With twenty-one baby bunnies to look after, mother bunny Cottontail abandons her dream of becoming an Easter Bunny. But when Grandfather Bunny spies her perfectly behaved brood, he's so impressed that he makes Cottontail the most important Easter Bunny of all Originally published in 1939, "Country Bunny and the Little Gold Shoes "celebrates the timeless values of equality, hard work, and patient ambition. Featuring the Caldecott Award winner Marjorie Flack's original hand-drawn illustrations, a beautifully redesigned cover, and bonus downloadable audio, this seventy-fifth anniversary heirloom edition is perfect for sharing with a new generation of young readers.

Mother Cottontail must leave home for one night to deliver Easter eggs, but her twenty-one little boy and girl bunnies are up to the challenge! Two by two, they cook, clean, and care for each other, and when Mother Cottontail returns with a big basket of Easter eggs for them, she is pleased--but not surprised--that all was well while she was away. Du Bose Heyward and Marjorie Flack's The Country Bunny and the Little Gold Shoes, a classic story of determination and love, has been an Easter favorite since 1939. This egg-shaped board book is an opportunity to introduce the youngest children to a gorgeous vignette from this popular holiday story.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

This book is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

DuBose Heyward (1885 -1940) was an American author best known for his 1924 novel Porgy. This novel was the basis for the opera Porgy and Bess. Heyward worked in real estate and insurance. When he was financially secure he left business to start a writing career. Carolina Chansons: Legends of the Low Country was first published in 1922. The Low Country was originally settled by Frenchman, Spaniards, and Englishman, each leaving their own legends. Heyward describes this volume as poetry rather than history. Poems include Seance at Sunrise, Silences, Presences, The Pirates, The Sewees of Sewee Bay, La Fayette Lands, Legend of Theodosia Burr, The Priest and the Pirate, Palmetto Town, Carolina Spring Song, The First Submarine, The Last Crew, a collection of Negro poems, Cooper River Legends, and more.

1925. This classic tale was Heyward's first novel and was an immediate success. The story is set on the waterfront of Old Charleston where stands Catfish Row, a venerable Negro tenement whose courtyard swarms with Southern Negro life. There lived Porgy, a black cripple and a beggar, who all day long sat in the sunshine of Charleston's streets and at night joined the wild crap games of the Negro longshoremen in the courtyard. One sultry night the game broke up in a tragic fight and young Croun, a powerful fellow had to flee to the swamps. His girl, Bess, remained behind, and as time went on she brought love and happiness for the first time into Porgy's life.

This fascinating book gives a vivid and intimate insight into the lives of a group of American negroes, from whom Porgy stands out, rich in humour and tragedy.'

The fictional characters of Porgy, Bess, Black Maria, Sportin' Life, and the other Gullah denizens of Catfish Row have attained a mythic status and have become inextricably identified with Charleston. This novel is the story of Porgy, a crippled street-beggar in the black tenement. Unwashed and un-wanted, he lives just on the edge of subsistence and trusts his fate to the gods and chance. His one shining moment is his pursuit of Bess, whom he wins and then loses during one summer of passion and violence.

This story by DuBose Heyward is, of course, the origin of George Gershwin's acclaimed folk opera "Porgy and Bess." Heyward created Porgy with such sympathy, honesty, and insight that Porgy has ascended into the pantheon of the universal.

This Banner Books edition includes an afterword by James M. Hutchisson, Heyward's biographer, who places "Porgy" in its social and historical context and shows how the novel revolutionized American literature. Heyward had no literary training, and he wrote "Porgy" while working as an insurance agent. It is ironic that this deeply feeling author was a member of the Charleston aristocracy which regarded African Americans as little more than servants. Indeed, the tightly knit black community is celebrated in the novel and is contrasted with Charleston's white culture, which in Heyward's view lacked the vitality and rich social ethos of the Gullahs.

In 1927, even before Gershwin transformed the novel with a musical score, the book was successfully dramatized for the New York stage. The production revolutionized the black theater movement with its casting of black actors.

"Porgy," published in 1925, proved to be on the leading edge of the great southern renaissance, in which works by William Faulkner, Eudora Welty, and others would depict black characters of increasing emotional and psychological complexity. The novel has gone through seven editions and has been translated into French, Gullah, and German, among other languages and dialects.

DuBose Heyward (1885-1940) published "Porgy" to tremendous critical acclaim and financial success. He wrote poetry, short fiction, plays, and screenplays. James M. Hutchisson is a professor of English at The Citadel in Charleston.

The author of Porgy portrays Charleston's comic social climbers When Mamba appears on the Wentworth doorstep, this shrewd woman takes the first step in surmounting a social barrier as thorny as any in early twentieth-century Charleston. For the sake of her family, Mamba navigates a comic, calculated path to the privelged class of African-Americans employed by Charleston's aristocratic white families. Set in the early twentieth-century, this classic novel transcends racial boundaries by intertwining the stories of three very different families in an amusing plot of deception, ambition, and social transformation. A new introduction by Don H. Doyle places Mamba's Daughters in its historical context and suggests that in the novel, Heyward challenges the harsh, unjust aspects of Southern race relations.

The beautiful Gershwin ballad shines in this strong Dave Wolpe arrangement for jazz ensemble with solo vocalist. We were surprised that Dave had not scored this tune before, but it was worth the wait. It is really smooth. To make the chart more flexible, you can also feature a tenor sax solo in place of the vocalist. Jazz Ensemble with Solo Vocalist - Medium Easy (4: 16)