A charming, original and uncommonly sensitive portrait of Picasso and his beloved dachshund, Lump

One spring morning in 1957, veteran photojournalist David Douglas Duncan paid a visit to his friend and frequent photographic subject Pablo Picasso, at the artist's home near Cannes. As a co-pilot alongside Duncan in his Mercedes Gullwing 300 SL was the photographer's pet dachsund, Lump. Photographer and dog were close companions, but Duncan's nomadic lifestyle and his other dog - a giant jealous Afghan hound who had tormented Lump - made their life in Rome difficult. When they arrived at Picasso's Villa La Californie that historic day, Lump decided that he had found paradise on earth, and that he would move in with Picasso, whether the artist welcomed him or not.

This is the background for a totally original book that offers an uncommonly sensitive portrait of Picasso. Lump was immortalized in a Picasso portrait painted on a plate the day they met, but that was just the beginning. In a suite of forty-five paintings reinterpreting Velasquez’s masterpiece ‘Las Meninas’, Picasso replaced the impassive hound in the foreground with jaunty renderings of Lump.

Today, as a gift from the artist to his hometown as a youth, all of those historic canvases are now the centerpiece exhibition in the Picasso Museum of Barcelona. Fourteen of the paintings are reproduced here in full colour, juxtaposed with Duncan’s dramatic and intimate black-and-white photographs of Picasso and Lump, bringing full circle the odyssey of a lucky dachshund who found his way to becoming a furry, super-stretched icon of modern art.

This beautifully designed book is filled with illustrations and photographs of the many animals in Picasso's life--those he painted and drew, as well as those he loved. One of the few under-examined aspects of Picasso's life and work was his love of animals. The son of a pigeon breeder and an aficionado of bullfighting, Picasso had an eye trained for capturing an animal's movement, shape, and personality--often with just a single line. Organized around the different types of animals that played a role in the artist's life and body of work--from his beloved dachshund, Lump, to dogs, cats, camels, penguins, pigs, and doves, among others--each chapter offers personal accounts, amusing anecdotes, and wondrous works of art. The perfect gift for lovers of animals or Picasso's art, this exquisite treasury of expertly rendered creatures is filled with humor, warmth, and the tremendous bonds between man and animal.

The challenge to the audience in Jonson's major comedies is usually seen as an extension of the provocative techniques of English Morality drama. In this lucid and penetrating study, Professor Duncan aims to supplement that view by suggesting a more sophisticated precedent for Jonson's methods in the practice of 'oblique teaching', which Erasmus and More developed out of their admiration for the Greek author Lucian. Jonson shows that stage-comedy is not as incompatible with the techniques of 'Menippean' non-dramatic satire as has often been thought. More generally, what is called here his 'art of teasing' places him in the centre of a long line of Christian humanist writers - stretching from Erasmus and More to Milton and Swift - who used fiction to educate their public through devious processes of moral and intellectual testing.