Helena Rubinstein and Elizabeth Arden defined beauty standards for the first half of the twentieth century. Brilliant innovators with humble roots, both were masters of self-invention who sacrificed everything to become the country's first major female entrepreneurs. They were also fierce competitors whose fifty-year tug-of-war would give birth to an industry. From Fifth Avenue society to the halls of Congress, their rivalry was relentless and legendary - pushing both women to build international empires in a world dominated by men.

Nominee 2013 Outer Critics Circle Award, Outstanding New Broadway Musical
Nominee 2013 Outer Critics Circle Award, Outstanding New Score
Nominee 2013 Drama Desk Award, Outstanding Musical
Nominee 2013 Drama Desk Award, Outstanding Music
Nominee 2013 Drama Desk Award, Outstanding Lyrics
Nominee 2013 Drama Desk Award, Outstanding Book of a Musical
Nominee 3 Tony Awards, including Best Original Score, 2013
For 10 hard-luck Texans, a new lease on life is so close they can touch it. Under a scorching sun for days on end, armed with nothing but hope, humor and ambition, they'll fight to keep at least one hand on a brand-new truck in order to win it. In the hilarious, hard-fought contest that is "Hands on a Hardbody" only one winner can drive away with the American Dream.
Inspired by the true events of the acclaimed 1997 documentary of the same name by S.R. Bindler, produced by Kevin Morris and Bindler.

Winner of the 2004 Pulitzer Prize for Drama
From the Obie Award-winning author of "Quills" comes this acclaimed one-man show, which explores the astonishing true story of Charlotte von Mahlsdorf. A transvestite and celebrated antiques dealer who successfully navigated the two most oppressive regimes of the past century-the Nazis and the Communists--while openly gay and defiantly in drag, von Mahlsdorf was both hailed as a cultural hero and accused of colluding with the Stasi. In an attempt to discern the truth about Charlotte, Doug Wright has written "at once a vivid portrait of Germany in the second half of the twentieth century, a morally complex tale about what it can take to be a survivor, and an intriguing meditation on everything from the obsession with collecting to the passage of time" (Hedy Weiss, "Chicago Sun-Times").