In Critique Of Black Reason, eminent critic Achille Mbembe offers a capacious genealogy of the category of Blackness - from the Atlantic slave trade to the present - to critically reevaluate history, racism, and the future of humanity. Mbembe teases out the intellectual consequences of the reality that Europe is no longer the world's center of gravity while mapping the relations between colonialism, slavery, and contemporary financial and extractive capital.

Tracing the conjunction of Blackness with the biological fiction of race, he theorizes Black reason as the collection of discourses and practices that equated Blackness with the nonhuman in order to uphold forms of oppression. Mbembe powerfully argues that this equation of Blackness with the nonhuman will serve as the template for all new forms of exclusion.

With Critique Of Black Reason, Mbembe offers nothing less than a map of the world as it has been constituted through colonialism and racial thinking while providing the first glimpses of a more just future.

With the country in chaos and corruption on all sides, there's only one person to turn to.

When a series of military-style attacks erupt across the United States, Detective John Sampson is called in to investigate. The attacks are untraceable, with patterns too random to decipher, leaving Sampson struggling to find a link amongst the carnage.

As Sampson discovers a lead through an ex-military contact, his partner Alex Cross is brutally side-lined, leaving him certain about one thing: he can trust no one.

With soldiers called on secret assignments and others mysteriously disappearing, Sampson must revisit his military past if he's to save his country's future.

The sequel to Out of Sight, the bestselling thriller featuring intelligence officer Amy Cornwall - an undercover CIA officer who has seven days to save her country from the world's most dangerous double-agent.

The CIA's highly classified Special Activities Division is in the business of tracking people down and keeping secrets hidden. Then a botched field operation reveals some dark dealings between an officer's superiors and an informant, including a plot that could kill thousands of Americans.

Knowing that her leadership is corrupt to the core, intelligence officer Amy Cornwall is forced to give up her identity and work from the shadows. But it's not easy staying hidden when your enemies are elite intelligence operatives.

Will she get the truth out into the light before losing her identity, her history, her family? The countdown has already begun.

Laying down the foundations of a critical sociological approach to the interdisciplinary domain of public policy, this insightful book presents the first systematic reflection on the use of Bourdieu’s theory of social fields to analyse policy processes. Engaging with theoretical dimensions, it provides innovative methodological tools, both quantitative and qualitative in nature, to be used in the wider field of policy studies. Bringing together expert contributors from across the globe, the book explores a diverse range of case studies on various policy sectors and processes such as international policy circulation and policy implementation. Offering a wealth of critical analysis, chapters highlight the unsatisfactory nature of mainstream policy approaches and advocate for the use of Bourdieu’s sociological theory to account for the social milieus, structures of relationships, and power dynamics in which public policies are made. Encompassing numerous actors and groups, this theory enables a critical sociological understanding of policy orientations by unveiling the structures of relationships in policymaking. Innovative and perceptive in its approach, this book will prove to be an important resource for scholars and students interested in the fields of critical policy studies, public policy, public administration and management, and sociology.

Her visions have helped solve crimes; her instincts have helped find missing people.

She can predict future events and read your mind.

When she was six years old, Allison's deceased great-grandfather came to her with a message for her mother: "I am okay, I am still with you. Tell your mom there's no more pain." Allison shared his comforting words with her mother and thus began a lifetime of creating connections between loved ones and those they have lost.

In this stunning book, Allison shares fascinating stories of her encounters with people who have passed and her adventures as a profiler for various law enforcement organizations. With wit and compassion, Allison shows us what it is like to live with these special gifts and talents and also tells about her struggle to live a normal life as a devoted wife and mother. She shows how learning to accept her own gifts has helped her accept the unique gifts of others and how her compelling desire to relieve the pain of others has helped to define her own life, a life committed to the search for ultimate truth.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.