Stoddard uses the Anglophone Caribbean and Ireland to examine the complex inflections of women and race as articulated in-between the colonial discursive and material formations of the eighteenth century and those of the (post)colonial twentieth century, as structured by the defined spaces of the colonizers' estates.

Stoddard uses the Anglophone Caribbean and Ireland to examine the complex inflections of women and race as articulated in-between the colonial discursive and material formations of the eighteenth century and those of the (post)colonial twentieth century, as structured by the defined spaces of the colonizers' estates.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Royal Chef: A Comic Opera In Three Acts Benjamin M. Jerome, George E. Stoddard, Charles S. Taylor F. Haviland, 1904 Music; Genres & Styles; Opera; Music / Genres & Styles / Musicals; Music / Genres & Styles / Opera; Musicals; Operas

Music By Paul Schindler And Benjamin M. Jerome.

Music By Paul Schindler And Benjamin M. Jerome.

The culmination of five decades of research, this monumental work of descriptive bibliography, containing entries for more than 1,300 editions, assembles by date of printing the corpus of poetry composed and printed in the United States of America in books and pamphlets up through 1820. It also includes a revised version of Roger Stoddard's seminal essay "Poet and Printer in Colonial and Federal America: Some Bibliographical Perspectives," which explores the production of poetry in American culture from the colonial period to the early days of the American Republic. Enhancing access to this rich source of information are eight indexes: place of publication, printers and publishers, artists and engravers, signed or attributed bookbindings, dedicatees, provenance, subject, and author/title. This work is published for the Bibliographical Society of America by The Pennsylvania State University Press.

The culmination of five decades of research, this monumental work of descriptive bibliography, containing entries for more than 1,300 editions, assembles by date of printing the corpus of poetry composed and printed in the United States of America in books and pamphlets up through 1820. It also includes a revised version of Roger Stoddard's seminal essay "Poet and Printer in Colonial and Federal America: Some Bibliographical Perspectives," which explores the production of poetry in American culture from the colonial period to the early days of the American Republic. Enhancing access to this rich source of information are eight indexes: place of publication, printers and publishers, artists and engravers, signed or attributed bookbindings, dedicatees, provenance, subject, and author/title. This work is published for the Bibliographical Society of America by The Pennsylvania State University Press.