Intended for social scientists, historians, and readers interested in social change and social poverty, this book examines the roots of entrenched poverty in Appalachia. It is both a social history of the creation of chronic poverty (and wealth) in Clay County, KY and an explication of how economic markets, cultural strategies, and the state interact to shape local society. By linking a longitudinal study of a single place to broader understandings of the historical development of the capitalist world system, this book contributes to policy discussions of the underlying causes of persistent rural poverty and reasons for the chronic failure of governmental programs to alleviate such poverty. In doing this study the authors have assembled probably the longest running set of longitudinal data currently available on an American rural population as well as the most extensive body of data available for a persistently poor community in the United States.

In an increasingly globalized world, place matters more than ever. This concept especially holds true in Appalachian studies -- a field that brings scholars, activists, artists, and citizens together around the region to contest misappropriations of resources and power and to combat stereotypes of isolation and intolerance. In Appalachia in Regional Context: Place Matters, Dwight B. Billings and Ann E. Kingsolver assemble scholars and artists from a variety of disciplines to broaden the conversation and challenge the binary opposition between regionalism and globalism. In addition to theoretical explorations of place, some of the case studies examine foodways, depictions of gendered and racialized Appalachian identity in popular culture, the experiences of rural LGBTQ youth, and the pitfalls and promises of teaching regional studies. Drawing on ideas from cultural anthropology, sociology, and a variety of other fields, and interleaved with poems by bell hooks, this volume furthers the examination of new perspectives on one of America's most compelling and misunderstood regions.

Appalachia has long been stereotyped as a region of feuds, moonshine stills, mine wars, environmental destruction, joblessness, and hopelessness. Robert Schenkkan's 1992 Pulitzer-Prize winning play The Kentucky Cycle once again adopted these stereotypes, recasting the American myth as a story of repeated failure and poverty--the failure of the American spirit and the poverty of the American soul. Dismayed by national critics' lack of attention to the negative depictions of mountain people in the play, a group of Appalachian scholars rallied against the stereotypical representations of the region's people. In Back Talk from Appalachia, these writers talk back to the American mainstream, confronting head-on those who view their home region one-dimensionally. The essays, written by historians, literary scholars, sociologists, creative writers, and activists, provide a variety of responses. Some examine the sources of Appalachian mythology in nineteenth- and early twentieth-century literature. Others reveal personal experiences and examples of grassroots activism that confound and contradict accepted images of ""hillbillies."" The volume ends with a series of critiques aimed directly at The Kentucky Cycle and similar contemporary works that highlight the sociological, political, and cultural assumptions about Appalachia fueling today's false stereotypes.

Billings disputes the assumption that an incipient merchant class built the state's cotton mills; he reveals that a majority of the early mills was owned by prominent planters and agrarians. He shows the persistent hegemony and support for industrialization among the landed upper class and describes several generations of five powerful North Carolina families who spread plantation paternalism to the mill-village system. Billings compares this with similar cases in Germany and Japan.
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