The Durabone Prophecies is a novel about human nature and human destiny. It is a multiplot story of romance, relationships, human emotions, andpleasure vs. purpose. Also, it is a mystery novel with predictions for the future of the Earth and the human race. Four riveting romance stories areintertwined and involve major characters who unexpectedly find love. The major plot and all subplots are related in some way to the main character andcounseling psychologist, Dr. Franklin Durabone, who, after a near-death experience, commits to his destined purpose to write The Durabone Prophecies.This prophetic book by Dr. Durabone is based on the prophetic revelations of his mother, "Mama Durabone," who sees alternative destinies for Earth andits human race through her visions and dreams. The story takes the reader to Paris (France), Washington, DC, Chicago, Virginia, and Florida. For thereader of The Durabone Prophecies, author Frederick Douglas Harper evokes intense emotional feelings, laughter, sensual arousal, nostalgic memories, intellectual debate, philosophical questions, and spiritual exploration. The Durabone Prophecies is a self-help novel, because psychological principlesand messages are embedded in the story. Also, characters are subliminal teachers and role models of human imperfection and vulnerability as well ashuman possibility and hope.

Poems for Young People was written mainly for children, teenagers, and young adults--including college students. For young people, the book provides wise guidance and life-long education about living. The more than 100 poems in Poems for Young People are organized under the following themes: (1) Advice for Young People, (2) On Values, Character, and Morality, (3) Natural Beauty of Earth, (4) Courage, Inspiration, and Strength, (5) Healthy, Happy, and Safe Living, (6) Spirituality and Meaning in Life, (7) Love for Family, (8) Friendship, (9) Loss, Sadness, Grief, and Death, and (10) Identity, Understanding, Self-Esteem, and Self-Acceptance.

ABOUT THE BOOK As Harpers 10th book of poetry with prose, Beyond Fear beautifully addresses life fears and daily fears, both real and imagined, that we encounter and perceive as human beings. Typical of all of Dr. Harpers creative books, Beyond Fear also contains insightful and inspirational quotes in a section at the end of the book. Examples of poem titles from Beyond Fear include Courage Has No Fear, Beyond Fear, Our Greatest Fears, Suffering Can Be a Blessing, Living Outside Our Body, Intentional Happiness, Trials and Triumphs, Apology from Honorable Men to Woman and Girl, In Honor of a Beggar Woman, Dont Be Afraid to Help, A Prayer for Courage, Letter to God and Ancestors, Words, So Essential to Our Lives, Which Way Is It to Sleepy Town?, Living Within an Oyster Shell, Emotional Freedom, and Do You Have the Strength To Be?

Harper''s Spiritual Teacher Speaks is an excellent follow-up to his popular and powerful book, God's Gifts: Spiritual Writings. Spiritual Teacher Speaks contains a series of brief prose or vignettes wherein a wise spiritual teacher answers questions on the topics of love, peace, giving, forgiveness, purpose and mission in life, freedom, truth, courage, and pain versus pleasure. Also, Harper continues his tradition of sculpting words into beautiful poems that have therapeutic, educational, and inspirational value. In Spiritual Teacher Speaks, the poems are very much centered on the timely subjects of purpose and mission in life, Divine love, forgiveness, self- and other-acceptance, justice, pain and human suffering, spirit of goodness within us, and self-management of negative impulses and emotions in daily living. His powerful poem, "Intellectual Renegade," which is four pages in length, addresses universal justice and fairness now and throughout history for all human beings and groups. Reviewers of the book manuscript comment that "Intellectual Renegade" is destined to become a favorite and a classic poem. Along with prose and poems, Spiritual Teacher Speaks includes more than 25 pages of insightful and inspirational quotations by the author.

As Harper's eighth book of poems, Transitions in Life and to Death addresses numerous transitions or changes in life that often present challenges as well as opportunities. Also, the book deals with the ultimate transition from Earthly life of the flesh to death or the spirit world beyond. Examples of titles from Transitions in Life and to Death include "Transitions," "A Mother's Hand," "Move On," "And God Spoke Without a Cell Phone," "When John F. Kennedy Died," "Greetings at My Funeral," "Getting God's Gift Out of You," "Coal Miners' Challenge," "911 (Fire Fighters and Helpers)," "Divorce," "End of a Journey Continued," "It's Okay to Be Who You Are," "Man's Law," "Transition from Romance," "In Search of Oneself," and "The Art of Suffering."

Harper's Poetica Erotica integrates the beauty of sensuality with romance, love, spirituality, and sometimes humor through poetry and poetic verse. This book was written to be appreciated by the individual and used by couples who want to celebrate, enhance, and excite their love and sensuality. Poetica Erotica was also written to improve sexuality in marriage or any close, intimate relationship, while making each adult feel more comfortable and free with his or her sensuality and sexuality. Examples of titles from Poetica Erotica include "Musical Hands of a Plumbing Surgeon," "In Search of Clitorina," "Thong Girl," "Touch Me, Will You," "Sacred Thighs," "Wondering How It Would Be," "Sappho's Fantasy," "Nude Dancing in the Dark," "Ode to Pregnant Woman," "Ode to a Full-Figured Lady," "David and Bathsheba," "Ode to a Fine Phat Ass," "Spread My Orchid to Bloom," "Sexual Choice; Sexual Risk," and "First Time in A Wedding Gown."

As Frederick Douglas Harper's ninth book of poems with prose, The Light Within Us addresses the God-given gift of talent and the inborn possibilities of love, giving, and forgiveness within all of us. Typical of all Dr. Harper's creative books, The Light Within Us also contains a section with inspirational thoughts and quotes. Examples of titles from The Light Within Us include "Our Greatest Fears," "Intentional Happiness," "The Light Within Us," "Love as Light," "I Dare You," "And God Stepped Out From Herself," "Slave Society," "Light a Candle; Become a Lighthouse," "The Supreme Medal of Humanity," "Defeating Yourself," "Loneliness as Companion," "Prisoners of Our Past," "Ode to Emmett Till," "Confronting the Grief Within," "Jesus, Divine Light of God," and "In Search of Purity."

This new version of the authoritative textbook in the field of visual sociology focuses on the key topics of documentary photography, visual ethnography, collaborative visual research, visual empiricism, the study of the visual symbol and teaching sociology visually. This updated and expanded edition includes nearly twice as many images and incorporates new in-depth case studies, drawing upon the author’s lifetime of pioneering research and teaching as well as the often neglected experiences of women and people of color. The book examines how documentary photography can be useful to sociologists, both because of the topics examined by documentarians, and as an example of how seeing is socially constructed. Harper describes the exclusion of women through much of the history of documentary photography and the distinctiveness of the female eye in recent documentary, a phenomenon he calls "the gendered lens". The author examines how a visual approach allows sociologists to study conventional topics differently, while offering new perspectives, topics and insights. For example, photography shows us how perspective itself affects what we see and know, how abstractions such as "ideal types" can be represented visually, how social change can be studied visually and how the study of symbols can lead us to interpret public art, architecture and person-made landscapes. There is an extended study of how images can lead to cooperative research and learning; how images can serve as bridges of understanding, blurring the lines between researcher and researched. The important topic of reflexivity is examined by close study of Harper’s own research experiences. Finally, the author focusses on teaching, offering templates for full courses, assignments and projects, and guides for teachers imagining how to approach visual sociology as a new practice. This definitive yet accessible textbook will be indispensable to teachers, researchers and professionals with an interest in visual sociology, research methods, cultural theory and visual anthropology.

This new version of the authoritative textbook in the field of visual sociology focuses on the key topics of documentary photography, visual ethnography, collaborative visual research, visual empiricism, the study of the visual symbol and teaching sociology visually. This updated and expanded edition includes nearly twice as many images and incorporates new in-depth case studies, drawing upon the author’s lifetime of pioneering research and teaching as well as the often neglected experiences of women and people of color. The book examines how documentary photography can be useful to sociologists, both because of the topics examined by documentarians, and as an example of how seeing is socially constructed. Harper describes the exclusion of women through much of the history of documentary photography and the distinctiveness of the female eye in recent documentary, a phenomenon he calls "the gendered lens". The author examines how a visual approach allows sociologists to study conventional topics differently, while offering new perspectives, topics and insights. For example, photography shows us how perspective itself affects what we see and know, how abstractions such as "ideal types" can be represented visually, how social change can be studied visually and how the study of symbols can lead us to interpret public art, architecture and person-made landscapes. There is an extended study of how images can lead to cooperative research and learning; how images can serve as bridges of understanding, blurring the lines between researcher and researched. The important topic of reflexivity is examined by close study of Harper’s own research experiences. Finally, the author focusses on teaching, offering templates for full courses, assignments and projects, and guides for teachers imagining how to approach visual sociology as a new practice. This definitive yet accessible textbook will be indispensable to teachers, researchers and professionals with an interest in visual sociology, research methods, cultural theory and visual anthropology.

ABOUT THE BOOK Time and Timing is Frederick Douglas Harper's 11th book of poetry with prose. Typical of all of Dr. Harper's creative books, Time and Timing contains insightful and inspirational quotes in a section at the end of the book, that is, in addition to the poetry. Examples of poem titles include "This Is the Moment," "A Tribute to Michael Jackson," "Time and Space," "When Spirit Touches the Soul of a Child," "Living Outside Our Body," "The Prophecy," "No Time for Anger," "Time for Restraint and Rethink," "An Ugly Time, A Beautiful Time," "I Am Because of You," "Step Away From Your Body," "The Graduate," "Global Warming: Global Warning," "A Time for Love and Romance," "The Good Samaritan," "Time Stolen by Technology," "Memories of Elephants," and "Angels With No Wings."

Good Company: A Tramp Life, is a vivid portrait of a lifestyle long part of America's history, yet rapidly disappearing. The author traveled extensively by freight train to gain rich insights into the elusive world of the tramp.Richly illustrated with 85 photographs by the author, the book presents the homeless man as an individual who "drank, migrated, and worked at day labor" rather than the stereotype of a victim of alcoholism. The tramps with whom Harper shared boxcars and hobo jungles were the labor force that harvested the crops in most of the apple orchards in the Pacific Northwest. They were drawn to the harvest from across the United States and migrated primarily on freight trains, as had hobos in the 1930s. Although not without its problems, the tramp way of life is a fierce and independent culture that has been an integral part of our American identity and an important part of our agricultural economy. Since the first edition of this classic book was published by the University of Chicago Press, the tramp has virtually disappeared from the American social landscape. The agricultural labor force is now made up of Hispanic migrants. This significantly revised and updated edition contrasts this disappearing lifestyle with the homelessness of the modern era, which has been produced by different economic and sociological forces, all of which have worked against the continuation of the tramp as a social species. The new edition richly documents the transition in our society from "tramps" to urban homelessness and the many social, political, and policy changes attendant to this transformation. It also includes an additional thirty-five previously unpublished photographs from theoriginal research.

Good Company: A Tramp Life, is a vivid portrait of a lifestyle long part of America's history, yet rapidly disappearing. The author traveled extensively by freight train to gain rich insights into the elusive world of the tramp.Richly illustrated with 85 photographs by the author, the book presents the homeless man as an individual who "drank, migrated, and worked at day labor" rather than the stereotype of a victim of alcoholism. The tramps with whom Harper shared boxcars and hobo jungles were the labor force that harvested the crops in most of the apple orchards in the Pacific Northwest. They were drawn to the harvest from across the United States and migrated primarily on freight trains, as had hobos in the 1930s. Although not without its problems, the tramp way of life is a fierce and independent culture that has been an integral part of our American identity and an important part of our agricultural economy. Since the first edition of this classic book was published by the University of Chicago Press, the tramp has virtually disappeared from the American social landscape. The agricultural labor force is now made up of Hispanic migrants. This significantly revised and updated edition contrasts this disappearing lifestyle with the homelessness of the modern era, which has been produced by different economic and sociological forces, all of which have worked against the continuation of the tramp as a social species. The new edition richly documents the transition in our society from "tramps" to urban homelessness and the many social, political, and policy changes attendant to this transformation. It also includes an additional thirty-five previously unpublished photographs from theoriginal research.

Outside of Italy, the country's culture and its food appear to be essentially synonymous. And indeed, as "The Italian Way" makes clear, preparing, cooking, and eating food play a central role in the daily activities of Italians from all walks of life. In this beautifully illustrated book, Douglas Harper and Patrizia Faccioli present a fascinating and colorful look at the Italian table.

"The Italian Way" focuses on two dozen families in the city of Bologna, elegantly weaving together Harper's outsider perspective with Faccioli's intimate knowledge of the local customs. The authors interview and observe these families as they go shopping for ingredients, cook together, and argue over who has to wash the dishes. Throughout, the authors elucidate the guiding principle of the Italian table--a delicate balance between the structure of tradition and the joy of improvisation. With its bite-sized history of food in Italy, including the five-hundred-year-old story of the country's cookbooks, and Harper's mouth-watering photographs, "The Italian Way" is a rich repast--insightful, informative, and inviting.

This sociological classic shows how the railroad tramp's status as a deviant changed from frontier itinerant to post settlement vagrant; from class conscious proletariat in the Depression to the damaged post WWII vet. The third edition (with new photos) discusses how today the freights have become the milieu of violent gangs who transport drugs, human traffickers, and serial killers. Beating the odds against increased post 9/11 surveillance are yuppie adventure seekers, young travelers, crust punks and oogles. In the background is the same freight train-unforgiving and lethal-and cultures policed at times by honorable tramps and at times by sadistic enforcers of violent gangs. Features of the new edition: Eight previously unpublished photos that reflect new directions in visual ethnography. (90 photos altogether) A fuller integration of photos made during the author's participant research with tramps over thousands of miles on the freights and while living homeless in urban America. New, nuanced edit of a narrative describing author's five week immersion with the quintessential tramp of the era, Carl.