You're six years old. Mum's in hospital. Dad says she's 'done something stupid'. She finds it hard to be happy. So you start to make a list of everything that's brilliant about the world. Everything that's worth living for. 1. Ice Cream 2. Kung Fu Movies 3. Burning Things 4. Laughing so hard you shoot milk out your nose 5. Construction cranes 6. Me You leave it on her pillow. You know she's read it because she's corrected your spelling. Soon, the list will take on a life of its own. A new play about depression and the lengths we will go to for those we love.

'I could fly to New York and back every day for seven years and still not leave a carbon footprint as big as if I have a child. Ten thousand tonnes of CO2. That's the weight of the Eiffel Tower. I'd be giving birth to the Eiffel Tower.' In a time of global anxiety, terrorism, erratic weather and political unrest, a young couple want a child but are running out of time. If they over think it, they'll never do it. But if they rush, it could be a disaster.They want to have a child for the right reasons. Except, what exactly are the right reasons? And what will be the first to destruct - the planet or the relationship?

The Lammermuir Hills have been an important trade route between Scotland and England for generations, as well as an effective barrier when necessary. Drawn by the long history of south-eastern Scotland and the many conflicting elements in play in its natural environment - among them wind farms, pylons, forestry plantations, grouse moors and sheep - the distinguished Scottish painter and printmaker Barbara Rae CBE RA has made numerous studies of these wild expanses. This handsome volume reproduces a wide selection of her intensely colourful images with accompanying photographs and maps, and texts by the art critic Duncan Macmillan, Emeritus Professor of the History of Scottish Art at the University of Edinburgh, and Maureen Barrie, who worked for many years at National Museums Scotland.

This is the first collection from critically acclaimed playwright Duncan Macmillan, containing the plays Monster, Lungs, 2071, Every Brilliant Thing and People, Places and Things.

April, 1984. Winston Smith thinks a thought, starts a diary, and falls in love. But Big Brother is watching him, and the door to Room 101 can swing open in the blink of an eye. Its ideas have become our ideas, and Orwell's fiction is often said to be our reality. The definitive book of the 20th century is re-examined in a radical new adaptation exploring why Orwell's vision of the future is as relevant as ever.

Victoria Crowe is one of the world's most vital and original figurative painters. Her instantly recognisable work is represented in a large number of public and private collections. This extensively illustrated new book looks in depth at some of her own favourite portraiture. Looking at the psychology of her subjects and of herself in painting them, this is a fascinating book. Whether you are intrigued by the enigmatic stare of a psychiatrist, struck by the haunted eyes of an Auschwitz survivor or curious about the meaningful surroundings of her own self-portrait, this is an absorbing and enthralling read. Victoria Crowe lives in Scotland and Venice.

Exploring the development of Elizabeth Blackadder’s art in all its richness, this revised edition of Duncan Macmillan's 1999 book expands the account of an important artist and her significant body of work.  With her oeuvre ranging through still life, landscapes and flower painting, Elizabeth Blackadder (1931-2021) was one of the best known and respected artists in the British painting tradition. The first woman to be elected to both the Royal Academy and the Royal Scottish Academy, she exhibited widely from the 1960s and her work has been reproduced extensively. Updated to include new imagery, Duncan Macmillan's expert text is essential reading for Blackadder's legion of fans.

A discussion of sensibility, sensation, perception and painting, Scotland and the Origins of Modern Art is an original work which argues that the eighteenth-century Scottish philosophy of moral sense played a central role in shaping ideas explored by figures such as Cezanne and Monet over one hundred years later. Proposing that sensibility not reason was the basis of morality, the philosophy of moral sense gave birth to the idea of the supremacy of the imagination. Allied to the belief that the imagination flourished more freely in the primitive history of humanity, this idea became a potent inspiration for artists. The author also highlights Thomas Reid's method in his philosophy of common sense of using art and artists to illustrate how perception and expression are intuitive. To be truly expressive, artists should unlearn what they have learned and record their raw sensations, rather than the perceptions that derive from them. Exploring the work of key philosophical and artistic protagonists, this thought-provoking book unearths the fascinating exchanges between art, philosophy and literature during Enlightenment in Scotland that provided the blueprint for modernism.

Duncan Macmillan's stunning and resonant adaptation of Henrik Ibsen's Rosmersholm. This revival of a masterpiece charts love, politics, past and future, with plenty of twists thrown in for good measure. Rosmersholm is positioned against the backdrop of a looming election, an atmosphere of uncertainty and a bloodthirsty press. In the grand house of an influential dynasty, John Rosmer holds the future in his hands. As he wanders the line between idealism and a painful past, he finds himself ever more torn.

Odon von Horvath's 1936 drama imagines the former voluptuary, older and emotionally scarred by his experience of the Great War, discovering unfamiliar thoughts of morality and responsibility that clash confusingly with his habitual licentiousness. His internal conflict is never resolved, but serves as an unforced metaphor for Germany's postwar identity crisis.Duncan Macmillan's new version streamlines the story and cuts several characters, but leaves the Don in a world made up entirely of women, so that in Andrea Ferran's production six actresses skilfully handle roles from nuns to prostitutes. While the driving force of Juan's adventure is a newly discovered guilt over abandoning one lover the night before their wedding, the most significant scene shows him given the opportunity for ordinary domesticity with another woman and blowing it.

In Candidacy For The Degree Of Doctor Of Philosophy.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Periodic Orbits About An Oblate Spheroid ... William Duncan MacMillan University of Chicago., 1909 Science; Mechanics; General; Orbits; Science / Astronomy; Science / Mechanics / General

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

In Candidacy For The Degree Of Doctor Of Philosophy.

In Candidacy For The Degree Of Doctor Of Philosophy.

You put it in the freezer, so when you transfer it to the boiling water it doesn't feel a thing. I suppose that this is how I've felt recently. I've been in some deep freeze and suddenly I can feel steam in my face, I'm falling headlong into scalding water.It's 2005, the sun is shining and Loretta is planning to make her daughter's favourite meal. But when Sophie stops talking to her, children start vanishing, and rooms begin to cry, Loretta can't help feeling that something is up and that she might have something to do with it.A play about one woman's journey back to her childhood, to stop her past flooding into the present. Production at Theatre 503 (London).

How has the climate changed in the past? How is it changing now? How do we know? And what kind of a future do we want to create?

A dazzlingly original stage adaptation based on the first novel of Paul Auster's seminal The New York Trilogy.

Reclusive crime writer Daniel Quinn receives a mysterious phone call from a man seeking a private detective in the middle of the night, he quickly and unwittingly he becomes the protagonist in a real-life thriller of his own when he falls under the spell of a strange and seductive woman, who engages him to protect her young husband from his sociopathic father.

As the familiar territory of the noir detective genre gives way to something altogether more disturbing and unpredictable, Quinn becomes consumed by his mission and soon begins to lose his grip on reality.

Will he be drawn deeper into the abyss? Or could the quest provide the purpose and meaning he needs to rebuild his shattered life?

"He's got zero empathy. You could be having a conversation and start choking to death and he'd just think, 'Well, this conversation's over. He'd probably just sit there and finish eating whatever you were choking on." An inexperienced teacher is given the job of saving a disturbed and violent fourteen-year-old boy from permanent exclusion. Alone in the classroom, an intense battle of wills takes place. But what can be done when a child cares for no one and is afraid of nothing? Monster won two awards at the inaugural Bruntwood Playwriting Competition and was first performed in 2007 at the Royal Exchange, Manchester, where Duncan MacMillan was Writer-in-Residence.