While hot on the heels of serial coupon-racketeer Gordon Ginner, Chief Inspector MacDonald of Scotland Yard receives word of an intriguing incident up in Lancashire – the summer cottage of local farmer Giles Hoggett has been broken into, with an assortment of seemingly random items missing which include a complete reel of salmon line, a large sack, and two iron dogs from his fireplace. What first appears to Insp. MacDonald as a simple break-in quickly spirals into a mystery of contested land grabs for fishing between farmers, made all the more enticing to MacDonald when a body is then found in the river – the body of Gordon Ginner. It’s up to Insp. MacDonald, aided by the locals of Lunesdale, to determine who broke into Hoggett’s cottage, where his irons dogs have gone, and how Ginner met his watery end. First published in 1946 and set in the fell country of Lunesdale over the course of a rainy September, The Theft of the Iron Dogs is the very picture of a cosy crime mystery and showcases Lorac’s masterful attention to detail and deep affection for both Lunesdale and its residents.

'I hate murders and I hate murderers, but I must admit that the discovery of a bearded corpse would give a fillip to my jaded mind.' Vivian Lestrange - celebrated author of the popular mystery novel The Charterhouse Case and total recluse - has apparently dropped off the face of the Earth. Reported missing by his secretary Eleanor, whom Inspector Bond suspects to be the author herself, it appears that crime and murder is afoot when Lestrange's housekeeper is also found to have disappeared. Bond and Warner of Scotland Yard set to work to investigate a murder with no body and a potentially fictional victim, as E C R Lorac spins a twisting tale full of wry humour and red herrings, poking some fun at her contemporary reviewers who long suspected the Lorac pseudonym to belong to a man (since a woman could apparently not have written mysteries the way that she did). Incredibly rare today, this mystery returns to print for the first time since 1935.

"I'm minded of the way a fire spreads in dry bracken when we burn it off the fellside: tongues of flame this way and that - 'tis human tongues and words that's creeping like flames in brushwood." It all began up at High Gimmerdale with the sheep-stealing, a hateful act in the shepherding lands around the bend in the Lune river - the Crook o' Lune. Then came the fire at Aikengill house and with the leaping of the flames, death, disorder and dangerous gossip came to the quiet moorlands. Visiting his friends, the Hoggetts, while searching for some farmland to buy up ahead of his retirement, Chief Inspector Robert Macdonald's trip becomes a busman's holiday when he is drawn to investigate the deadly blaze and the deep-rooted motives behind the rising spate of crimes. Renowned for its authentic characters and settings based partly on the author's own experiences of life in the Lune valley, E.C.R. Lorac's classic rural mystery returns to print for the first time since 1953.

First published in 1944 Fell Murder sees E.C.R. Lorac at the height of her considerable powers as a purveyor of well-made, traditional and emphatic detective fiction. The book presents a fascinating `return of the prodigal' mystery set in the later stages of the Second World War amidst the close-knit farmerfolk community of Lancashire's lovely Lune valley. The Garths had farmed their fertile acres for generations and fine land it was with the towering hills of the Lake Country on the far horizon. Garthmere Hall itself was old before Flodden Field, and here hot-tempered Robert Garth, still hale and hearty at eighty-two, ruled his household with a rod of iron. The peaceful dales and fells of the north country provide the setting for this grim story of a murder, a setting in fact which is one of the attractive features of an unusual and distinctive tale of evil passions and murderous hate in a small rural community.

“Now tell us about your crime novel. Take my advice and don’t try to be intellectual over it. What the public likes is blood.”

The Surrays and their five children form a prolific writing machine, with scores of treatises, reviews and crime thrillers published under their family name. Following a rare convergence of the whole household at their Oxfordshire home, Ruth – middle sister who writes 'books which are just books' – decides to spend some weeks there recovering from the pressures of the writing life while the rest of the brood scatter to the winds again. Their next return is heralded by the tragic news that Ruth has taken her life after an evening at the Surrays' hosting a set of publishers and writers, one of whom is named as Ruth's literary executor in the will she left behind.

Despite some suspicions from the family, the verdict at the inquest is suicide – but when Ruth's brother Richard receives a letter from the deceased which was delayed in the post, he enlists the help of CID Robert Macdonald to investigate what could only be an ingeniously planned murder.

A lost novel from the golden age of crime, published for the very first time. It happened on a dark and misty night; the night of the ball at The Prince's Hall, Fordings. Abuzz with rumours surrounding the disappearance of Rosemary Reeve on the eve of last year's ball, the date proves ill-fated again when two homebound partygoers, Nick and Dilys, come to a swerving halt before a corpse on the road. Arriving at the scene to the news that Nick has been attacked after telephoning for the police, Inspector Turner suspects there may be more to the case than deadly accident. It's not long before Waring of the local C.I.D. is drawn into the investigation, faced with the task of unravelling an increasingly tangled knot of misleading alibis and deep-rooted local grievances. Written in the last years of the author's life, this previously unpublished novel is a tribute to Lorac's enduring skill for constructing an ingenious puzzle, replete with memorable characters and gripping detective work. This edition also includes an introduction by the CWA Diamond Dagger Award-winning author Martin Edwards.

London. 1945. The capital is shrouded in the darkness of the blackout, and mystery abounds in the parks after dusk. During a stroll through Regent's Park, Bruce Mallaig witnesses two men acting suspiciously around a footbridge. In a matter of moments, one of them has been murdered; Mallaig's view of the assailant but a brief glimpse of a ghastly face in the glow of a struck match. The murderer's noiseless approach and escape seems to defy all logic, and even the victim's identity is quickly thrown into uncertainty. Lorac's shrewd yet personable C.I.D. man MacDonald must set to work once again to unravel this near-impossible mystery.

The Second World War is drawing to a close. Nicholas Vaughan, released from the army after an accident, takes refuge in Devon - renting a thatched cottage in the beautiful countryside at Mallory Fitzjohn. Vaughan sets to work farming the land, rearing geese and renovating the cottage. Hard work and rural peace seem to make this a happy bachelor life. On a nearby farm lives the bored, flirtatious June St Cyres, an exile from London while her husband is a Japanese POW. June's presence attracts fashionable visitors of dubious character, and threatens to spoil Vaughan's Prized seclusion. When Little Thatch is destroyed in a blaze, all Vaughan's work goes up in smoke - and Inspector Macdonald is drafted in to uncover a motive for murder.

When Dr Raymond Ferens moves to a practice at Milham in the Moor in North Devon, he and his wife are enchanted with the beautiful hilltop village lying so close to moor and sky. At first they see only its charm, but soon they begin to uncover its secrets - envy, hatred and malice. Everyone says that Sister Monica, warden of a children's home, is a saint - but is she? A few months after the Ferens' arrival her body is found drowned in the mill race. Chief Inspector Macdonald faces one of his most difficult cases in a village determined not to betray its dark secrets to a stranger.

'Should detectives go to parties? Was it consistent with the dignity of the Yard? The inspector tossed for it-and went.' Chief Inspector Macdonald has been invited to a treasure hunt party at the house of Graham Coombe, the celebrated publisher of Murder by Mesmerism. Despite a handful of misgivings, the inspector joins a guestlist of novelists and thriller writers disguised on the night under literary pseudonyms. The fun comes to an abrupt end, however, when 'Samuel Pepys' is found dead in the telephone room in bizarre circumstances. Amidst the confusion of too many fake names, clues, ciphers and convoluted alibis, Macdonald and his allies in the CID must unravel a truly tangled case in this metafictional masterpiece, which returns to print for the first time since its publication in 1937.

On a dismally foggy night in Hampstead, London, a curious party has gathered in an artist's studio to weather the wartime blackout. A civil servant and a government scientist are matching wits in a game of chess, while an artist paints the portrait of his characterful sitter, bedecked in Cardinal's robes at the other end of the room. In the kitchen, the artist's sister is hosting the charlady of the miser next door. When the brutal murder of said miser is discovered by his Canadian infantryman nephew, it's not long before Inspector Macdonald of Scotland Yard is at the scene, faced with perplexing alibis and with the fate of the young soldier in his hands.