Romanticism and the Museum argues that museums were integral to Britain's understanding of itself as a nation in the wake of the French Revolution. It features Wordsworth, Scott, Edgeworth, and literary periodicals featuring Byron and Horace Smith.

Romanticism and the Museum argues that museums were integral to Britain's understanding of itself as a nation in the wake of the French Revolution. It features Wordsworth, Scott, Edgeworth, and literary periodicals featuring Byron and Horace Smith.

In studies on social stratification, ususally the influence of the mothers' educational and occupational statuses on children's status attainment is ignored. The father's socioeconomic status is assumed to hold the dominant position in the household. Today, this assumption no longer holds. In this book the question is answered how the mother's education and her occupational status influences the education and job status of her children. The author shows that the socioeconomic background of the mother is heavily related to the educational outcomes of sons and daughters. Regarding the reproduction of job status, the mother's status resources are important only for the daughter. Her resources always have been and still are very important as a source 'advantage' transfers from one generation to the next. Over time, the influence of both parents decreases in essentially the same way. The contents of this book support the assessment of educational and occupational trends in modern society. This valuable study aids students, researchers and policy makers concerned with outcomes of social justice, reviewing key concepts for historical and internationally comparative studies on social stratification.

In the 1950s and 1960s, images of children appeared everywhere, from movies to milk cartons, their smiling faces used to sell everything, including war. In this provocative book, Margaret Peacock offers an original account of how Soviet and American leaders used emotionally charged images of children in an attempt to create popular support for their policies at home and abroad. Groups on either side of the Iron Curtain pushed visions of endangered, abandoned, and segregated children to indict the enemy's state and its policies. Though the Cold War is often characterized as an ideological divide between the capitalist West and the communist East, Peacock demonstrates a deep symmetry in how Soviet and American propagandists mobilized similar images to similar ends, despite their differences. Based on extensive research spanning fourteen archives and three countries, Peacock tells a new story of the Cold War, seeing the conflict not simply as a divide between East and West, but as a struggle between the producers of culture and their target audiences.