The Church of Solitude tells the story of Maria Concezione, a young Sardinian seamstress living with breast cancer at the cusp of the twentieth century. Overwhelmed by the shame of her diagnosis, she decides that no one can know what has happened to her, but the heavy burden of this secrecy changes her life in dramatic ways and almost causes the destruction of several people in her life. This surprising novel paints the portrait of a woman facing the unknown with courage, faith, and self-reliance, and is the last and most autobiographical work of Grazia Deledda, who died of breast cancer in 1936, shortly after its publication. An afterword by the translator offers additional information on the author and examines the social and historical environment of that time.

This volume examines the development and use of the Bible from late Antiquity to the Reformation, tracing both its geographical and its intellectual journeys from its homelands throughout the Middle East and Mediterranean and into northern Europe. Richard Marsden and E. Ann Matter's volume provides a balanced treatment of eastern and western biblical traditions, highlighting processes of transmission and modes of exegesis among Roman and Orthodox Christians, Jews and Muslims and illuminating the role of the Bible in medieval inter-religious dialogue. Translations into Ethiopic, Slavic, Armenian and Georgian vernaculars, as well as Romance and Germanic, are treated in detail, along with the theme of allegorized spirituality and established forms of glossing. The chapters take the study of Bible history beyond the cloisters of medieval monasteries and ecclesiastical schools to consider the influence of biblical texts on vernacular poetry, prose, drama, law and the visual arts of East and West.

This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.

In the popular imagination, the Middle Ages are often associated with lawlessness. As historians have long recognized, however, medieval culture was characterized by an enormous respect for law, legal procedure, and the ideals of justice and equity. Many of our most important modern institutions and legal conceptions grew out of medieval law in its myriad forms (Roman, canon, common, customary, and feudal).Institutional structures represent only a small portion of the wider cultural field affected by--and affecting--law. In "Law and the Illicit in Medieval Europe" such distinguished scholars as Patrick Geary, William Chester Jordan, R. I. Moore, Edward M. Peters, and Susan Mosher Stuard make the case that the development of law is deeply implicated in the growth of medieval theology and Christian doctrine; the construction of discourses on sin, human nature, honor, and virtue; the multiplying forms governing chivalry, demeanor, and social interaction, including gender relations; and the evolution of scholasticism, from its institutional context within the university to its forms of presentation, argumentation, and proof.

This volume examines the development and use of the Bible from late Antiquity to the Reformation, tracing both its geographical and its intellectual journeys from its homelands throughout the Middle East and Mediterranean and into northern Europe. Richard Marsden and E. Ann Matter's volume provides a balanced treatment of eastern and western biblical traditions, highlighting processes of transmission and modes of exegesis among Roman and Orthodox Christians, Jews and Muslims and illuminating the role of the Bible in medieval inter-religious dialogue. Translations into Ethiopic, Slavic, Armenian and Georgian vernaculars, as well as Romance and Germanic, are treated in detail, along with the theme of allegorized spirituality and established forms of glossing. The chapters take the study of Bible history beyond the cloisters of medieval monasteries and ecclesiastical schools to consider the influence of biblical texts on vernacular poetry, prose, drama, law and the visual arts of East and West.

The Song of Songs, eight chapters of love lyrics found in the collection of wisdom literature attributed to Solomon, is the most enigmatic book of the Bible. For thousands of years Jews and Christians alike have preserved it in the canon of scripture and used it in liturgy. Exegetes saw it as a central text for allegorical interpretations, and so the Song of Songs has exerted an enormous influence on spirituality and mysticism in the Western tradition. In the Voice of My Beloved, E. Ann Matter focuses on the most fertile moment of Song of Songs interpretation: the Middle Ages. At least eighty Latin commentaries on the text survive from the period. In tracing the evolution of these commentaries, Matter reveals them to be a vehicle for expressing changing medieval ideas about the church, the relationship between body and soul, and human and divine love. She shows that the commentaries constitute a well-defined genre of medieval Latin literature. And in discussing the exegesis of the Song of Songs, she takes into account the modern exegesis of the book and feminist critiques of the theology embodied in the text.

This volume seeks to address the needs of teachers and advanced students who are preparing classes on the Middle Ages or who find themselves confounded in their studies by reference to the various liturgies that were fundamental to the lives of medieval peoples. In a series of essays, scholars of the liturgy examine "The Shape of the Liturgical Year," "Particular Liturgies," "The Physical Setting of the Liturgy," "The Liturgy and Books," and "Liturgy and the Arts." A concluding essay, which originated in notes left behind by the late C. Clifford Flanigan, seeks to open the field, to examine "liturgy" within the larger and more inclusive category of "ritual." "The essays are intended to be introductory but to provide the basic facts and the essential bibliography for further study. They approach particular problems assuming a knowledge of medieval Europe but little expertise in liturgical studies per se.

The New Cambridge History of the Bible comprises four volumes that take into account the considerable advances in scholarship made in almost all biblical disciplines during the previous forty years. The volumes respond to shifts in scholarly methods of study of the Old and New Testaments, look closely at specialized forms of interpretation, and address the new concerns of the twenty-first century. Attention is paid to biblical studies in eastern Christian, Jewish, and Islamic contexts, rendering the series of interest to students of all Abrahamic faiths. The entire New Cambridge History of the Bible offers a comprehensive account of the development of the Bible from its origins to the present day, but each volume can also be read independently, proving a substantial contribution to the scholarship of the period it covers. This New Cambridge History will provide an invaluable resource for scholars, researchers, and students alike.

From Knowledge to Beatitude is a collection of original essays on the intersection between Christian theology and spiritual life primarily in the twelfth and thirteenth centuries, especially in the Parisian School of St. Victor, which honors the influential work of Grover A. Zinn, Jr. Written by distinguished scholars from various fields of medieval studies, these essays range from the study of the exegetical school of twelfth-century St. Victor and medieval glossed Bibles to the medieval cultural reception of women visionaries, preachers, and crusaders. Although focused on St. Victor, they provide analyses of Christian themes up to the modern period. A common thread is Zinn's careful attention to the connections between medieval spirituality and biblical studies, the origin of these ideas, and their lasting influence in Christian culture. The essays take us from Hugh of St. Victor's foundation-material culture-to the "beatitude" of a wider understanding of Victorine culture and its lasting legacy. This volume is a fitting tribute to a generous scholar, teacher, and mentor. It will appeal to historians, scholars of religion and theology, and art historians. Contributors: Raymond Clemens, Catherine Delano-Smith, Walter Cahn, William Clark, Thomas Waldman, Franklin T. Harkins, Lesley Smith, Hugh Feiss, Boyd Taylor Coolman, Dale M. Coulter, Marcia L. Colish, Dominique Poirel, Barbara Newman, Rachel Fulton Brown, Jeremy Adams, Frans van Liere, E. Ann Matter