"Yesterday I lost a country," Dunya Mikhail writes in "The War Works Hard", a subversive, sobering work by an exiled Iraqi poet, and her first collection to appear in English. Compassionate, engaged and direct, Mikhail's is a voice that transcends boundaries, and one that has rarely seemed more necessary. Dunya Mikhail writes an Arabic poetry for the twenty-first century - urgent and painful, composed our of successive experiences of violence and exile. She remakes the traditional forms and imagery of Arabic poetry to give voice to women's experience of war, to the experiences of lovers, children and mothers, those whose vulnerability is also the tenacious humanity that gives hope of survival and new beginnings. An Iraqi, now living in the United States, Mikhail writes and speaks in Arabic, Arameic and English. Her literary inheritance embraces ancient myths, the sacred books of Christianity and Islam, and Western modernism, and she inhabits cultures that range from deep-rooted traditions to the brutalities of modern states. Mikhail has collaborated closely with the translator Elizabeth Winslow in publishing this collection.

In The Beekeeper of Sinjar, the acclaimed poet and journalist Dunya Mikhail tells the harrowing stories of women from across Iraq who have managed to escape the clutches of ISIS. Since 2014, ISIS has been persecuting the Yazidi people, killing or enslaving those who won't convert to Islam. These women have lost their families and loved ones, along with everything they've ever known. Dunya Mikhail weaves together the women's tales of endurance and near-impossible escape with the story of her own exile and her dreams for the future of Iraq.

In the midst of ISIS's reign of terror and hatred, an unlikely hero has emerged: the Beekeeper. Once a trader selling his mountain honey across the region, when ISIS came to Sinjar he turned his knowledge of the local terrain to another, more dangerous use. Along with a secret network of transporters, helpers, and former bootleggers, Abdullah Shrem smuggles brutalised Yazidi women to safety through the war-torn landscapes of Iraq, Syria, and Eastern Turkey.

This powerful work of literary nonfiction offers a counterpoint to ISIS's genocidal extremism: hope, as ordinary people risk torture and death to save the lives of others.

A powerful and sweeping novel set over two tumultuous decades in Iraq from the National Book Award-nominated author of The Beekeeper. Shortlisted for the International Prize for Arabic Fiction. Helen is a young Yazidi woman, living with her family in a mountain village in Sinjar, northern Iraq. One day she finds a local bird caught in a trap, and frees it, just as the trapper, Elias, returns. At first angry, he soon sees the error of his ways and vows never to keep a bird captive again. Helen and Elias fall deeply in love, marry and start a family in Sinjar. The village has seemed to stand apart from time, protected by the mountains and too small to attract much political notice. But their happy existence is suddenly shattered when Elias, a journalist, goes missing. A brutal organization is sweeping over the land, infiltrating even the remotest corners, its members cloaking their violence in religious devotion. Helen's search for her husband results in her own captivity and enslavement. She eventually escapes her captors and is reunited with some of her family. But her life is forever changed. Elias remains missing and her sons, now young recruits to the organization, are like strangers. Will she find harmony and happiness again? For readers of Elif Shafak, Samar Yazbek's Planet of Clay, or Ahmed Saadawi's Frankenstein in Baghdad, Dunya Mikhail's The Bird Tattoo chronicles a world of great upheaval, love and loss, beauty and horror, and will stay in readers' minds long after the last page.

Since 2014, Daesh (ISIS) has been brutalizing the Yazidi people of northern Iraq: sowing destruction, killing those who won't convert to Islam, and enslaving young girls and women. The Beekeeper, by the acclaimed poet and journalist Dunya Mikhail, tells the harrowing stories of several women who managed to escape the clutches of Daesh. Mikhail extensively interviews these women-who've lost their families and loved ones, who've been sexually abused, psychologically tortured, and forced to manufacture chemical weapons-and as their tales unfold, an unlikely hero emerges: a beekeeper, who uses his knowledge of the local terrain, along with a wide network of transporters, helpers, and former cigarette smugglers, to bring these women, one by one, through the war-torn landscapes of Iraq, Syria, and Turkey, back into safety. In the face of inhuman suffering, this powerful work of nonfiction offers a counterpoint to Daesh's genocidal extremism: hope, as ordinary people risk their own lives to save those of others.

A Poetry Book Society Autumn 2019 Wild Card Selection At the heart of In Her Feminine Sign, Dunya Mikhail's luminous new collection of poems, is the Arabic suffix taamarbuta, `the tied circle' - a circle with two dots above it that indicates a feminine word, or sign. This tied circle transforms into the moon, a stone that binds friendship, birdsong over ruins, and a hymn to Nisaba, the goddess of writing. With a deceptive simplicity and disquieting humour reminiscent of Wislawa Szymborska, and a lyricism wholly her own, Mikhail slips between her childhood in Baghdad and her present life in Detroit, between Ground Zero and a mass grave, tracing new circles of light.

This boxed set of the first twelve collections in the New Directions Poetry Pamphlet series contains:

Osama Alomar's Fullbood Arabian H. D.'s Vale Ave Lawrence Ferlinghetti's Blast Cries Laughter Forrest Gander's Eiko & Koma Oliverio Girondo's Poems to Read on a Streetcar Susan Howe's Sorting Facts, or 19 Ways of Looking at Chris Marker Sylvia Legris's Pneumatic Antiphonal Bernadette Mayer's The Helens of Troy, New York Dunya Mikhail's 15 Iraqi Poets Alejandra Pizarnik's A Musical Hell Nathaniel Tarn's The Beautiful Contradictions Lydia Davis & Eliot Weinberger's Two American Scenes

The Iraqi Nights is the third collection by the acclaimed Iraqi poet Dunya Mikhail. Taking The One Thousand and One Nights as her central theme, Mikhail personifies the role of Scheherazade the storyteller, saving herself through her tales. The nights are endless, seemingly as dark as war in this haunting collection, seemingly as endless as war. Yet the poet cannot stop dreaming of a future beyond the violence of a place where "every moment / something ordinary / will happen under the sun." Unlike Scheherazade, however, Mikhail is writing, not to escape death, but to summon the strength to endure. Inhabiting the emotive spaces between Iraq and the U.S., Mikhail infuses those harsh realms with a deep poetic intimacy. The author's vivid illustrations - inspired by Sumerian tablets - are threaded throughout this powerful book.

This bundle of four Poetry Pamphlets (9-12 in the series) includes:

Lawrence Ferlinghetti's Blasts Cries Laughter Osama Alomar's Fullblood Arabian Oliverio Girondo's Poems to Read on a Streetcar Fifteen Iraqi Poets (edited by Dunya Mikhail)