Minor Notes Vol. 1 features the work of three poets. Published in 1837, Poems by a Slave is one of the lesser-known works by George Moses Horton (1798-1883), once popularly known as the 'black bard of North Carolina.' Visions of the Dusk (1915) is an American prose poem known for its formal innovation by Fenton Johnson, a poet, essayist, editor and educator from Chicago. Georgia Douglas Johnson was the most widely read black woman poet in the US during the first three decades of the 20th century. Bronze: A Book of Verse (1922) was introduced with a foreword by W. E. B. Du Bois.

The Heart of a Woman and Other Poems (1918) is a collection of poetry by Georgia Douglas Johnson. Marking Johnson's debut as one of the leading poets of the Harlem Renaissance, The Heart of a Woman and Other Poems is an invaluable work of African American literature for scholars and poetry enthusiasts alike. Comprised of Johnson's earliest works as a poet, the collection showcases her sense of the musicality of language while illuminating the experiences of African American women of the early twentieth century. "The heart of a woman goes forth with the dawn, / As a lone bird, soft winging, so restlessly on." Recalling Paul Laurence Dunbar's classic poem "Sympathy," which immortalizes the African American experience with the line "I know why the caged bird sings," the title poem of Johnson's collection compares the heart to a bird. Musical and dreamlike, Johnson's poem envisions "the heart of a woman" as it "enters some alien cage in its plight, / And tries to forget it has dreamed of the stars / While it breaks, breaks, breaks on the sheltering bars." With each repetition of "breaks," the reader can feel the restlessness and fear of the bird as it beats its wings against its cage, the heart as it beats against the "sheltering bars" of the ribs. In this poem, and throughout the collection, Johnson shows an efficiency with language uncommon to many poets, let alone one making her debut. With a beautifully designed cover and professionally typeset manuscript, this edition of Georgia Douglas Johnson's The Heart of a Woman and Other Poems is a classic of African American literature reimagined for modern readers.

Bronze (1922) is a collection of poetry by Georgia Douglas Johnson. As Johnson's second published volume, Bronze is an invaluable work of African American literature for scholars and poetry enthusiasts alike. Comprised of some of Johnson's best poems, and graced with a foreword by W.E.B. Du Bois, Bronze showcases her sense of the musicality of language while illuminating the experiences of African American women of the early twentieth century."Don't knock at my heart, little one, / I cannot bear the pain / Of turning deaf-ear to your call / Time and time again!" This poem, titled "Black Woman," contains the tragic lament of a woman for whom motherhood would mean exposing her child to the cruelties of a racist world. "You do not know the monster men / Inhabiting the earth. / Be still, be still, my precious child, / I must not give you birth." Far from denying life, this black woman knows that the life of a black child would be precious only to her, and that she would lack the ability to defend her "little one" from violence and hatred. Despite this bleak vision, Johnson also foresees a time of peace, a world in which "All men as one beneath the sun" will live "In brotherhood forever." Throughout this collection, Johnson shows an efficiency with language and ear for music that make her an essential, underappreciated artist of the Harlem Renaissance. With a beautifully designed cover and professionally typeset manuscript, this edition of Georgia Douglas Johnson's Bronze is a classic of African American literature reimagined for modern readers.

Cross Channel Currents explores the understandings and misunderstandings that make up the Entente Cordiale - the hundred-year relationship between Britain and France, as well as the everyday common interests and shared pleasures that give it substance.
Contributors include the late Roy Jenkins, in a witty and personal view of Winston Churchill's relationship with France; Pierre Messmer, a companion of Charles de Gaulle during World War II and later his prime minister; former Foreign Secretary Douglas Hurd, who remembers the historic meeting of Edward Heath and Georges Pompidou; Hubert Vedrine, a former French foreign minister, on the difficulties of cross-Channel relations; and their successors Dominique de Villepin and Jack Straw.

Expanded third edition of this key text on the complex underlying conditions of the civil war from the 1960s to the present day, including a new chapter on the current wars in Sudan's new south and South Sudan. Sudan's post-independence history has been dominated by political and civil strife. Most commentators have attributed the country's recurring civil war either to an age-old racial divide between Arabs and Africans, or to recent colonially constructed inequalities. This book attempts a more complex analysis, briefly examining the historical, political, economic and social factors which have contributed to periodic outbreaks of violence between the state andits peripheries. In tracing historical continuities, it outlines the essential differences between the modern Sudan's first civil war in the 1960s and today, including an analysis of the escalation of the Darfur war, implementation of the 2005 peace agreement and implications of the Southern referendum in 2011 and the new war in Sudan's new south and South Sudan. The author also looks at the series of minor civil wars generated by, and contained within, the major conflict, as well as the regional and international factors - including humanitarian aid - which have exacerbated civil violence. This introduction is aimed at students of North-East Africa, and of conflict and ethnicity. It will be essential reading for those in aid and international organizations who need a straightforward analytical survey which will help them assess the prospects for a lasting peace in Sudan. Douglas H. Johnson isan independent scholar and former international expert on the Abyei Boundaries Commission.

Bronze (1922) is a collection of poetry by Georgia Douglas Johnson. As Johnson’s second published volume, Bronze is an invaluable work of African American literature for scholars and poetry enthusiasts alike. Comprised of some of Johnson’s best poems, and graced with a foreword by W.E.B. Du Bois, Bronze showcases her sense of the musicality of language while illuminating the experiences of African American women of the early twentieth century.“Don’t knock at my heart, little one, / I cannot bear the pain / Of turning deaf-ear to your call / Time and time again!” This poem, titled “Black Woman,” contains the tragic lament of a woman for whom motherhood would mean exposing her child to the cruelties of a racist world. “You do not know the monster men / Inhabiting the earth. / Be still, be still, my precious child, / I must not give you birth.” Far from denying life, this black woman knows that the life of a black child would be precious only to her, and that she would lack the ability to defend her “little one” from violence and hatred. Despite this bleak vision, Johnson also foresees a time of peace, a world in which “All men as one beneath the sun” will live “In brotherhood forever.” Throughout this collection, Johnson shows an efficiency with language and ear for music that make her an essential, underappreciated artist of the Harlem Renaissance. With a beautifully designed cover and professionally typeset manuscript, this edition of Georgia Douglas Johnson’s Bronze is a classic of African American literature reimagined for modern readers.

Complex collaboration refers to situations where working together effectively across boundaries is critical for complex projects and problems. Complex collaboration refers to knowledge-intensive business processes that require highly interactive communication, coordination, negotiation, research and/or development. This work often involves projects of large scope and long duration.

Such projects may cross disciplinary, organizational, national, and/or cultural boundaries. The challenges of managing such situations include ambitious schedules, conflict of cultures and practices, massive amounts of information, multiple languages, and ambiguity of roles and responsibilities. Complex collaboration represents a capability that is essential to effective execution in such situations as new product development, mergers and acquisitions, joint ventures, and supply chain management, as well as large government projects. A number of issues emerge in examining complex collaboration, including: unit of analysis, critical relationships, resource development, virtual teaming, key skills, and improvement processes.

The chapters in this volume address these issues and share examples, including: the Joint Strike Fighter program at Lockheed-Martin, Solectrons integrated supply chain, and IMDs partnership with MIT. Models of collaborative capability and capacity provide the facets of a framework for understanding these complex alliances and partnerships.

Taken as a whole the essays in this volume illustrate the outstanding contribution made to French Revolutionary scholarship by British and American authors. Professor Johnson has selected essays which cover a wide spectrum of time, place and social class but are vitally concerned to describe and explain the social reality of revolution in its various phases. The essays fall into three main groups; the first sets the scene with studies of the social, economic and intellectual life of pre-Revolutionary France; the second studies the role of fate of certain social groups during the Revolution; and the third examines counter-revolution in two provincial areas. The editor has added an introduction and index, and some minor changes have been made to the essays. Many of these articles are already well known to professional historian and it is hoped that publication in the present form will make them available to a wider audience interested in the social experience of the most dramatic and far reaching of revolution in modern times.

In the bicentenary celebrations of the French Revolution Michelet was strangely neglected. This lecture examines the manner in which Michelet approached the Revolution and considers this part of the work of one who has often been thought of as the Revolution's greatest historian.

Georgia Douglas Johnson (1877-1966) was the most prolific female writer of the Harlem Renaissance. Born as Georgia Blanche Douglas Camp in 1877 in Atlanta, Georgia, Johnson devoted much of her artistic imagination to indexing African American women's interior life and advancing the means through which to achieve interracial cooperation. After a Thousand Tears represents the only extant poetry collection that Johnson authored between 1928 and 1962, and it illustrates her more nuanced and transgressive prescription for gender, racial, and national advancement. Although scholars have critically examined Johnson's four previously published collections of poetry (The Heart of a Woman [1918], Bronze [1922], An Autumn Love Cycle [1928], and Share My World [1962]), they have never engaged After a Thousand Tears. Jimmy Worthy II located the unpublished work while conducting archival research at Emory University's Stuart A. Rose Manuscript, Archives, and Rare Book Library. Worthy discovered that while Johnson intended to publish Tears with Padma Publications of Bombay in 1947, the project never came to fruition. Published now, for the first time, this volume features eighty-one poems that offer Johnson's intimate and forthright sensibility toward African American women's lived experiences during and following the Harlem Renaissance.