First published in 1991, this book evaluates and compares the problematic relationships that have sometimes existed between police and Afro-Caribbean people in Britain and in the United States of America. Contributors from both sides of the Atlantic assess conflicting claims from police and black communities, as to whether some police are racist or too brutal in their operations. Although this book was written in the early 90s, many of the issues discussed remain interesting and relevant to our society today.

First published in 1989, United Kingdom? examines the three main divisions in British society in the post-war period: class, race and gender. During the 1980s there was an increasing concern about deep, and often bitter, divisions in British society. Events such as the miners' strike of 1984-5, the riots in Handsworth, Tottenham and Brixton, and the women's peace camp at Greenham Common all demonstrated the opposing views and cultures of the British public. However, the UK at the time was also able to show remarkable and continuing stability in other areas. This book considers to what extent the United Kingdom really was a kingdom united from the post-war period to the late 1980s. It focuses on issues of cohesion and conflict and debates the security of essential social stability.

First published in 1987, The Logic of Racism provides a portrait of race relations based on the stories of 800 different individuals from all sections of society. In this book, voices from the author's tape recorder are converted to the page for the reader to experience the vivid, sometimes humorous and frequently disturbing impressions of race relations as they are experienced. Interviewees include people from different age groups, sexes, races, and social backgrounds as well as the politicians, teachers and professionals responsible for fighting racism. The book combines real life experiences with the author's analysis and the result is a text that focuses on the reasoning behind prejudice and its resistance to rational argument.

First published in 1991, this book evaluates and compares the problematic relationships that have sometimes existed between police and Afro-Caribbean people in Britain and in the United States of America. Contributors from both sides of the Atlantic assess conflicting claims from police and black communities, as to whether some police are racist or too brutal in their operations. Although this book was written in the early 90s, many of the issues discussed remain interesting and relevant to our society today.

First published in 1979, this book makes a detailed study of Rastafarianism. It traces the expansion of Rastafarian culture from its origins and development in Jamaica through to the growth of Rastafarian life in Britain. It looks at Rastafarian culture in England in the late 1970s based on the author's intimate experiences and communications with followers of the movement.

First published in 1985, Having To summarises the situation of more than a million parents in the UK alone that survive as single parents. This thought-provoking book is based on interviews with more than 200 women and men of all ages and backgrounds. The accounts of what life can be like in the world of one parent families are revealing, sometimes disturbing, and above all, moving. In this book, parents talk in depth about their experiences when confronted by violence, infidelity, lesbianism, child abuse and paranoia. They portray stories that will provoke many questions about the state of the nuclear family.

First published in 1982, Black Sportsmen examines the affect that race has had on sportspeople. The book is based on interviews with a wide range of sportspeople from Olympic athletes to schoolchildren and novices. Written at a time when many black youths were turning to, and succeeding in sports such as athletics, boxing, football, karate and table tennis, this book focuses on the various ways in which black sports competitors reacted to their blackness.

First published in 1982, this book considers the position of young Afro-Caribbean people in Britain, in the 1980s. It looks at how, at the time, this group of young people were disproportionately hit by growing unemployment, seemed to be over-represented in crime statistics and were often disadvantage at school. The authors of the book analyse the struggles of the time and look at the reasons for their existence.

First published in 1987, The Logic of Racism provides a portrait of race relations based on the stories of 800 different individuals from all sections of society. In this book, voices from the author's tape recorder are converted to the page for the reader to experience the vivid, sometimes humorous and frequently disturbing impressions of race relations as they are experienced. Interviewees include people from different age groups, sexes, races, and social backgrounds as well as the politicians, teachers and professionals responsible for fighting racism. The book combines real life experiences with the author's analysis and the result is a text that focuses on the reasoning behind prejudice and its resistance to rational argument.

First published in 1989, United Kingdom? examines the three main divisions in British society in the post-war period: class, race and gender. During the 1980s there was an increasing concern about deep, and often bitter, divisions in British society. Events such as the miners' strike of 1984-5, the riots in Handsworth, Tottenham and Brixton, and the women's peace camp at Greenham Common all demonstrated the opposing views and cultures of the British public. However, the UK at the time was also able to show remarkable and continuing stability in other areas. This book considers to what extent the United Kingdom really was a kingdom united from the post-war period to the late 1980s. It focuses on issues of cohesion and conflict and debates the security of essential social stability.

First published in 1982, Black Sportsmen examines the effect that race has had on sportspeople. The book is based on interviews with a wide range of sportspeople from Olympic athletes to schoolchildren and novices. Written at a time when many black youths were turning to, and succeeding in sports such as athletics, boxing, football, karate and table tennis, this book focuses on the various ways in which black sports competitors reacted to their blackness.

First published in 1985, Having To summarises the situation of more than a million parents in the UK alone that survive as single parents. This thought-provoking book is based on interviews with more than 200 women and men of all ages and backgrounds. The accounts of what life can be like in the world of one parent families are revealing, sometimes disturbing, and above all, moving. In this book, parents talk in depth about their experiences when confronted by violence, infidelity, lesbianism, child abuse and paranoia. They portray stories that will provoke many questions about the state of the nuclear family.

First published in 1982, this book considers the position of young Afro-Caribbean people in Britain, in the 1980s. It looks at how, at the time, this group of young people were disproportionately hit by growing unemployment, seemed to be over-represented in crime statistics and were often disadvantage at school. The authors of the book analyse the struggles of the time and look at the reasons for their existence.

First published in 1979, this book makes a detailed study of Rastafarianism. It traces the expansion of Rastafarian culture from its origins and development in Jamaica through to the growth of Rastafarian life in Britain. It looks at Rastafarian culture in England in the late 1970s based on the author's intimate experiences and communications with followers of the movement.

Beast. Monster. Savage. Psycho. The glowering menace of Mike Tyson has spooked us for almost two decades. And still we remain fascinated. Why? Ellis Cashmore's answer is disturbing: white society has created Tyson as vengeance for the loss of privilege produced by civil rights.

Cashmore's eviscerating analysis of Tyson's life and the culture in which he grew up, rose to prominence and descended into disgrace provokes the reader into re-thinking the role of one of the most controversial and infamous figures of recent history. Told as an odyssey-style homeward journey to Tyson's multi-pathological origins in the racially-explosive ghettos of the 1960s, Tyson's story is part biography, part tragedy and part exposition. His associations with people like Al Sharpton, Don King and Tupac Shakur shaped his life; and events, such as the O J Simpson trial and the Rodney King riots, formed a turbulent background for the Tyson psychodrama.

Over the course of an epic boxing career, Tyson was transformed from the most celebrated athlete on earth to a primal, malevolent hate-figure. Yet, even after being condemned as a brute, Tyson retained a power - a power to captivate. Cashmore reveals that the sources of that power lie as much in us as in Tyson himself.

For over four decades, Martin Scorsese has been the chronicler of an obsessive society, where material possessions and physical comfort are valued, where the pursuit of individual improvement is rewarded and where male prerogative is respected and preserved.

Scorsese has often described his films as sociology and he has a point: his storytelling condenses complex information into comprehensible narratives about society. In this sense, he has been a guide through a dark world of nineteenth century crypto-fascism to a fetishistic twentieth century in which goods, fame, money and power are held to have magical power.

Author of "Tyson: Nurture of the Beast" and "Beckham," Ellis Cashmore turns his attention to arguably the most influential living film- maker to explore how Scorsese envisions America. Greed, manhood, the city and romantic love feature on Scorsese's landscape of secular materialism. They are among the themes Cashmore argues have driven and inform Scorsese's work. This is America, as seen through the eyes of Martin Scorsese and it is a deeply unpleasant place.

Cashmore's book discloses how, collectively, Scorsese's films present an image of America. It's an image assembled from the perspectives of obsessive people, whether burned-out paramedics, compulsive entrepreneurs, tortured lovers, or celebrity-fixated comedians. It's collected from pool halls, taxicabs, boxing rings and jazz clubs. It's an image that's specific, yet ubiquitous. It is "Martin Scorsese's America."

The Beckham enigma continues. Since the publication of Cashmore's challenging social biography in 2003, the working-class kid from the East London has left Manchester and conquered the world. Undisputedly one of the world's most famous men, Beckham has transcended sport to become an all-purpose cultural icon for the twenty-first century.

What are the sources of Beckham's godlike status? Why does someone who looks good, but speaks in platitudes and does little but play football, command the adulation of the planet? By dissecting his life and setting it in context of the age of celebrity, Cashmore argues that Beckham has been turned into a product, a commodity that can be bought and sold like any other piece of merchandise. There is not just a person named Beckham: there are countless Beckhams that exist independently of time and space, constructions of peoples' imaginations.

The second edition of Beckham updates the original's arguments, covering the events that have shaped the Beckham phenomenon: the Flying Boot that symbolized the growing disquiet at Manchester United, the replacement of his first agents SFX with Simon Fuller (the creator of Pop Idol), the failed attempt to capture a US market, the growing presence of adidas, the sportswear giants, and the transfer saga that took Beckham to Madrid - and his influence beyond.

Among the other features of the second edition are chapters on: Manchester United, the club that provided Beckham with his first showcase; Rupert Murdoch's takeover of British football; Beckham's ambiguous sexual image and his gay following; the importance of Madonna in kick-starting the age of celebrity in which Beckham prospered; Beckham's curious relationships with the legacy of Warhol.

Completely revised and updated, the new text emphasizes the often overlooked part played by Victoria in the making of the icon and the guile with which she helped plan an enterprise that had no precedents.

The Beckham enigma continues. Since the publication of Cashmore's challenging social biography in 2003, the working-class kid from the East London has left Manchester and conquered the world. Undisputedly one of the world's most famous men, Beckham has transcended sport to become an all-purpose cultural icon for the twenty-first century.

What are the sources of Beckham's godlike status? Why does someone who looks good, but speaks in platitudes and does little but play football, command the adulation of the planet? By dissecting his life and setting it in context of the age of celebrity, Cashmore argues that Beckham has been turned into a product, a commodity that can be bought and sold like any other piece of merchandise. There is not just a person named Beckham: there are countless Beckhams that exist independently of time and space, constructions of peoples' imaginations.

The second edition of Beckham updates the original's arguments, covering the events that have shaped the Beckham phenomenon: the Flying Boot that symbolized the growing disquiet at Manchester United, the replacement of his first agents SFX with Simon Fuller (the creator of Pop Idol), the failed attempt to capture a US market, the growing presence of adidas, the sportswear giants, and the transfer saga that took Beckham to Madrid - and his influence beyond.

Among the other features of the second edition are chapters on: Manchester United, the club that provided Beckham with his first showcase; Rupert Murdoch's takeover of British football; Beckham's ambiguous sexual image and his gay following; the importance of Madonna in kick-starting the age of celebrity in which Beckham prospered; Beckham's curious relationships with the legacy of Warhol.

Completely revised and updated, the new text emphasizes the often overlooked part played by Victoria in the making of the icon and the guile with which she helped plan an enterprise that had no precedents.

For over four decades, Martin Scorsese has been the chronicler of an obsessive society, where material possessions and physical comfort are valued, where the pursuit of individual improvement is rewarded and where male prerogative is respected and preserved.

Scorsese has often described his films as sociology and he has a point: his storytelling condenses complex information into comprehensible narratives about society. In this sense, he has been a guide through a dark world of nineteenth century crypto-fascism to a fetishistic twentieth century in which goods, fame, money and power are held to have magical power.

Author of "Tyson: Nurture of the Beast" and "Beckham," Ellis Cashmore turns his attention to arguably the most influential living film- maker to explore how Scorsese envisions America. Greed, manhood, the city and romantic love feature on Scorsese's landscape of secular materialism. They are among the themes Cashmore argues have driven and inform Scorsese's work. This is America, as seen through the eyes of Martin Scorsese and it is a deeply unpleasant place.

Cashmore's book discloses how, collectively, Scorsese's films present an image of America. It's an image assembled from the perspectives of obsessive people, whether burned-out paramedics, compulsive entrepreneurs, tortured lovers, or celebrity-fixated comedians. It's collected from pool halls, taxicabs, boxing rings and jazz clubs. It's an image that's specific, yet ubiquitous. It is "Martin Scorsese's America."