Andy, Dag and Claire have been handed a society beyond their means. Twentysomethings, brought up with divorce, Watergate and Three Mile Island, and scarred by the 80s fallout of yuppies, recession, crack and Ronald Reagan, they represent the new generation - Generation X. Fiercely suspicious of being lumped together as an advertiser's target market, they have quit dreary careers and cut themselves adrift in the California desert. Unsure of their futures, they immerse themselves in a regime of heavy drinking and working in no future McJobs in the service industry. Underemployed, overeducated and intensely private and unpredicatable, they have nowhere to direct their anger, no one to assuage their fears, and no culture to replace their anomie. So they tell stories: disturbingly funny tales that reveal their barricaded inner world. A world populated with dead TV shows, 'Elvis moments' and semi-disposible Swedish furniture.

Douglas Berry Copland (1894 1971) was a renowned economist and diplomat. Originally published in 1934, this book was based upon the Alfred Marshall lectures delivered by Copland at the University of Cambridge during October and November 1933. The text offers an account of the Great Depression as it happened in Australia, presenting an outline of the economic crisis and sketching the main lines of policy pursued in reaction to it. A diary of events is also provided, along with statistical tables and charts. This book will be of value to anyone with an interest in Australian economic history, economic policy and the Great Depression.

Following the hugely acclaimed bestseller Hey Nostradamus! comes a major new novel from Douglas Coupland: the wonderfully warm, funny, life-affirming story of Liz Dunn, a woman who has spent her whole life alone and lonely - until now... This is a brilliant work of commercial literary fiction from an author who just gets better and better. 'My name is Liz Dunn. The Liz Dunns of this world take classes in croissant baking, and would rather chew on soccer balls than deny their children muesli. They own one sex toy, plus one cowboy fantasy that accompanies its use... Look at me: I am a traitor to my name: I'm not cheerful; I'm drab. I'm crabby and friendless. And lonely.' Liz Dunn is 42 years old, and lonely. Her house is like 'a spinster's cell block', and she may or may not snore - there's never been anybody to tell her. Then one day in 1997, with the comet Hale Bopp burning bright in the blue-black sky, Liz receives an urgent phone call asking her to visit a young man in hospital. All at once, the loneliness that has come to define her is ripped away by this funny, smart, handsome young stranger, Jeremy. Her son. Eleanor Rigby is a tale of loneliness and hope that introduces Douglas Coupland's finest character yet. Illuminated by a wonderfully gentle, searching wisdom, it sees Coupland ascend to a new level of peace and grace in his ever-more-extraordinary career.

Douglas Coupland takes his sparkling literary talent in a new direction with this crackling collection of takes on life and death in North America -- from his sweeping portrait of Grateful Dead culture to the deaths of Kurt Cobain, Marilyn Monroe and the middle class.

For years, Coupland's razor-sharp insights into what it means to be human in an age of technology have garnered the highest praise from fans and critics alike. At last, Coupland has assembled a wide variety of stories and personal "postcards" about pivotal people and places that have defined our modern lives. Polaroids from the Dead  is a skillful combination of stories, fact and fiction -- keen outtakes on life in the late 20th century, exploring the recent past and a society obsessed with celebrity, crime and death. Princess Diana, Nicole Brown Simpson and Madonna are but some of the people scrutinized.

From the acclaimed author of Hey Nostradamus! comes a wonderful comic novel with 'more one-liners than a decade of Woody Allen films' (Guardian), about the scramble for love and success in a brave new world... Bill is wise. Bill is kind. Bill is benevolent. Bill, Be My Friend... Please! At computer giant Microsoft, Dan, Susan, Abe, Todd and Bug are struggling to get a life. The job may be super cool, the pay may be astronomical, but they're heading nowhere, and however hard they work, however many shares they earn, they're never going to be as rich as Bill. And besides, with all the hours they're putting in, their best relationships are on e-mail. Something's got to give...

In a cheap motel an hour from Cape Canaveral, Janet Drummond takes her medication, and does a rapid tally of the whereabouts of her children. Wade has spent the night in jail; suicidal Bryan is due to arrive at any moment with his vowel-free girlfriend, Shw; and then there is Sarah, 'a bolt of lightning frozen in midflash' – here in Orlando to be the star of Friday's shuttle mission. With Janet's ex-husband and his trophy wife also in town, Janet spends a moment contemplating her family, and where it all went wrong. Or did it?

'"Irresistibly hilarious, unique and wonderful…"'
'Independent on Sunday'

'"Heartbreakingly bitter-sweet…This book will make you want to phone your own psychotic family and tell them how much you love them."'
'Daily Telegraph'

What did Karen see that December Night? What pictures of tomorrow could so disturb her that she would flee into a refuge of bottomless sleep? What images would frighten her out of her body, making her leave the world? Why would she leave me? C’mon, Karen-BEB-sugar pops, starbaby – we all know life’s hard…we found that one out pretty quick. You told me we were all going to be dead – but – alive zombies in the future.That’s what you said. Fair’s fair. Tell us what you meant, Karen. I want an answer. Wake up. Wake up, Okay? We’ll drive down town and have an Orange Julius. Hey! – We’ll drive to the states for a steak dinner the size of a mattress. We’ll drive to Europe and drink champagne and we’ll stop in Greenland for ice cubes along the way.
Knock Knock. Who’s there? It’s me, Karen. No joke, no punchline – c’est moi. Will you come out? Or will you let me in?

On a snowy Friday night in 1979, just hours after making love for the first time, Richard's girlfriend, high school senior Karen Ann McNeil, falls into a coma. Nine months later she gives birth to their daughter, Megan. As Karen sleeps through the next seventeen years, Richard and their circle of friends reside in an emotional purgatory, passing through a variety of careers--modeling, film special effects, medicine, demolition--before finally reuniting on a conspiracy-driven super-natural television series. But real life grows as surreal as their TV show as Richard and his friends await Karen's reawakening . . . and the subsequent apocalypse.

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Generation A "is set in the near future in a world where bees are extinct, until five unconnected people all around the world-- in the United States, Canada, France, New Zealand, and Sri Lanka--are all stung. Their shared experience unites them in ways they never could have imagined.
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Generation A "mirrors Coupland's debut novel, 1991's "Generation X." It explores new ways of storytelling in a digital world. Like much of Coupland's writing, it occupies the perplexing hinterland between optimism about the future and everyday apocalyptic paranoia. Imaginative, inventive, and fantastically entertaining, "Generation A "is his most ambitious work to date.

The first in a new series from Dis Voir, Encounters asks a well-known contemporary artist to decide which subjects he or she wants to discuss in their book. Each artist's book therefore offers a specific experience in terms of content. In accordance with this principle, each artist also selects a person -- due to certain elective affinities -- with whom he or she would like to share this exchange. At the very least, the resulting collaborative volumes serve as an artistic and political laboratory of the present. In this first installment, French artist Pierre Huyghe chooses to encounter Canadian writer Douglas Coupland, author of Generation X, because of the influence Coupland has had on his generation and on Huyghe's own work. Together they discuss the construction of characters, of narrative techniques based on chance, and the political dimension present in Coupland's work -- themes that are also fundamental questions on Huyghe's projects.

In Bit Rot, Douglas Coupland explores the different ways in which twentieth-century notions of the future are being shredded, and creates a gem of the digital age. Reading the stories and essays in Bit Rot is like bingeing on Netflix . . . you can't stop with just one. 'Bit rot' is a term used in digital archiving to describe the way digital files can spontaneously and quickly decompose. As Coupland writes, 'bit rot also describes the way my brain has been feeling since 2000, as I shed older and weaker neurons and connections and enhance new and unexpected ones'. Bit Rot the book explores the ways humanity tries to make sense of our shifting consciousness. Coupland, just like the Internet, mixes forms to achieve his ends. Short fiction is interspersed with essays on all aspects of modern life. The result is addictively satisfying for Coupland's legion of fans hungry for his observations about our world. For almost three decades, his unique pattern recognition has powered his fiction, and his phrase-making. Every page of Bit Rot is full of wit, surprise and delight.

Official Records, Tenth Session, Supplement No. 3.

They are Microserfs--six code-crunching computer whizzes who spend upward of sixteen hours a day "coding" and eating "flat" foods (food which, like Kraft singles, can be passed underneath closed doors) as they fearfully scan company e-mail to learn whether the great Bill is going to "flame" one of them. But now there's a chance to become innovators instead of cogs in the gargantuan Microsoft machine. The intrepid Microserfs are striking out on their own--living together in a shared digital flophouse as they desperately try to cultivate well-rounded lives and find love amid the dislocated, subhuman whir and buzz of their computer-driven world.

From the bestselling author of Generation X and Microserfs,comes the absurd and tender story of a hard-living movie producer and a former child beauty pageant contender who only find each other by losing themselves.

Waking up in an L.A. hospital, John Johnson is amazed that it was the flu and not an overdose of five different drugs mixed with cognac that nearly killed him. As a producer of high-adrenaline action flicks, he's led a decadent and dangerous life, purchasing his way through every conceivable variant of sex. But each variation seems to take him one notch away from a capacity for love, and while movie-making was once a way for him to create worlds of sensation, it now bores him. After his near-death experience, John decides to walk away from his life.

Susan Colgate is an unbankable former tv star and child beauty pageant contender. Forced to marry a heavy metal singer in need of a Green Card after her parents squander her sitcom earnings, she becomes the alpha road rat. But when the band's popularity dwindles, the marriage dissolves. Flying back to Los Angeles in Economy, Susan's plane crashes   and only she survives. As she walks away from the disaster virtually unscathed, Susan, too, decides to disappear.

John and Susan are two souls searching for love across the bizarre, celebrity-obsessed landscape of LA, and are driven, almost fatefully, toward each other. Hilarious, fast-paced and ultimately heart-wrenching, Miss Wyoming is about people who, after throwing off their self-made identities, begin the fearful search for a love that exposes all vulnerabilities.

In the near future bees are extinct - until five unconnected individuals, in different parts of the world, are stung. Immediately snatched up by ominous figures in hazmat suits, interrogated searately in neutral Ikea-like chambers, and then released as 15-minute-celebrities into a world driven almost entirely by the internet, these five unforgettable people endure a barrage of unusual and highly 21st-century circumstances. A charismatic scientist with dubious motives eventually brings the quintet together, and their shared experience unites them in a way they could never have imagined. Generation A mirrors the structure of 1991's Generation X as it champions the act of reading and storytelling as one of the few defences we still have against the constant bombardment of the senses in a digital world. Like much of Coupland's writing, it occupies the perplexing hinterland between optimism about the future and everyday, apocalyptic paranoia, and is his most ambitious and entertaining novel to date.

A razor-sharp portrait of a morally bankrupt and gleefully wicked modern man, Worst. Person. Ever. is Douglas Coupland's gloriously filthy, side-splittingly funny and unforgettable novel. Meet Raymond Gunt. A decent chap who tries to do the right thing. Or, to put it another way, the worst person ever: a foul-mouthed, misanthropic cameraman, trailing creditors, ex-wives and unhappy homeless people in his wake. Men dislike him, women flee from him. Worst. Person. Ever. is a deeply unworthy book about a dreadful human being with absolutely no redeeming social value. Gunt, in the words of the author, "is a living, walking, talking, hot steaming pile of pure id." He's a B-unit cameraman who enters an amusing downward failure spiral that takes him from London to Los Angeles and then on to an obscure island in the Pacific where a major American TV network is shooting a Survivor-style reality show. Along the way, Gunt suffers multiple comas and unjust imprisonment, is forced to re-enact the 'Angry Dance' from the movie Billy Elliot and finds himself at the centre of a nuclear war. We also meet Raymond's upwardly failing sidekick, Neal, as well as Raymond's ex-wife, Fiona, herself 'an atomic bomb of pain'. Even though he really puts the 'anti' in anti-hero, you may find Raymond Gunt an oddly likeable character.

A real-time five-hour story set in an airport cocktail lounge during a global disaster. Five disparate people are trapped inside: Karen, a single mother waiting for her online date; Rick, the down-on-his-luck airport lounge bartender; Luke, a pastor on the run; Rachel, a cool Hitchcock blonde incapable of true human contact; and finally a mysterious voice known as Player One. Slowly, each reveals the truth about themselves while the world as they know it comes to an end. In the tradition of Kurt Vonnegut and J.G. Ballard, Coupland explores the modern crises of time, human identity, society, religion and the afterlife. The book asks as many questions as it answers and readers will leave the story with no doubt that we are in a new phase of existence as a species - and that there is no turning back.

We are the first generation raised without God. We are creatures with strong religious impulses, yet they have nowhere to flow in this world of malls and TV, Kraft dinners and jets. How do we cope with loneliness? Anxiety? The collapse of relationships?
How do we reach the quiet, safe layer of our lives? In this compellingly innovative collection of stories, bestselling author Douglas Coupland responds to these themes. Cutting through the hype of modern living to find a rare grace amid our lives, he uncovers a new kind of truth for a culture stuck on fast-forward. A culture seemingly beyond God.

Planet Earth needs a self-help book, and this is it The future is happening to us far faster than we thought it would and this book explains why Fifty years after Marshall McLuhan's ground breaking book on the influence of technology on culture The Medium is the Massage, Shumon Basar, Douglas Coupland and Hans Ulrich Obrist extend the analysis to today, touring the world that's redefined by the Internet, decoding and explaining what they call the 'extreme present'. The Age of Earthquakes is a quick-fire paperback, harnessing the images, language and perceptions of our unfurling digital lives. The authors invent a glossary of new words to describe how we are truly feeling today; and 'mindsource' images and illustrations from over 30 contemporary artists. Wayne Daly's striking graphic design imports the surreal, juxtaposed, mashed mannerisms of screen to page. It's like a culturally prescient, all-knowing email to the reader: possibly the best email they will ever read. Welcome to The Age of Earthquakes, a paper portrait of Now, where the Internet hasn't just changed the structure of our brains these past few years, it's also changing the structure of the planet. This is a new history of the world that fits perfectly in your back pocket.