Shattered Bonds is a stirring account of a worsening American social crisis--the disproportionate representation of black children in the U.S. foster care system and its effects on black communities and the country as a whole. Tying the origins and impact of this disparity to racial injustice, Dorothy Roberts contends that child-welfare policy reflects a political choice to address startling rates of black child poverty by punishing parents instead of tackling poverty's societal roots. Using conversations with mothers battling the Chicago child-welfare system for custody of their children, along with national data, Roberts levels a powerful indictment of racial disparities in foster care and tells a moving story of the women and children who earn our respect in their fight to keep their families intact.

A decade after the Human Genome Project proved that human beings are not naturally divided by race, scientists are attempting to resuscitate race as a biological category. In this provocative analysis, leading legal scholar and social critic Dorothy Roberts argues that America is once again at the brink of a virulent outbreak of classifying population by race. By searching for differences at the molecular level, a new race-based science is obscuring racism in society and legitimising state brutality against communities at a time when America claims to be post-racial.

This is a no-holds-barred response to the liberal and conservative retreat from an assertive, activist, and socially transformative civil rights agenda of recent years--using a black feminist lens and the issue of  the impact of recent legislation, social policy, and welfare "reform" on black women's--especially poor black women's--control over their bodies' autonomy and their freedom to bear and raise children with respect and dignity in a society whose white mainstream is determined to demonize, even criminalize their lives.   It gives its readers a cogent legal and historical argument for a radically new , and socially transformative, definition of  "liberty" and "equality" for the American polity from a black feminist perspective.

The author is able to combine the most innovative and radical thinking on several fronts--racial theory, feminist, and legal--to produce a work that is at once history and political treatise.  By using the history of how American law--beginning with slavery--has treated the issue of the state's right  to interfere with the black woman's body, the author explosively and effectively makes the case for the legal redress to the racist implications of current policy with regards to 1) access to and coercive dispensing of birth control to poor black women 2) the criminalization of parenting by poor black women who have used drugs 3) the stigmatization and devaluation of poor black mothers under the new welfare provisions, and 4) the differential access to and disproportionate spending of social resources on the new reproductive technologies used by wealthy white couples to insure genetically related offspring.

The legal redress of the racism inherent in current  American law and policy in these matters, the author argues in her last chapter, demands and should lead us to adopt a new standard and definition of the liberal theory of "liberty" and "equality" based on the need for, and the positive role of government in fostering, social as well as individual justice.

In the Flight of Stars, Dorothy Roberts's seventh book of poetry and her first in more than a decade, is -- in her own words -- " a collection of latter-life poems," the mature work of a firm intelligence. No sentimentalist, Roberts unflinchingly confronts the polarities of birth and death, decay and renewal, the gradual passage of light, the forces of dissolution, the patterns and requirements of nature. Growing old, she observes the pleasures of age and the interwoven pattern of loss. Like the best of her earlier work, In the Flight of Stars demonstrates Roberts's ease with language, her preference for meter and movement, her interest in subtle variations of sound and her ability to combine idea and metaphor. The result is a signifcant collection of verse which is formal without being austere; muscular yet singularly delicate and sensuous.

Long, long ago there were no beautifully colored birds like we see today. Raven and his friend Jay are tired of the dull gray color of their feathers. Raven has an idea to change this and leads Jay on an adventure, but his plan turns out to be full of surprises--even for him. Author Dotty Cline based this delightful tale on an Athabascan myth. She cut the brightly colored illustrations from finger paintings created by her grandchildren.