British indie drama telling the story of the intense and destructive relationship between two teenagers who first meet on a suicide website. Obsessive-compulsive Nikko (Harry Treadaway) and beautiful loose cannon Stevie (Emma Booth) embark on a rollercoaster relationship that ultimately distances Nikko from his life, his friends and his obsession with bird-spotting.

Julian Jarrold directs this British comedy drama following the future Queen of England and her sister as they go out on the town to celebrate the end of the Second World War. On VE Day, 8th May 1945, Princess Elizabeth (Sarah Gadon) and her younger sister Princess Margaret (Bel Powley) beg their parents King George VI (Rupert Everett) and Queen Elizabeth (Emily Watson) to let them leave Buckingham Palace for the night so they can join in the celebrations. The King and Queen give their consent and Elizabeth and Margaret head out incognito but their night takes some unexpected turns...

May 20, 1969: Four members of the revolutionary Black Panther Party trudge through woods along the edges of the Coginchaug River outside of New Haven, Connecticut. Gunshots shatter the silence. Three men emerge from the woods. Soon, two are in police custody. One flees across the country. Nine Panthers would be tried for crimes committed that night, including National Chairman Bobby Seale, extradited from California with the aide of Panther nemesis, California Governor Ronald Reagan. Activists of all denominations descended on the New England city--and the campus of Yale. The Nixon administration sent 4,000 National Guardsmen. U.S. military tanks lined the streets outside of New Haven. In this white-knuckle journey through a turbulent America, Doug Rae and Paul Bass let us eavesdrop on late-night meetings between Yale President, Kingman Brewster, and radical activists, including Jerry Rubin and Abbie Hoffman, as they try to avert disaster. Meanwhile, most heartrending of all is the never-before-told story of Warren Kimbro--star community worker turned Panther assassin--who faces an uphill battle to turn his life around.

Julian Jarrold directs this British comedy drama following the future Queen of England and her sister as they go out on the town to celebrate the end of the Second World War. On VE Day, 8th May 1945, Princess Elizabeth (Sarah Gadon) and her younger sister Princess Margaret (Bel Powley) beg their parents King George VI (Rupert Everett) and Queen Elizabeth (Emily Watson) to let them leave Buckingham Palace for the night so they can join in the celebrations. The King and Queen give their consent and Elizabeth and Margaret head out incognito but their night takes some unexpected turns...

Sam Taylor Wood's directorial debut is a chronicle of John Lennon's teenage years. Set in 1950s Liverpool, the film tells the story of the spirited but troubled fifteen-year-old Lennon (Aaron Johnson), who finds himself caught in the crossfire between his formidable Aunt Mimi (Kristin Scott Thomas) and his mother Julia (Anne-Marie Duff). When John meets fellow musician and kindred spirit Paul McCartney (Thomas Sangster), his creative genius at last finds an outlet and the most famous partnership in music is born. But just as John's new life begins, a dark truth from his past leads to a tragedy he will never escape.

Equality has always been the most powerful political idea in America, and it is becoming the most powerful idea in the world. Observers from Alexis de Tocqueville to the most recent social critics have commented upon the idea's great force. Yet, for all its influence upon popular ideology, the idea of equality becomes a bundle of contradictory impulses once it is applied to public policy and social institutions. As the title of this lively book suggests, equality becomes equalities. Once inequality is established, there is a deep difference between equal policies and policies that lead to equality. Once people have different needs, there is a sharp difference between treating them equally and treating them in ways that serve them equally. Once people have unequal (or unequally developed) talents, then equal opportunity cannot mean both equal opportunity and an equal prospect of success. Once society is cleaved by differences of race, sex, income, and so on, there is an intense difference between policies and reforms that reduce racial, sexual, and economic inequality and policies that diminish equality among persons. Douglas Rae and his colleagues develop an ingenious "grammar of equality" to explain and explicate the main ways in which equality turns into equalities as it passes from the realm of ideas to the realm of practice. The book's exciting new method of analysis, based on logic and theories of political economy and political science, is a valuable contribution. Equalities helps us answer such questions as: "Is equality possible?" "How, after so long a period of ostensible egalitarianism, can inequality still dominate so much of the social landscape?" The responses are bound to stir controversy among all those interested in political theory or in social policy or in the attainment of equality.