep deprivation, crowding, constant motion, and the smoke and sparks of close-range firecrackers into passionate members of a precarious body politic. Combining richly layered symbolism with intense bodily expression, the Patum has long served as a grassroots equivalent of grand social theory; it moves from a representation of social divisions to a forcible communion among them. Dorothy Noyes is Associate Professor of Folklore and English at The Ohio State University and author of "Uses of Tradition: Arts of Italian Americans in Philadelphia." 2003 336 pages 6 x 9 14 illus. ISBN 978-0-8122-3729-0 Cloth $69.95s 45.50 ISBN 978-0-8122-1849-7 Paper $28.95s 19.00 World Rights Anthropology Short copy: "This impressive contribution to the anthropology of Europe is the first full-length study in English of the Patum, a Corpus Christi fire festival unique to the town of Berga, in the foothills of the Catalan Pyrenees (Spain). It also marks the emergence of an important scholar. . . . Highly recommended."--"Choice"

At once a slogan and a vision for future scholarship, interdisciplinarity promises to break through barriers to address today's complex challenges. Yet even high-stakes projects often falter, undone by poor communication, strong feelings, bureaucratic frameworks, and contradictory incentives. This new book shows newcomers and veteran researchers how to craft associations that will lead to rich mutual learning under inevitably tricky conditions. Strikingly candid and always grounded, the authors draw a wealth of profound, practical lessons from an in-depth case study of a multiyear funded project on cultural property. Examining the social dynamics of collaboration, they show readers how to anticipate sources of conflict, nurture trust, and jump-start thinking across disciplines. Researchers and institutions alike will learn to plan for each phase of a project life cycle, capturing insights and shepherding involvement along the way.

Celebrated folklorist, Dorothy Noyes, offers an unforgettable glimpse of her craft and the many ways it matters. Folklore is the dirty linen of modernity, carrying the traces of working bodies and the worlds they live in. It is necessary but embarrassing, not easily blanched and made respectable for public view, although sometimes this display is deemed useful. The place of folklore studies among modern academic disciplines has accordingly been marginal and precarious, yet folklore studies are foundational and persistent. Long engaged with all that escapes the gaze of grand theory and grand narratives, folklorists have followed the lead of the people whose practices they study. They attend to local economies of meaning; they examine the challenge of making room for maneuver within circumstances one does not control. Incisive and wide ranging, the fifteen essays in this book chronicle the "humble theory" of both folk and folklorist as interacting perspectives on social life in the modern Western world.

Celebrated folklorist, Dorothy Noyes, offers an unforgettable glimpse of her craft and the many ways it matters. Folklore is the dirty linen of modernity, carrying the traces of working bodies and the worlds they live in. It is necessary but embarrassing, not easily blanched and made respectable for public view, although sometimes this display is deemed useful. The place of folklore studies among modern academic disciplines has accordingly been marginal and precarious, yet folklore studies are foundational and persistent. Long engaged with all that escapes the gaze of grand theory and grand narratives, folklorists have followed the lead of the people whose practices they study. They attend to local economies of meaning; they examine the challenge of making room for maneuver within circumstances one does not control. Incisive and wide ranging, the fifteen essays in this book chronicle the "humble theory" of both folk and folklorist as interacting perspectives on social life in the modern Western world.