The poignant true story of a Jewish family who hid in an attic for two years before they were captured by the Nazis. The film follows the life of celebrated diarist Anne Frank (Millie Perkins), as remembered in hindsight by her father Otto (Joseph Schildkraut). Shelley Winters won the Oscar for Best Supporting Actress, and the film also garnered Oscars for Best Black and White Cinematography and Best Art Direction, in addition to receiving a further five nominations.

The Architecture of Neoliberalism pursues an uncompromising critique of the neoliberal turn in contemporary architecture. This book reveals how a self-styled parametric and post-critical architecture serves mechanisms of control and compliance while promoting itself, at the same time, as progressive. Spencer's incisive analysis of the architecture and writings of figures such as Zaha Hadid, Patrik Schumacher, Rem Koolhaas, and Greg Lynn shows them to be in thrall to the same notions of liberty as are propounded in neoliberal thought. Analysing architectural projects in the fields of education, consumption and labour, The Architecture of Neoliberalism examines the part played by contemporary architecture in refashioning human subjects into the compliant figures - student-entrepreneurs, citizen-consumers and team-workers - requisite to the universal implementation of a form of existence devoted to market imperatives.

The Architecture of Neoliberalism pursues an uncompromising critique of the neoliberal turn in contemporary architecture. This book reveals how a self-styled parametric and post-critical architecture serves mechanisms of control and compliance while promoting itself, at the same time, as progressive. Spencer's incisive analysis of the architecture and writings of figures such as Zaha Hadid, Patrik Schumacher, Rem Koolhaas, and Greg Lynn shows them to be in thrall to the same notions of liberty as are propounded in neoliberal thought. Analysing architectural projects in the fields of education, consumption and labour, The Architecture of Neoliberalism examines the part played by contemporary architecture in refashioning human subjects into the compliant figures - student-entrepreneurs, citizen-consumers and team-workers - requisite to the universal implementation of a form of existence devoted to market imperatives.

Critique of Architecture offers a renewed and radical theorization of the relations between capital and architecture. It explicates the theoretical gymnastics through which architecture legitimates its services to neoliberalism, examines the discipline's production of platforms for happily compliant consumers, and challenges its entrepreneurial self-image. Critique of Architecture also addresses the discourse of autonomy, questioning its capacity to engage effectively with the terms and conditions of capitalism today, analyses the post-political turns of contemporary architecture theory, and reckons with the legacies and limitations of critical theory.

Basil Ackroyd, a refugee from a financial scandal in an English municipal council, becomes the mayor of a small town in the French Midi saturated with expatriates. He has been running the town as his own domain for many years when outside influences threaten to rob him of his ill-gotten gains. His total lack of sensibility to those around him and insatiable greed blinds him to the real situation and his efforts to combat the menace results in multiple mishaps and a worsening of his position. The hero, Basil Ackroyd, is gloriously Machiavellian and amoral, endlessly scheming and machinating for his own selfish benefit and advantage. Unfortunately for Basil, his schemes have a habit of blowing up in his face and destroying him. But he is never discouraged and is endlessly re-inventive.