Friedrich Nietzsche's intellectual autobiography Ecce Homo has always been a controversial book. Nietzsche prepared it for publication just before he became incurably insane in early 1889, but it was held back until after his death, and finally appeared only in 1908. For much of the first century of its reception, Ecce Homo met with a sceptical response and was viewed as merely a testament to its author's incipient madness. This was hardly surprising, since he is deliberately outrageous with the 'megalomaniacal' self-advertisement of his chapter titles, and brazenly claims 'I am not a man, I am dynamite' as he attempts to explode one preconception after another in the Western philosophical tradition. In recent decades there has been increased interest in the work, especially in the English-speaking world, but the present volume is the first collection of essays in any language devoted to the work. Most of the essays are selected from the proceedings of an international conference held in London to mark the centenary of the first publication of Ecce Homo in 2008. They are supplemented by a number of specially commissioned essays. Contributors include established and emerging Nietzsche scholars from the UK and USA, Germany and France, Portugal, Sweden and the Netherlands.

An advanced introduction for students and a re-orientation for Nietzsche scholars and intellectual historians on the development of his thought and the aesthetic construction of his identity as a philosopher. Nietzsche looms over modern literature and thought; according to Gottfried Benn, "everything my generation discussed, thought through innerly; one could say: suffered; or one could even say: took to the point of exhaustion -- allof it had already been said . . . by Nietzsche; all the rest was just exegesis." Nietzsche's influence on intellectual life today is arguably as great; witness the various societies, journals, and websites and the steady stream ofpapers, collections, and monographs. This Companion offers new essays from the best Nietzsche scholars, emphasizing the interrelatedness of his life and thought, eschewing a superficial biographical method but taking seriously his claim that great philosophy is "the self-confession of its author and a kind of unintended and unremarked memoir." Each essay examines a major work by Nietzsche; together, they offer an advanced introduction for students of German Studies, philosophy, and comparative literature as well as for the lay reader. Re-establishing the links between Nietzsche's philosophical texts and their biographical background, the volume alerts Nietzschescholars and intellectual historians to the internal development of his thought and the aesthetic construction of his identity as a philosopher. Contributors: Ruth Abbey, Keith Ansell-Pearson, Rebecca Bamford, Paul Bishop, Thomas H. Brobjer, Daniel W. Conway, Adrian Del Caro, Carol Diethe, Michael Allen Gillespie and Keegan F. Callanan, Laurence Lampert, Duncan Large, Martin Liebscher, Martine Prange, Alan D. Schrift. Paul Bishop is William Jacks Chair of Modern Languages at the University of Glasgow.

The year 1888 marked the last year of Friedrich Nietzsche's intellectual career and the culmination of his philosophical development. In that final productive year, he worked on six books, all of which are now, for the first time, presented in English in a single volume. Together these new translations provide a fundamental and complete introduction to Nietzsche's mature thought and to the virtuosity and versatility of his most fully developed style. The writings included here have a bold, sometimes radical tone that can be connected to Nietzsche's rising profile and growing confidence. In The Antichrist, we are offered an extended critique of Christianity and Christian morality alongside blunt diagnoses of contemporary Europe's cultural decadence. In Dionysus Dithyrambs we are presented with his only work composed exclusively of poetry, and in Twilight of the Idols we find a succinct summary of his mature philosophical views. At times the works are also openly personal, as in The Case of Wagner, which presents Nietzsche's attempt to settle accounts with his former close friend, German composer Richard Wagner, and in his provocative autobiography, Ecce Homo, which sees Nietzsche taking stock of his past and future while also reflecting on many of his earlier texts. Scrupulously edited, this critical volume also includes commentary by esteemed Nietzsche scholar Andreas Urs Sommer. Through this new collection, students and scholars are given an essential introduction to Nietzsche's late thought.

This volume is the first of its kind to explore the notion of untranslatability from a wide variety of interdisciplinary perspectives and its implications within the broader context of translation studies. Featuring contributions from both leading authorities and emerging scholars in the field, the book looks to go beyond traditional comparisons of target texts and their sources to more rigorously investigate the myriad ways in which the term untranslatability is both conceptualized and applied. The first half of the volume focuses on untranslatability as a theoretical or philosophical construct, both to ground and extend the term's conceptual remit, while the second half is composed of case studies in which the term is applied and contextualized in a diverse set of literary text types and genres, including poetry, philosophical works, song lyrics, memoir, and scripture. A final chapter examines untranslatability in the real world and the challenges it brings in practical contexts. Extending the conversation in this burgeoning contemporary debate, this volume is key reading for graduate students and researchers in translation studies, comparative literature, gender studies, and philosophy of language. The editors are grateful to the University of East Anglia Faculty of Arts and Humanities, who supported the book with a publication grant.

The year 1888 marked the last year of Friedrich Nietzsche's intellectual career and the culmination of his philosophical development. In that final productive year, he worked on six books, all of which are now, for the first time, presented in English in a single volume. Together these new translations provide a fundamental and complete introduction to Nietzsche's mature thought and to the virtuosity and versatility of his most fully developed style. The writings included here have a bold, sometimes radical tone that can be connected to Nietzsche's rising profile and growing confidence. In The Antichrist, we are offered an extended critique of Christianity and Christian morality alongside blunt diagnoses of contemporary Europe's cultural decadence. In Dionysus Dithyrambs we are presented with his only work composed exclusively of poetry, and in Twilight of the Idols we find a succinct summary of his mature philosophical views. At times the works are also openly personal, as in The Case of Wagner, which presents Nietzsche's attempt to settle accounts with his former close friend, German composer Richard Wagner, and in his provocative autobiography, Ecce Homo, which sees Nietzsche taking stock of his past and future while also reflecting on many of his earlier texts. Scrupulously edited, this critical volume also includes commentary by esteemed Nietzsche scholar Andreas Urs Sommer. Through this new collection, students and scholars are given an essential introduction to Nietzsche's late thought.

This book combines a Nietzschean reading of Proust's novel A la recherche du temps perdu with a Proustian reading of Nietzsche's philosophy. It focuses on the problem of knowledge, the status of the self, the experience of transcendence, and the complex time structures in the works of the two writers.

With this latest book in the series, Stanford continues its English-language publication of the famed Colli-Montinari edition of Nietzsche's complete works, which include the philosopher's notebooks and early unpublished writings. Scrupulously edited so as to establish a new standard for the field, each volume includes an Afterword that presents and contextualizes the material therein. This volume provides the first English translation of Nietzsche's unpublished notebooks from 1882–1884, the period in which he was composing the book that he considered his best and most important work, Thus Spoke Zarathustra. Crucial transitional documents in Nietzsche's intellectual development, the notebooks mark a shift into what is widely regarded as the philosopher's mature period. They reveal his long-term design of a fictional tetralogy charting the philosophical, pedagogical, and psychological journeys of his alter-ego, Zarathustra. Here, in nuce, appear Zarathustra's teaching about the death of God; his discovery that the secret of life is the will to power; and his most profound and most frightening thought—that his own life, human history, and the entire cosmos will eternally return. During this same period, Nietzsche was also composing preparatory notes for his next book, Beyond Good and Evil, and the notebooks are especially significant for the insight they provide into his evolving theory of drives, his critical ideas about the nature and history of morality, and his initial thoughts on one of his best-known concepts, the superhuman (Übermensch).

This volume is the first of its kind to explore the notion of untranslatability from a wide variety of interdisciplinary perspectives and its implications within the broader context of translation studies. Featuring contributions from both leading authorities and emerging scholars in the field, the book looks to go beyond traditional comparisons of target texts and their sources to more rigorously investigate the myriad ways in which the term untranslatability is both conceptualized and applied. The first half of the volume focuses on untranslatability as a theoretical or philosophical construct, both to ground and extend the term's conceptual remit, while the second half is composed of case studies in which the term is applied and contextualized in a diverse set of literary text types and genres, including poetry, philosophical works, song lyrics, memoir, and scripture. A final chapter examines untranslatability in the real world and the challenges it brings in practical contexts. Extending the conversation in this burgeoning contemporary debate, this volume is key reading for graduate students and researchers in translation studies, comparative literature, gender studies, and philosophy of language. The editors are grateful to the University of East Anglia Faculty of Arts and Humanities, who supported the book with a publication grant.

This long-overdue translation brings to the English-speaking world the work that set the tone for the post-structuralist reading of Nietzsche. The issue of style, of why Nietzsche wrote as he did, is fundamental, on any level, to reading his texts. Some Nietzsche critics (in particular, those, such as Jean Granier, indebted to Heidegger's reading), in effect translated Nietzsche's terms back into those of a philosophy of ontology. This book (which includes an appendix specifically directed against the "Heideggerian" reading) shows how such an approach fails to interrogate the precise terms, such as "Nature" or "life", that Nietzsche used in place of "being," and to ask the meaning of this substitution. The author gives not only a reading of Nietzsche's ideas, but a method for investigating his style. She shows in great detail how it influences both Nietzsche's ideas and the way in which they are to be understood. In so doing, she exemplifies how post-structuralist methods can be used to open up classical philosophical texts to new readings. She write conceptually in the knowledge that the concept has no greater value than metaphor and is itself a condensation of metaphors, rather than writing metaphorically as a way of denigrating the concept and proposing metaphor as the norm, and thus acknowledges the specificity of philosophy, its irreducibility to any other form of expression-even when this philosophy has nothing traditional about it any longer, even when it is, like Nietzsche's an unheard-of and insolent philosophy.

An advanced introduction for students and a re-orientation for Nietzsche scholars and intellectual historians on the development of his thought and the aesthetic construction of his identity as a philosopher. Nietzsche looms over modern literature and thought; according to Gottfried Benn, "everything my generation discussed, thought through innerly; one could say: suffered; or one could even say: took to the point of exhaustion -- allof it had already been said . . . by Nietzsche; all the rest was just exegesis." Nietzsche's influence on intellectual life today is arguably as great; witness the various societies, journals, and websites and the steady stream ofpapers, collections, and monographs. This Companion offers new essays from the best Nietzsche scholars, emphasizing the interrelatedness of his life and thought, eschewing a superficial biographical method but taking seriously his claim that great philosophy is "the self-confession of its author and a kind of unintended and unremarked memoir." Each essay examines a major work by Nietzsche; together, they offer an advanced introduction for students of German Studies, philosophy, and comparative literature as well as for the lay reader. Re-establishing the links between Nietzsche's philosophical texts and their biographical background, the volume alerts Nietzschescholars and intellectual historians to the internal development of his thought and the aesthetic construction of his identity as a philosopher. Contributors: Ruth Abbey, Keith Ansell-Pearson, Rebecca Bamford, Paul Bishop, Thomas H. Brobjer, Daniel W. Conway, Adrian Del Caro, Carol Diethe, Michael Allen Gillespie and Keegan F. Callanan, Laurence Lampert, Duncan Large, Martin Liebscher, Martine Prange, Alan D. Schrift. Paul Bishop is William Jacks Chair of Modern Languages at the University of Glasgow.

The first book that presents key original texts from the modern German philosophical tradition to English-language students and scholars of German, with introductions, commentaries, and annotations that make them accessible. German-language thinkers such as Kant, Marx, Nietzsche, and Freud are central to modernity. Yet their reception in the English-speaking world has largely depended on translations, a situation that has often hampered full engagement with the rhetorical and philosophical complexity of the German history of ideas. The present volume, the first of its kind, is a response to this situation. After an introduction charting the remarkable flowering of German-language thought since the eighteenth century, it offers extracts - in the original German - from sixteen major philosophical texts, with extensive introductions and annotations in English. All extracts are carefully chosen to introduce the individual thinkers while allowing the reader to pursue broader themes such as the fate of reason or the history of modern selfhood. The book offers students and scholars of German a complement to linguistic, historical, andliterary study by giving them access to the wealth of German-language philosophy. It represents a new way into the work of a succession of thinkers who have defined modern philosophy and thus remain of crucial relevance today. The philosophers: Immanuel Kant, G. W. F. Hegel, Ludwig Feuerbach, Karl Marx, Arthur Schopenhauer, Friedrich Nietzsche, Sigmund Freud, Martin Heidegger, Walter Benjamin, Georg Lukacs, Max Horkheimer and Theodor Adorno, Jurgen Habermas. Henk de Berg is Professor of German at the University of Sheffield. Duncan Large is Professor of European Literature and Translation at the University of East Anglia.

'I am not a man, I am dynamite.' Ecce Homo is an autobiography like no other. Deliberately provocative, Nietzsche subverts the conventions of the genre and pushes his philosophical positions to combative extremes, constructing a genius-hero whose life is a chronicle of incessant self-overcoming. Written in 1888, a few weeks before his descent into madness, the book sub-titled 'How To Become What You Are' passes under review all Nietzsche's previous works so that we, his 'posthumous' readers, can finally understand him aright, on his own terms. He reaches final reckonings with his many enemies - Richard Wagner, German nationalism, 'modern men' in general - and above all Christianity, proclaiming himself the Antichrist. Ecce Homo is the summation of an extraordinary philosophical career, a last great testament to Nietzsche's will. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

With this latest book in the series, Stanford continues its English-language publication of the famed Colli-Montinari edition of Nietzsche's complete works, which include the philosopher's notebooks and early unpublished writings. Scrupulously edited so as to establish a new standard for the field, each volume includes an Afterword that presents and contextualizes the material therein. This volume provides the first English translation of Nietzsche's unpublished notebooks from 1882–1884, the period in which he was composing the book that he considered his best and most important work, Thus Spoke Zarathustra. Crucial transitional documents in Nietzsche's intellectual development, the notebooks mark a shift into what is widely regarded as the philosopher's mature period. They reveal his long-term design of a fictional tetralogy charting the philosophical, pedagogical, and psychological journeys of his alter-ego, Zarathustra. Here, in nuce, appear Zarathustra's teaching about the death of God; his discovery that the secret of life is the will to power; and his most profound and most frightening thought—that his own life, human history, and the entire cosmos will eternally return. During this same period, Nietzsche was also composing preparatory notes for his next book, Beyond Good and Evil, and the notebooks are especially significant for the insight they provide into his evolving theory of drives, his critical ideas about the nature and history of morality, and his initial thoughts on one of his best-known concepts, the superhuman (Übermensch).

`Anyone who wants to gain a quick idea of how before me everything was topsy-turvy should make a start with this work. That which is called idol on the title-page is quite simply that which was called truth hitherto. Twilight of the Idols - in plain words: the old truth is coming to an end...' Nietzsche intended Twilight of the Idols to serve as a short introduction to his philosophy, and as a result it is the most synoptic of all his books. Continuing in the spirit of its immediate predecessors On The Genealogy of Morals and The Wagner Case, it is a masterpiece of polemic, targeting not only `eternal idols' like Socratic rationality and Christian morality but also their contemporary counterparts, as Nietzsche the `untimely man' goes roaming in the gloaming of nineteenth-century European culture. He allies philosophy with psychology and physiology, relentlessly diagnozing the symptoms of decadence, and his stylistic virtuosity is such that the sheer delight he takes in his 'demonic' mischief-making communicates itself on every page. A brilliant new translation, this edition provides detailed commentary on a highly condensed and allusive work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This book addresses the question of metaphor in Nietzsche. It provides an unusual reading of Nietzsche's ideas (particularly of the central concept of "will to power") and an incisive method for investigating his style. Developing work on Nietzsche undertaken by Derrida and the post-structuralists, Kofman shows how Nietzsche's style influences his ideas and how these ideas are to be understood. Since its first publication in France in 1972, this work has been a major influence on readings of Nietzsche and this English-language translation should be widely welcomed. Sarah Kofman's translated works include "The Enigma of Women: Women in Freud's Writings" (1985), "The Childhood of Art" (1988) and "Freud and Fiction" (1991).