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This book is the first to address in a serious way the impact and
meaning of the music of “Weird Al” Yankovic. Though everyone
knows his name, Yankovic is often dismissed as a novelty. His music
builds on a rich American tradition of parody song, with many
levels of signification—humorous, insulting, political, often at
the same time. His songs, including his original compositions, make
us laugh but also have a point of view, be it on society, popular
culture, food, or words themselves. Very few other artists have
created music so dense in meaning and for so long, and it’s high
time we recognize Yankovic’s cloyingly humorous appeal. Through
original interviews with the man himself, Lily Hirsch addresses
Yankovic’s relationship to past parody song as well as his unique
approach to the art form. Focusing mainly on his fourteen studio
albums, the book explores his music based on themes like insult,
politics, race, and word abuse. It also discusses his reputation as
one of the music industry’s good guys. In today’s age of
incivility (political and otherwise), his nice-guy persona stands
out and has helped win him fiercely loyal fans who’ve found in
his music a certain acceptance and affirmation. This book is for
those fans but also invites music enthusiasts of all stripes to
consider and reconsider Yankovic’s music.
Featuring even more insights on "Weird Al" Yankovic including his
activities during a tumultuous 2020 and 2021, this expanded edition
dives deeper into the world of the iconic man who has made a career
out of making us laugh. Funny music is often dismissed as light and
irrelevant, but Yankovic's fourteen successful studio albums prove
there is more going on than comedic music's reputation suggests.
Lily Hirsch weaves together original interviews with the prince of
parody himself, creating a fresh take on comedy and music's
complicated romance. She reveals that Yankovic's jests have always
had a deeper meaning, addressing such topics as bullying,
celebrity, and racial and gender stereotypes, and that his music
served as a much-needed bright spot for many fans. From his love of
accordions and Hawaiian print shirts to his popular puns and
trademark dance moves, Weird Al is undeterred by those who say
funny music is nothing but a low-brow pastime. And thank goodness.
With his good-guy grace still intact, Yankovic remains
unapologetically and unmistakably himself. Reveling in the mischief
and wisdom of Yankovic's over forty-year career, this book is an
Al-expense-paid tour of a true comedic and musical genius.
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