From Hare Krishna to the Latter-Day Saints, and from Jehovah's Witnesses to the New Age, religious pluralism in North American presents evangelical Protestantism with significant challenges. Declaring newer religious groups "cults," "aberrant sects," and "heretical religions," the Christian countercult movement has warned that these groups represent a threat to society. In Bearing False Witness? Cowan considers the Christian countercult as a whole, locating it in sociological perspective as an entity distinct from the secular anti-cult. Through his analysis, the author argues that the primary purpose of the countercult movement is to reinforce and repair the Christian worldview when it appears threatened by the advent of alternative religious traditions. This unique analysis of the Christian countercult helps explain why conservative Christian responses to competing religious movements have taken the form that they have in addition to how those responses are carried out. Unlike the anti-cult movement, which is concerned with removing individuals from cults and returning them to their families, the Christian countercult movement, according to the author, attempts not only to remove cultists from the negative influences of the cults to which they belong, but also to insure that they will join the particular version of Christianity adhered to by the countercultists themselves. Beginning with the countercult's early history, the author provides an historical account of the movement and its present activities. Since the rise of new religious movements, the growing interest in religions imported from outside North America, and the broadening of the religious marketplace continues to grow, understanding the Christian countercult and its presence as a countervailing pressure to these increasingly socioreligious dynamics becomes ever more important.

Over the past few decades, mainline Protestant denominations in North America have been experiencing a significant decline in membership, active participation, and financial contributions. In the midst of this decline, these denominations have been caught up in a variety of controversial religious, ecclesiastical, and social issues--a shift from neo-orthodox to liberal theology, the advent of inclusive liturgical and biblical language, denominational support for often controversial social issues, and heated debates around human sexuality, particularly the place of homosexuals in the church. To address these issues and concerns, and to recapture the traditionalism many feel their churches have abandoned, the "remnant faithful," those who choose to stay in their churches, have formed a number of reform and renewal movements. Cowan examines these emergent social movements, providing anecdotal and lively examples of their activities, their arguments, their identities, and their approaches to strengthening their churches. Rather than leave denominations which they regard as increasingly hostile to theological and ecclesiastical traditionalism, many mainline Protestants have chosen to stay and fight for their churches, forming reform and renewal movements intended to address hot-button issues in the way their churches function and practice. These conservative reform movements, however, are often vilified by their more liberal co-religionists, and not infrequently regarded as theologically immature, doctrinally stagnant, and ecclesiastically belligerent. The Remnant Spirit demonstrates that these are simplistic and reductivist analyses that only serve to avoid the very issues around whichreform movements emerge and evolve. The author provides an in-depth examination of four major North American denominations, and the various conservative reform and renewal movements taking place in each, while acknowledging that every mainline Protestant Church in the U.S. and Canada is contending with similar issues and addressing them in similar fashions. Here, the voices of the "remnant faithful," those that contribute to denominational discussions as they are experienced by ordinary church members and leaders alike, are presented and discussed in a thoughtful and lively manner.

In Cyberhenge, Douglas E. Cowan brings together two fascinating and virually unavoidable phenomena of the postmodern world - the electronic environment of the Internet and the emerging world of contemporary Neopaganism - Wiccans and other witches, Druids, Goddess-worshipers and ceremonial magicians - the Internet provides an environment alive with possibilities for invention, innovation and imagination. Neopagans are not only using the Net to provide information and as a vehicle to develop and expand the frontiers of their religious experience. From online Sabbath rituals to an algorithmic I Ching for which one pays with electronically banked Karma Coins, from e-covens and cyber-groves where neophytes can learn everything from the Wiccan Rede to spellworking, to arguments over the validity of online ritual and the authenticity of one's magical lineage, neopaganism on the Internet is an ongoing experiment in the creation and recreation of postmodern religious traditions.

In "Cyberhenge," Douglas E. Cowan brings together two fascinating and virtually unavoidable phenomena of contemporary life--the Internet and the new religious movement of Neopaganism. For growing numbers of Neopagans-Wiccans, Druids, Goddess-worshippers, and others--the Internet provides an environment alive with possibilities for invention, innovation, and imagination.
From angel channeling, biorhythms, and numerology to e-covens and cybergroves where neophytes can learn everything from the Wiccan Rede to spellworking, Cowan illuminates how and why Neopaganism is using Internet technology in fascinating new ways as a platform for invention of new religious traditions and the imaginative performance of ritual. This book is essential reading for students and scholars of new religious movements, and for anyone interested in the intersections of technology and faith.

Scholars of religion have begun to explore horror and the monstrous, not only within the confines of the biblical text or the traditions of religion, but also as they proliferate into popular culture. This exploration emerges from what has long been present in horror: an engagement with the same questions that animate religious thought - questions about the nature of the divine, humanity's place in the universe, the distribution of justice, and what it means to live a good life, among many others. Such exploration often involves a theological conversation. Theology and Horror: Explorations of the Dark Religious Imagination pursues questions regarding non-physical realities, spaces where both divinity and horror dwell. Through an exploration of theology and horror, the contributors explore how questions of spirituality, divinity, and religious structures are raised, complicated, and even sometimes answered (at least partially) by works of horror.

Many seemingly strange questions on yoga, salvation, religious pluralism, and so forth have been actively debated among members of a small but influential group of evangelical apologists known as the Christian countercult movement. This Element explores the history of this movement from its origins in the anti-heresy writings of the early church to its modern development as a reaction to religious pluralism in North America. It contrasts the apologetic Christian countercult movement with its secular anticult counterpart and explains how faith-based opposition both to new religious movements and to non-Christian religions will only deepen as religious pluralism increases. It provides a concise understanding of the two principal goals of Christian countercult apologetics: support for the evangelization of non-Christian believers and maintenance for the perceived superiority of the evangelical Christian worldview.

Scholars of religion have begun to explore horror and the monstrous, not simply within the confines of the biblical text or the traditions of religion, but also as they proliferate into popular culture. This exploration emerges from what has long been present in horror: an engagement with the same questions that animate religious thought - questions about the nature of the divine, humanity's place in the universe, the distribution of justice, and what it means to live a good life, among many others. Such exploration often involves a theological conversation. This volume pursues questions regarding non-physical realities, spaces where both divinity and horror dwell. Through an exploration of theology and horror, the contributors explore how questions of spirituality, divinity, and religious structures are raised, complicated, and even sometimes answered (at least partially) by works of horror.

Religion, Culture, and the Monstrous: Of Gods and Monsters explores the intersection of the emerging field of "monster theory" within religious studies. With case studies from ancient Mesopotamia to contemporary valleys of the Himalayas to ghost tours in Savannah, Georgia, the volume examines the variegated nature of the monstrous as well as the cultural functions of monsters in shaping how we see the world and ourselves. In this, the authors constructively assess the state of the two fields of monster theory and religious studies, and propose new directions in how these fields can inform each other. The case studies included illuminate the ways in which monsters reinforce the categories through which a given culture sees the world. At the same time, the volume points to how monsters appear to question, disrupt, or challenge those categories, creating an 'unsettling' or surplus of meaning.

From creature features to indie horror flicks, find out what happens when sex, horror, and the religious imagination come together Throughout history, religion has attempted to control nothing so much as our bodies: what they are and what they mean; what we do with them, with whom, and under what circumstances; how they may be displayed—or, more commonly, how they must be hidden. Yet, we remain fascinated, obsessed even, by bodies that have left, or been forced out of, their “proper” place. The Forbidden Body examines how horror culture treats these bodies, exploring the dark spaces where sex and the sexual body come together with religious belief and tales of terror. Taking a broad approach not limited to horror cinema or popular fiction, but embracing also literary horror, weird fiction, graphic storytelling, visual arts, and participative culture, Douglas E. Cowan explores how fears of bodies that are tainted, impure, or sexually deviant are made visible and reinforced through popular horror tropes. The volume challenges the reader to move beyond preconceived notions of religion in order to decipher the “religious imagination” at play in the scary stories we tell over and over again. Cowan argues that stories of religious bodies “out of place” are so compelling because they force us to consider questions that religious belief cannot comfortably answer: Who are we? Where do we come from? Why do we suffer? And above all, do we matter? As illuminating as it is unsettling, The Forbidden Body offers a fascinating look at how and why we imagine bodies in all the wrong places.

After sex, religion is one of the most popular and pervasive topics of interest online, with over three million Americans turning to the internet each day for religious information and spiritual guidance. Tens of thousands of elaborate websites are dedicated to every manner of expression. "Religion Online" provides an accessible and comprehensive introduction to this burgeoning new religious reality, from cyberpilgrimages to neo-pagan chatroom communities. A substantial introduction by the editors presenting the main themes and issues is followed by sixteen chapters addressing core issues of concern such as youth, religion and the internet, new religious movements and recruitment, propaganda and the countercult, and religious tradition and innovation. The volume also includes the "Pew Internet and American Life Project" "Executive" "Summary," the most comprehensive and widely cited study on how Americans pursue religion online, and Steven O'Leary's field-defining "Cyberspace as Sacred Space,"

Religion on the Internet is the first systematic inquiry into the nature, scope and content of religion in cyberspace. Contributors to this volume include leading social scientists engaged in systematic studies of how organizations and individuals are presenting religion on the Internet. Their combined efforts provide a conceptual mapping of religion in cyberspace at this moment. The individual papers and collective insights found in this volume add up to a valuable agenda of research that will enrich understanding of this new phenomenon. Among the contributors are the founders of three of the most important scholarly religion web sites on the Internet: American Religion Data Archive, Religious Tolerance, and Religious Movements Homepage.
Religion and the Internet is essential reading for all who seek to understand how religion is being presented on the Internet and how this topic is likely to unfold in the years ahead.

Magic, Monsters, and Make-Believe Heroes looks at fantasy film, television, and participative culture as evidence of our ongoing need for a mythic vision-for stories larger than ourselves into which we write ourselves and through which we can become the heroes of our own story. Why do we tell and retell the same stories over and over when we know they can't possibly be true? Contrary to popular belief, it's not because pop culture has run out of good ideas. Rather, it is precisely because these stories are so fantastic, some resonating so deeply that we elevate them to the status of religion. Illuminating everything from Buffy the Vampire Slayer to Dungeons and Dragons, and from Drunken Master to Mad Max, Douglas E. Cowan offers a modern manifesto for why and how mythology remains a vital force today.

From creature features to indie horror flicks, find out what happens when sex, horror, and the religious imagination come together Throughout history, religion has attempted to control nothing so much as our bodies: what they are and what they mean; what we do with them, with whom, and under what circumstances; how they may be displayed—or, more commonly, how they must be hidden. Yet, we remain fascinated, obsessed even, by bodies that have left, or been forced out of, their “proper” place. The Forbidden Body examines how horror culture treats these bodies, exploring the dark spaces where sex and the sexual body come together with religious belief and tales of terror. Taking a broad approach not limited to horror cinema or popular fiction, but embracing also literary horror, weird fiction, graphic storytelling, visual arts, and participative culture, Douglas E. Cowan explores how fears of bodies that are tainted, impure, or sexually deviant are made visible and reinforced through popular horror tropes. The volume challenges the reader to move beyond preconceived notions of religion in order to decipher the “religious imagination” at play in the scary stories we tell over and over again. Cowan argues that stories of religious bodies “out of place” are so compelling because they force us to consider questions that religious belief cannot comfortably answer: Who are we? Where do we come from? Why do we suffer? And above all, do we matter? As illuminating as it is unsettling, The Forbidden Body offers a fascinating look at how and why we imagine bodies in all the wrong places.

Illuminating the religious and existential themes in Stephen King's horror stories Who are we? Why are we here? Where do we go when we die? For answers to these questions, people often look to religion. But religion is not the only place seekers turn. Myths, legends, and other stories have given us alternative ways to address the fundamental quandaries of existence. Horror stories, in particular, with their focus on questions of violence and mortality, speak urgently to the primal fears embedded in such existential mysteries. With more than fifty novels to his name, and hundreds of millions of copies sold, few writers have spent more time contemplating those fears than Stephen King. Yet despite being one of the most widely read authors of all time, King is woefully understudied. America's Dark Theologian is the first in-depth investigation into how King treats religion in his horror fiction. Considering works such as Carrie, The Dead Zone, Misery, The Shining, and many more, Douglas Cowan explores the religious imagery, themes, characters, and, most importantly, questions that haunt Stephen King's horror stories. Religion and its trappings are found throughout King's fiction, but what Cowan reveals is a writer skeptical of the certainty of religious belief. Describing himself as a "fallen away" Methodist, King is less concerned with providing answers to our questions, than constantly challenging both those who claim to have answers and the answers they proclaim. Whether he is pondering the existence of other worlds, exploring the origins of religious belief and how it is passed on, probing the nature of the religious experience, or contemplating the existence of God, King invites us to question everything we think we know.

Sacred Terror examines the religious elements lurking in horror films. It answers a simple but profound question: When there are so many other scary things around, why is religion so often used to tell a scary story? In this lucid, provocative book, Douglas Cowan argues that horror films are opportune vehicles for externalizing the fears that lie inside our religious selves: of evil; of the flesh; of sacred places; of a change in the sacred order; of the supernatural gone out of control; of death, dying badly, or not remaining dead; of fanaticism; and of the power - and the powerlessness - of religion.

As humans, it is our trust in something larger than ourselves that invests our lives with meaning and value. We hope that outside the boundaries of everyday living there lies something greater. As Doug Cowan argues, science fiction is the genre of possibility and hope, a principal canvas on which writers, artists, and filmmakers have sketched their visions of this transcendent potential for generations. In Sacred Space, he leads readers in a compelling exploration of how this transcendence is manifested in science-fiction cinema and television of today. From the millennial dreams of a future bright with potential to the promise of evolution from some as-yet-undreamed engine of creation, science fiction's visions of transcendence animate the pages of Sacred Space. Drawing on the most popular examples - Star Wars, Star Trek, Battlestar Galactica, Babylon 5, and Stargate SG-1 - as well as the lesser known but no less important, Cowan reveals the multivalent religious ideas present in this media. Why do these themes that consistently appear in science fiction matter? What do they reveal about the often ambivalent relationship between outer space and our spirits? Cowan insightfully shows how these films and shows express and reinforce culturally constructed conceptions of transcendent hope, and along the way provides a provocative reflection on what this ultimately says about our culture's worldviews, hopes, and fears.

Magic, Monsters, and Make-Believe Heroes looks at fantasy film, television, and participative culture as evidence of our ongoing need for a mythic vision-for stories larger than ourselves into which we write ourselves and through which we can become the heroes of our own story. Why do we tell and retell the same stories over and over when we know they can't possibly be true? Contrary to popular belief, it's not because pop culture has run out of good ideas. Rather, it is precisely because these stories are so fantastic, some resonating so deeply that we elevate them to the status of religion. Illuminating everything from Buffy the Vampire Slayer to Dungeons and Dragons, and from Drunken Master to Mad Max, Douglas E. Cowan offers a modern manifesto for why and how mythology remains a vital force today.

As humans, it is our trust in something larger than ourselves that invests our lives with meaning and value. We hope that outside the boundaries of everyday living there lies something greater. As Doug Cowan argues, science fiction is the genre of possibility and hope, a principal canvas on which writers, artists, and filmmakers have sketched their visions of this transcendent potential for generations. In Sacred Space, he leads readers in a compelling exploration of how this transcendence is manifested in science-fiction cinema and television of today. From the millennial dreams of a future bright with potential to the promise of evolution from some as-yet-undreamed engine of creation, science fiction's visions of transcendence animate the pages of Sacred Space. Drawing on the most popular examples- Star Wars, Star Trek, Battlestar Galactica, Babylon 5, and Stargate SG-1-as well as the lesser known but no less important, Cowan reveals the multivalent religious ideas present in this media. Why do these themes that consistently appear in science fiction matter? What do they reveal about the often ambivalent relationship between outer space and our spirits? Cowan insightfully shows how these films and shows express and reinforce culturally constructed conceptions of transcendent hope, and along the way provides a provocative reflection on what this ultimately says about our culture's worldviews, hopes, and fears.