Drawing on the biophysical sciences, public policy, geography, economics, exploratory research and the behavioural sciences, this book offers reviews and prescriptions for the future of ecological economics, placing particular emphasis on complex sustainability problems. The book is divided into three broad parts: challenges and reviews, reorientations and openings, and frameworks and applications. To begin, the authors illustrate the limitations of ecological economics by highlighting the lack of theory and method, the need for greater interdisciplinary co-operation and the domination by economists from developed nations. They move on to present strategies to address these shortcomings by focusing on interdisciplinary methods and their theoretical basis, discussing the future prospects for ecological economics, and addressing a host of ecological economic issues from a variety of natural and social science perspectives. They aim to challenge the notion of ecological economics by addressing 'what it is', and asking 'what it could be'. The book expands current thinking on ecological economics by exploring existing avenues for integrative and interdisciplinary research and discovering new overlaps with a range of other disciplines. It will appeal to ecological and environmental economists, and academics and researchers of the social sciences, particularly environmental science and geography.

"The blue and white print has the night-time glow of a Joseph Cornell ice-cube box or a Stan Brakhage film, the poppy glows candescent but is gone. Anna Atkins' dirty fingernails are pressing the damp skin of the poppy into cotton wadding and blotting paper until the life has dried out of it..." Amateur botanist Anna Atkins is now widely considered to be the first woman ever to have taken a photograph. The introduction to one of her albums states that she uses the photographic medium in order to "depict with the most accuracy possible," and so assist other scientists. Yet visual artist Annabel Dover's investigations led her to believe that Atkins doctored and adulterated certain specimens, collaging different sections of different plants together. In the subversive, scrapbook narrative that follows both historic and imaginary characters' stories are woven together: Henry James 'drowns' the clothes of a friend post-suicide; Joe Orton's cleaning lady considers the collaged wall in his bedsit; and Anna Atkins makes the seaweed prints that will then appear in the first photographic book to be published. A complex mixture of scientific observation and tender, girlish enthusiasm Florilegia is above all else a profound meditation on memory, loss, and our relationship to images.

Intelligence agencies are reflections of the societies they serve. No surprise, then, that modern spies and the agencies they work for are fixated on the internet and electronic communications. These same officials also struggle with notions of privacy, appropriateness, national boundaries and the problem of disinformation. They are citizens of both somewhere and nowhere, serving a national public yet confronting spies who operate across borders. These adversaries are utilising new technologies that offer a transnational anonymity. Meanwhile, ordinary people are keen to be protected from threats, but equally keen - basing their understanding of intelligence on news and popular culture - to avoid over-reach by authorities believed to have near-God-like powers. This is the new operating environment for spies: a heady mix of rapid technological development, identity politics, plausible deniability, uncertainty and distrust of authority. Hacker, Influencer, Faker, Spy explores both the challenges spies face from these digital horizons, and the challenges citizens face in understanding what spies do and how it impacts on them. Rob Dover makes a radical case for overhauling intelligence to capitalise on open-source information: shrinking the secret state, whilst still supporting the functioning of modern governments in the post-COVID age.

As demonstrated in New Orleans, the vast human and financial costs of natural and human-induced disasters are often needlessly high as a result of poor planning and response stemming from inadequate disaster policy. This new handbook, from two top global authorities in the field, shows how to construct a coherent, relevant and effective policy framework. It is a vital read for all disaster policy makers, planners, managers and governments. From the Asian tsunami to hurricanes Katrina and Rita to the recent earthquake in Pakistan, disasters both natural and human-induced are leading to spiralling costs in terms of human lives, the destruction of homes, businesses, public buildings and infrastructure and the resulting financial and human crises that inevitably follow in the wake of such catastrophes. Yet the failures in planning for, and responding to, such disasters can often be traced to poor disaster policies that are unsuited to the emerging scales of the problems they confront and the lack of institutional capacity to implement plans and manage disasters when they happen.This handbook, written by two top authorities on disaster policy and management, seeks to overcome this mismatch and to guide the examination and development of a policy and institutional framework and associated strategies. In particular, for the first time it brings together into a coherent framework the insights of public policy, institutional design and emergency and disaster management, stressing the cognate nature of policy and institutional challenges between disasters and sustainability. This is indispensable reading for all disaster planners, policy makers and managers across the world seeking to improve the quality, robustness and capacity of their disaster management.

This book addresses all aspects of photodermatology by providing a clear straightforward introduction to these diseases, their investigation, diagnosis and management, including the use of lasers. Each light sensitive disorder and each type of phototherapy is supported by the principles of the underlying photophysics, chemistry and biology. Doctors, nurses and technicians all have an important role to play in the diagnosis of photodermatoses and in the administration of phototherapy. This concise, richly illustrated text provides them with valuable insights and a good working overview of the light related areas of dermatology.

Elgar Research Agendas outline the future of research in a given area. Leading scholars are given the space to explore their subject in provocative ways, and map out the potential directions of travel. They are relevant but also visionary. This Research Agenda explores the academic field of intelligence studies and how it is developing into an increasingly international and diverse area of study. As more governments release records, and as new generations of scholars engage with the topic from a range of perspectives, the book considers how the field is becoming richer, wider, and more global in scope. Featuring contributions by a diverse range of leading intelligence scholars, it surveys a variety of core areas in, and approaches to, the study of intelligence - including technological perspectives, gender, deception, and the 'deep state' - highlighting how intelligence will become a greater feature of government and security in the future. Taking an interdisciplinary approach, the book explores not only the established elements of intelligence studies, but analyses the cutting edge of intelligence research and proposes an agenda for the continued development of the field. Offering concise and accessible discussions of developing topics in intelligence studies, this Research Agenda will be a useful guide for scholars and students of public policy, international relations and security. It will also be of interest to professionals engaged in research into security and intelligence matters.

Fifty years since it was first published and now fully revised, Macleod's remains the textbook of choice for medical students, junior doctors, nurses and allied health practitioners who understand that excellence in clinical examination is integral to good practice. The fifteenth edition will teach you how to take a history and carry out proficient clinical examination, in order to elicit the key clinical symptoms and signs of disease. It covers general principles, relevant history, examination and investigations for all the major body systems - and how to effectively apply these skills to specific clinical situations and prepare for assessment. Macleod's Clinical Examination is enhanced with 32 supplementary videos demonstrating key clinical examination routines described in the book, many new and revised for this edition in line with latest guidance and best practice. Primarily focused on the practical skills required by medical students and early career stage clinicians Explains the physical basis of clinical signs to aid understanding Introduces the formulation of a differential diagnosis Provides logical initial investigations for each body system Comes with access to the complete, fully searchable and downloadable eBook Enhanced sections on adapting skills to particular situations, including the challenges of remote consultation and infection control Updated text and images, to ensure the content is relevant to a diverse readership and patient population Latest clinical decision-making models to aid the learner's diagnostic reasoning 8 brand new videos produced especially for this edition covering: Obstetric examination Gynaecological examination Assessment of fluid balance Examination of the hand and wrist Examination of the foot and ankle Examination of the neck Examination of the foot in diabetes and peripheral vascular disease The timed up and go test

Offering a step-by-step, practical approach to this expanding area of dermatology, Procedures in Cosmetic Dermatology: Hair Restoration enables you to master the up-to-date hair restoration techniques that produce the superior results your patients expect. Focusing on non-invasive treatment of diffuse, non-scarring hair loss, including androgenetic alopecia, this unique title, edited by expert clinicians Drs. Murad Alam and Jeffrey S. Dover, thoroughly covers the latest treatment options-all abundantly illustrated and evidence based. A video library demonstrating techniques helps you successfully incorporate today's most effective procedures into your practice. Provides current, authoritative guidance on popular treatments including topical and systemic therapies, stem cell-based therapies, platelet-rich plasma, genomic therapies, microblading, nutritional supplements, energy-based treatments, emerging treatments, and hair transplant. Considers ethnic differences in hair. Contains up-to-date sections on evaluation of hair loss, minimizing and concealing hair loss, medical treatments for hair loss, procedural treatments for hair loss, and emerging therapies for hair loss. Features high-quality images and a video library demonstrating scalp micropigmentation, scar correction procedure, female pattern hair loss, scalp photography for patients with alopecia, and more.. Includes procedural how-to's, step-by-step advice on proper techniques, case studies, contraindications and managing complications, and pearls and pitfalls-all in a consistently templated, quick reference format. An eBook version is included with purchase. The eBook allows you to access all of the text, figures and references, with the ability to search, customize your content, make notes and highlights, and have content read aloud.

This book is truly interdisciplinary, it asks how researchers from the humanities and natural sciences engage with and uncover the past and how their present influences what they and how the past is used for different purposes. This book informs students and researchers from each of the disciplines about the ways and pitfalls of each approach to inform their own research. Contributions from historians, literary scholars, geologist, cosmologists, evolutionary biologists, paleontologists and paleoanthropologists are given equal weight and asked how they engage with the past and present to offer, for the first time, a forum for each discipline to learn from each other and to offer new ideas of how the past can be engaged with from the present. The Engaging with … series offers practical instruction alongside theoretical standpoints to encourage an interdisciplinary discussion of emerging areas of collaboration.

Offering a step-by-step, practical approach to this challenging area of dermatology, Procedures in Cosmetic Dermatology: Lasers, Lights, and Energy Devices, 5th Edition, enables you to master the up-to-date cosmetic techniques that produce the superior results your patients expect. Edited by expert clinicians Drs. Elizabeth L. Tanzi, Jeffrey S. Dover, and Leah K. Spring, it provides an overview of the underlying scientific principles of lasers and lights in dermatology, as well as the latest treatment options-all abundantly illustrated and evidence based. A substantial video library demonstrating applications and technical aspects helps you successfully incorporate the latest procedures into your practice. Provides current, authoritative guidance on popular procedures including laser hair removal, tattoo removal, vascular lesions, pigmented lesions, non-ablative fractional laser rejuvenation, ablative laser resurfacing, tissue tightening, and body contouring. Contains five new chapters: Treatment of Skin with Intense Pulsed Light Sources, Radiofrequency Microneedling, Photodynamic Therapy, Muscle Toning and Contouring, and Treatment of Acne with Light and Energy-Based Devices. Features a greatly expanded video library with more than three dozen new videos, demonstrating modalities such as photodynamic therapy, IPL, radiofrequency microneedling, a wide range of lasers, and cryolipolysis. Covers special considerations when treating skin of color, as well as complications and legal considerations of laser, light, and energy-based treatments. Includes procedural how-to's, step-by-step advice on proper techniques, case studies, and pearls and pitfalls. Enhanced eBook version included with purchase. Your enhanced eBook allows you to access all of the text, figures, and references from the book on a variety of devices.

Hedges and field margins are important wildlife habitats and deliver a range of ecosystem services, and their value is increasingly recognised by ecologists. This book reviews and assesses the current state of research on hedgerows and associated field margins. With the intensification of agriculture in the second half of the last century, field sizes were increased by amalgamation and the rooting out of hedges, synthetic pesticide and inorganic fertiliser use increased, and traditional methods of hedge management were largely abandoned. The book is split into two main sections. The first deals with definitions, current and historic management, the impact of pesticides, the decline in hedge stock and condition, and new approaches to hedge evaluation using remote sensing techniques. The second section explores the pollination and biological pest control benefits provided by hedges and field margins and examines the ecology of some of the major groups that are found in hedgerows and field margins: butterflies and moths, carabid beetles, mammals, and birds. A case study on birds and invertebrates from a research farm managed as a commercial enterprise, but which attempts to farm with wildlife in mind, brings these themes together. A final chapter introduces the neglected area of hedges in the urban environment. The book will be of great interest to advanced students, researchers and professionals in ecology, agriculture, wildlife conservation, natural history, landscape, environmental and land management.

Identifying "lessons learned" is not new -- the military has been doing it for decades. However, members of the worldwide intelligence community have been slow to extract wider lessons gathered from the past and apply them to contemporary challenges. "Learning from the Secret Past" is a collection of ten carefully selected cases from post-World War II British intelligence history. Some of the cases include the Malayan Emergency, the Cuban Missile Crisis, Northern Ireland, and the lead up to the Iraq War. Each case acommpanied by authentic documents, illuminates important lessons that today's intelligence officers and policymakers -- in Britain and elsewhere -- should heed.

Written by former and current intelligence officers, high-ranking government officials, and scholars, the case studies in this book detail intelligence successes and failures, discuss effective structuring of the intelligence community, examine the effective use of intelligence in counterinsurgency, explore the ethical dilemmas and practical gains of interrogation, and highlight the value of human intelligence and the dangers of the politicization of intelligence. The lessons learned from this book stress the value of past experience and point the way toward running effective intelligence agencies in a democratic society.

Scholars and professionals worldwide who specialize in intelligence, defense and security studies, and international relations will find this book to be extremely valuable.

Entertaining and informative, this 1956 anthology paints a vivid picture of the world in which Shakespeare lived. Using the playwright's life as the framework - his birth, his education, his move to London, his life in theatre, his death - the book uses selected extracts from key Elizabethan publications to embody the atmosphere of this period. From sport to superstition, from festival to fashion, from the plague to playhouses, the significant features of the age are described through its prose, providing the reader with first-hand accounts of the conditions in which Shakespeare's masterpieces were created. All chapters are prefaced with illustrative Shakespearean quotations; the collection representing a commentary on the work as well as the life of Shakespeare. All texts have been modernised to assist the reader, and a glossary is included which explains names, unfamiliar words and difficult passages.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.