This studyargues that female networks of conversation, correspondenceand patronage formed the foundation for women's work in the 'higher' realms of Shakespeare criticism and poetry. Eger traces the transition between Enlightenment and Romantic culture, arguing for the relevance of rational argument in the history of women's writing.

This volume explores the political, economic, moral, and intellectual effects of the production and consumption of luxury goods in the 18th century. The history of luxury links diverse topics of enquiry such as material culture, taste, civility and sensibility, literature, and art. The text provides a broadly-based account from a variety of perspectives, addressing key themes of economic debate, material culture, the principles of art and taste, luxury as "female vice," and the exotic.

Bluestockings: Women of Reason from Enlightenment to Romanticism, now in paperback, explores the cultural history of women's literary and intellectual activity in Britain between 1750 and 1812. Richard Samuel's painting, The Nine Living Muses of Great Britain (1779), forms the starting point and guiding motif of the book. Samuel depicted Elizabeth Montagu, Elizabeth Griffith, Elizabeth Carter, Charlotte Lennox, Elizabeth Linley, Angelica Kauffman, Catharine Macauley, Anna Barbauld and Hannah More. Together these women formed an important network of artists and intellectuals, who contributed to the central cultural transformations of their time.
Women forged a sense of community through their innovative use of patronage, conversation and correspondence. In the bluestocking salon these arts were developed to new levels of moral significance and provided the basis for women's involvement with the formal literary genres of their time, including Shakespearean criticism and poetry. This book highlights women's role in shaping an evolving national canon of literature. It also considers how the cultural anxiety caused by their very success in the public sphere of letters caused a new generation of male Romantics to displace women from their position of power.

Luxury was the keyword of the eighteenth century, and the history of luxury links diverse topics of enquiry such as material culture, taste, civility, sensibility, literature, and art. "Luxury in the Eighteenth Century" explores the political, economic, moral, and intellectual effects of the production and consumption of luxury goods, and provides a broadly-based account from a variety of perspectives, addressing key themes of economic debate, material culture, the principles of art and taste, luxury as "female vice" and the exotic.