En esta biografía impactante y vibrante, el galardonado creador Duncan Tonatiuh echa luz sobre el legado de un legendario capoeirista, Mestre Bimba, quien se resistió a la opresión racial a través del arte y convirtió una práctica marginada en un fenómeno globalUna meia lua silbó a través del aire. El golpe fue evadido y le siguió un aú.Dos jóvenes estaban jugando a la capoeira en medio de la roda. Bimba también quería jugar.Aunque se debate cuándo y dónde se originó exactamente la capoeira, una forma de arte que combina las artes marciales, la danza, las acrobacias, la música y la espiritualidad, una cosa es segura: a principios del siglo XX Brasil era el único país en el mundo en el que se jugaba a la capoeira, y era practicada principalmente por personas de ascendencia africana. En 1890, dos años después de que Brasil aboliera oficialmente la esclavitud, el juego fue prohibido. La sociedad rica y de piel más clara temía y menospreciaba la capoeira, viéndola como un juego de “malandros�, como llamaban las personas en el poder a las comunidades negras y pobres a las que despreciaban. Pero, a principios de la década de 1920 en la ciudad de Salvador, un hombre llamado Bimba abogaría por que la capoeira, y quienes la practicaban, fueran tratados con la dignidad y el respeto que se merecían.La prosa lírica y el adorado estilo de ilustración de Duncan Tonatiuh, inspirado en los códices precolombinos, cuentan la historia de quien se podría decir fue el mejor capoeirista de todos los tiempos, quien luchó para convertir una actividad afrobrasileña perseguida e incomprendida en un arte célebre y practicado por millones de personas en todo el mundo. En 2014, la Organización de las Naciones Unidas para la Educación, la Ciencia y la Cultura (UNESCO) designó a la capoeira como un Patrimonio Cultural Inmaterial de la Humanidad, una distinción otorgada por su promoción de la integración social y la memoria que guarda de la lucha contra la opresión histórica.En Juego de libertad, el galardonado Tonatiuh nos brinda una conmovedora celebración de la solidaridad y la resistencia a través del arte.

Award-winning illustrator Duncan Tonatiuh brings to life debut author Gloria Amescua's lyrical biography of an indigenous Nahua woman from Mexico who taught and preserved her people's culture through modeling for famous artists She was Luz Jimenez, child of the flower-song people, the powerful Aztec, who called themselves Nahua- who lost their land but who did not disappear. As a young Nahua girl in Mexico during the early 1900s, Luz learned how to grind corn in a metate, to twist yarn with her toes, and to weave on a loom. By the fire at night, she listened to stories of her community's joys, suffering, and survival, and wove them into her heart. But when the Mexican Revolution came to her village, Luz and her family were forced to flee and start a new life. In Mexico City, Luz became a model for painters, sculptors, and photographers such as Diego Rivera, Jean Charlot, and Tina Modotti. These artists were interested in showing the true face of Mexico and not a European version. Through her work, Luz found a way to preserve her people's culture by sharing her native language, stories, and traditions. Soon, scholars came to learn from her. This moving, beautifully illustrated biography tells the remarkable story of how model and teacher Luz Jimenez became "the soul of Mexico"-a living link between the indigenous Nahua and the rest of the world. Through her deep pride in her roots and her unshakeable spirit, the world came to recognize the beauty and strength of her people. The book includes an author's note, timeline, glossary, and bibliography.

Count up to ten in this bilingual picture book celebrating Dia de Muertos / Day of the Dead from award-winning author-illustrator Duncan Tonatiuh From award-winning and beloved author-illustrator Duncan Tonatiuh comes this celebratory bilingual picture book centering on a Dia de Muertos ofrenda (Day of the Dead altar), constructed annually to honor the memory and welcome the spirit of a loved one. The book uses a counting structure, from one to ten, to focus on family members and their offerings, with a double-gatefold finale that opens to reveal the family gathered around the fully decorated ofrenda with all of their offerings. Included at the back of the book is a brief author's note that lends additional context on the holiday.

Award-winning author-illustrator Duncan Tonatiuh sheds light on the significance of Aztec manuscripts and cultureOur world, little brother, is an amoxtlalpan, a land of books.In the jungles where the jaguar dwells, the Mayas make books.In the mountains the cloud people, the Mixtecs, make them as well. So do others in the coast and in the forests.And we the Mexica of the mighty Aztec empire, who dwell in the valley of the volcanoes, make them too.A young Aztec girl tells her little brother how their parents create beautiful painted manuscripts, or codices. She explains to him how paper is made from local plants and how the long paper is folded into a book. Her parents and others paint the codices to tell the story of their people's way of life, documenting their history, science, tributes, and sacred rituals. Duncan Tonatiuh's lyrical prose and beloved illustration style, inspired by the pre-Columbian codices, tell the story of how-contrary to the historical narrative that European colonizers bestowed "civilization" and knowledge to the Americas-the Aztec and their neighbors in the Valley of Mexico painted books and records long before Columbus arrived, and continued doing so among their Nahua-speaking descendants for generations after the Spanish Conquest. From an award-winning author-illustrator, A Land of Books pays tribute to Mesoamerican ingenuity and celebrates the universal power of the written word.

A 2015 Pura Belpre Illustrator Honor Book and a 2015 Robert F. Sibert Honor Book Almost 10 years before Brown vs. Board of Education, Sylvia Mendez and her parents helped end school segregation in California. An American citizen of Mexican and Puerto Rican heritage who spoke and wrote perfect English, Mendez was denied enrollment to a "Whites only" school. Her parents took action by organizing the Hispanic community and filing a lawsuit in federal district court. Their success eventually brought an end to the era of segregated education in California.Praise for Separate is Never EqualSTARRED REVIEWS"Tonatiuh masterfully combines text and folk-inspired art to add an important piece to the mosaic of U.S. civil rights history." --Kirkus Reviews, starred review "Younger children will be outraged by the injustice of the Mendez family story but pleased by its successful resolution. Older children will understand the importance of the 1947 ruling that desegregated California schools, paving the way for Brown v. Board of Education seven years later." --School Library Journal, starred review "Tonatiuh (Pancho Rabbit and the Coyote) offers an illuminating account of a family's hard-fought legal battle to desegregate California schools in the years before Brown v. Board of Education." --Publishers Weekly "Pura Belpre Award-winning Tonatiuh makes excellent use of picture-book storytelling to bring attention to the 1947 California ruling against public-school segregation." --Booklist "The straightforward narrative is well matched with the illustrations in Tonatiuh's signature style, their two-dimensional perspective reminiscent of the Mixtec codex but collaged with paper, wood, cloth, brick, and (Photoshopped) hair to provide textural variation. This story deserves to be more widely known, and now, thanks to this book, it will be." --The Horn Book Magazine

In this new cooking poem, Jorge Argueta brings us a fun and easy recipe for a yummy salsa. A young boy and his sister gather the ingredients and grind them up in a molcajete, just like their ancestors used to do, singing and dancing all the while. The children imagine that their ingredients are different parts of an orchestra — the tomatoes are bongos and kettledrums, the onion, a maraca, the cloves of garlic, trumpets and the cilantro, the conductor. They chop and then grind these ingredients in the molcajete, along with red chili peppers for the “hotness� that is so delicious, finally adding a squeeze of lime and a sprinkle of salt. When they are finished, their mother warms tortillas and their father lays out plates, as the whole family, including the cat and dog, dance salsa in mouth-watering anticipation. Winner of the International Latino Book Award for Guacamole, Jorge Argueta has once again written a recipe-poem that families will delight in. Each book in the cooking poem series features a talented illustrator from the Latino world. In Salsa the text is complemented by the rich, earthy illustrations of multiple award-winning illustrator Duncan Tonatiuh. His interest in honoring the art of the past in contemporary contexts is evident in these wonderful illustrations, which evoke the pre-Columbian Mixtec codex. Key Text Features recipe Correlates to the Common Core State Standards in English Language Arts:  CCSS.ELA-LITERACY.RL.K.4 Ask and answer questions about unknown words in a text. CCSS.ELA-LITERACY.RL.1.4 Identify words and phrases in stories or poems that suggest feelings or appeal to the senses.

Award-winning author Duncan Tonatiuh brings to life the story of a Mexican-American war hero Jos. de la Luz S.enz (1888-1953)-or Luz-believed in fighting for what was right. Although he was born in the United States, he and his family experienced prejudice because of their Mexican heritage. When World War I broke out, Luz volunteered to join the fight. Because of his ability to quickly learn languages, he became part of the Intelligence Office in Europe. However, despite his hard work and intellect, Luz often didn't receive credit for his contributions. Upon his return to the US, he joined other Mexican-Americans whom he had met in the army to fight for equality. His contribution, along with others, ultimately led to the creation of the League of United Latin American Citizens (LULAC), which is the oldest Latino civil rights organization. Soldier for Equality is based in part on Luz's diary during the war. It includes a biography of Luz's later years, an author's note, a timeline, a bibliography, and an index.

This charming book introduces one of the most popular artists of the twentieth century, Diego Rivera, to young readers. It tells the story of Diego as a young, mischievous boy who demonstrated a clear passion for art and then went on to become one of the most famous painters in the world.
Duncan Tonatiuh also prompts readers to think about what Diego would paint today. Just as Diego's murals depicted great historical events in Mexican culture or celebrated native peoples, if Diego were painting today, what would his artwork depict? How would his paintings reflect today's culture?
"Diego Rivera: His World and Ours" is a wonderful introduction to this great artist.
Praise for "Diego Rivera
" "By establishing a link between modern readers and Rivera and challenging them to "make our own murals," the author makes art both aspiration and action. Both solid introduction and exhortation, this book will thrill budding artists." -"Kirkus Reviews," starred review"Kids will want to talk about the great painter, and young artists will find inspiration for their own creations." -"Booklist"

In this powerful, vibrant biography, award-winning creator Duncan Tonatiuh sheds light on the legacy of a legendary capoeira player, Mestre Bimba, who resisted racial oppression through art and turned a marginalized practice into a global phenomenonA meia lua whooshed in the air. The strike was evaded and followed with an aú.Two young men were playing capoeira in the middle of the roda. Bimba wanted to play, too.Although it is debated when and where capoeira—an art form that blends martial arts, dance, acrobatics, music, and spirituality—originated exactly, one thing is certain: in the early 20th century, Brazil was the only country in the world where capoeira was played, and it was mainly practiced by people of African descent. In 1890, two years after Brazil officially abolished slavery, the game was outlawed. Wealthy, lighter-skinned society feared and looked down on capoeira, seeing it as a game for malandros—what people in power called the poor Black communities they disdained. But in the early 1920s in the city of Salvador, a man called Bimba would advocate for capoeira, and those who practiced it, to be treated with dignity and the respect it deserved. Duncan Tonatiuh’s lyrical prose and beloved illustration style, inspired by pre-Columbian codices, tell the story of arguably the greatest capoeirista of all time, who fought to turn a misunderstood, persecuted Afro-Brazilian activity into a celebrated art practiced by millions around the world. In 2014, the United Nations Educational Scientific and Cultural Organization (UNESCO) named capoeira an Intangible Cultural Heritage of Humanity, a distinction awarded because of the game’s promotion of social integration and the memory it holds of the struggle against historical oppression. From an award-winning author-illustrator, Game of Freedom is a stirring celebration of solidarity and resistance through art.