'His great book ... masterly in its prescience and its lucidity' ANITA DESAI A compelling portrait of a society in the grip of imperialism, A Passage to India depicts the fate of individuals caught in the great political and cultural conflicts of their age. It begins when Adela and her elderly companion Mrs Moore arrive in the Indian town of Chandrapore, and feel trapped by its insular and prejudiced British community. Determined to explore the 'real India', they seek the guidance of the charming and mercurial Dr Aziz. But a mysterious incident occurs while they are exploring the Marabar caves, and the well-respected doctor soon finds himself at the centre of a scandal. Edited by OLIVER STALLYBRASS with an Introduction by PANKAJ MISHRA

The Penguin English Library Edition of A Room with a View by E. M. Forster '"But you do," he went on, not waiting for contradiction. "You love the boy body and soul, plainly, directly, as he loves you, and no other word expresses it ..." Lucy has her rigid, middle-class life mapped out for her until she visits Florence with her uptight cousin Charlotte, and finds her neatly ordered existence thrown off balance. Her eyes are opened by the unconventional characters she meets at the Pension Bertolini: flamboyant romantic novelist Eleanor Lavish, the Cockney Signora, curious Mr Emerson and, most of all, his passionate son George. Lucy finds herself torn between the intensity of life in Italy and the repressed morals of Edwardian England, personified in her terminally dull fiance Cecil Vyse. Will she ever learn to follow her own heart? The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

E. M. Forster's guide sparkles with wit and insight for contemporary writers and readers. With lively language and excerpts from well-known classics, Forster (author of A Passage to India, Howards End, and A Room With a View) takes on the seven elements vital to a novel: story, people, plot, fantasy, prophecy, pattern, and rhythm. He not only defines and explains such terms as "round" versus "flat" characters (and why both are needed for an effective novel), but also provides examples of writing from such literary greats as Dickens and Austen. Forster's original commentary illuminates and entertains without lapsing into complicated, scholarly rhetoric, coming together in a key volume on writing."Forster's casual and wittily acute guidance...transmutes the dull stuff of He-Said and She-Said into characters, stories, and intimations of truth."--Harper's

The Penguin English Library Edition of Howards End by E. M. Forster 'The poor cannot always reach those whom they want to love, and they can hardly ever escape from those whom they love no longer. We rich can' 'Only connect.' is the idea at the heart of this book, a heartbreaking and provocative tale of three families at the beginning of the twentieth century: the rich Wilcoxes, the gentle, idealistic Schlegels and the lower-middle class Basts. As the Schlegel sisters try desperately to help the Basts and educate the close-minded Wilcoxes, the families are drawn together in love, lies and death. Frequently cited as E. M. Forster's finest work, Howards End brilliantly explores class warfare, conflict and the English character. The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

Set in the elegant Edwardian world of Cambridge undergraduate life, this story by a master novelist introduces us to Maurice Hall when he is fourteen. We follow him through public school and Cambridge, and on into his father's firm, Hill and Hall, Stock Brokers. In a highly structured society, Maurice is a conventional young man in almost every way, "stepping into the niche that England had prepared for him": except that his is homosexual. Written during 1913 and 1914, immediately after "Howards End," and not published until 1971, " Maurice" was ahead of its time in its theme and in its affirmation that love between men can be happy. "Happiness," Forster wrote, "is its keynote. In "Maurice" I tried to create a character who was completely unlike myself or what I supposed myself to be: someone handsome, healthy, bodily attractive, mentally torpid, not a bad businessman and rather a snob. Into this mixture I dropped an ingredient that puzzles him, wakes him up, torments him and finally saves him."

An astonishingly frank and deeply autobiographical account of homosexual relationships in an era when love between men was not only stigmatised, but also illegal, E.M. Forster's Maurice is edited by P.N. Furbank with an introduction by David Leavitt in Penguin Classics. Maurice Hall is a young man who grows up confident in his privileged status and well aware of his role in society. Modest and generally conformist, he nevertheless finds himself increasingly attracted to his own sex. Through Clive, whom he encounters at Cambridge, and through Alec, the gamekeeper on Clive's country estate, Maurice gradually experiences a profound emotional and sexual awakening. A tale of passion, bravery and defiance, this intensely personal novel was completed in 1914 but remained unpublished until after Forster's death in 1970. Compellingly honest and beautifully written, it offers a powerful condemnation of the repressive attitudes of British society, and is at once a moving love story and an intimate tale of one man's erotic and political self-discovery. In his introduction, David Leavitt explores the significance of the novel in relation to Forster's own life and as a founding work of modern gay literature. This edition reproduces the Abinger text of the novel, and includes new notes, a chronology and further reading. E. M. Forster (1879-1970) was a noted English author and critic and a member of the Bloomsbury group. His first novel, Where Angels Fear To Tread appeared in 1905. The Longest Journey appeared in 1907, followed by A Room With A View (1908), based partly on the material from extended holidays in Italy with his mother. Howards End (1910) was a story that centred on an English country house and dealt with the clash between two families, one interested in art and literature, the other only in business. Maurice was revised several times during his life, and finally published posthumously in 1971. If you enjoyed Maurice, you might like Forster's A Room With a View, also available in Penguin Classics.

'"You talk as if a god had made the Machine," cried the other. "I believe that you pray to it when you are unhappy. Men made it, do not forget that."' E.M. Forster is best known for his exquisite novels, but these two affecting short stories brilliantly combine the fantastical with the allegorical. In 'The Machine Stops', humanity has isolated itself beneath the ground, enmeshed in automated comforts, and in 'The Celestial Omnibus' a young boy takes a trip his parents believe impossible. This book contains The Machine Stops and A Celestial Omnibus.

Lucy Honeychurch arrives in Italy for the first time, dependent on a Baedeker travel guide and her stern chaperone, Miss Bartlett. As she explores Florence, Lucy realises the constraints of her middle-class upbringing and finds herself attracted to George Emerson, a young man also staying at the Pension Bertolini. Then an impulsive kiss and the confusion that follows prompt a sudden departure from the city. Back in England and engaged to the domineering Cecil Vyse, Lucy meets George again. Caught between social obligation and a suppressed desire for a different life, she must learn how to be true to herself.

E. M. Forster and Virginia Woolf were members of the Bloomsbury Group and key literary figures at the forefront of an artistic movement known as Modernism in the early twentieth century, a movement which for English literature meant the innovative re-shaping of boundaries in form, narrative and language. Originally published in 1942, this book presents the historic text of the Rede Lecture, which was delivered by E. M. Forster in the Senate House, Cambridge on 29th May 1941, two months after Woolf's death. The lecture was also given in an alternate form at the Royal Institution of Great Britain on 5th March 1942. In this lecture Forster celebrates Woolf's colossal contribution to literature as well as challenges her work as both a fellow writer and friend. Capturing and illuminating the shifting mood and interests in literature at the time, this landmark lecture is a must-read for all literature scholars.

A sunny, brilliantly witty comedy of manners, this edition of A Room with a View is part of the Penguin Essentials collection and features beautiful cover art by Chris Silas Neal 'You love the boy body and soul, plainly, directly, as he loves you . . .' Lucy has her rigid, middle-class life mapped out for her until she visits Florence with her uptight cousin Charlotte, and finds her neatly ordered existence thrown off balance. Her eyes are opened by the unconventional characters she meets at the Pension Pertolini: flamboyant romantic novelist Eleanor Lavish, the Cockney Signora, curious Mr Emerson and, most of all, his passionate son George. Lucy finds herself torn between the intensity of life in Italy and the repressed morals of Victorian England, personified in her terminally dull fiance Cecil Vyse. Will she ever learn to follow her own heart? 'He says, and even more implies, things that no other novelist does, and we can go on reading Forster indefinitely' The Times 'I loved it. My first intimation of the possibilities of fiction' Zadie Smith

Set in the elegant Edwardian world of Cambridge undergraduate life, this story by a master novelist introduces us to Maurice Hall when he is fourteen. We follow him through public school and Cambridge, and on into his father's firm, Hill and Hall, Stock Brokers. In a highly structured society, Maurice is a conventional young man in almost every way, "stepping into the niche that England had prepared for him": except that his is homosexual.

Written during 1913 and 1914, immediately after Howards End, and not published until 1971, Maurice was ahead of its time in its theme and in its affirmation that lvoe between men can be happy. "Happiness," Forster wrote, "is its keynote. . . . In Maurice I tried to create a character who was completely unlike myself or what I supposed myself to be: someone handsome, healthy, bodily attractive, mentally torpid, not a bad businessman and rather a snob. Into this mixture I dropped an ingredient that puzzles him, wakes him up, torments him and finally saves him."

A wonderful novel to read—rich in its subtle intelligence, beautifully controlled in its development, deeply moving—in short, the work of an exceptional artists working close to the peak of his creative powers."—Christopher Lehmann-Haupt, New York Times

Where Angels Fear to Tread (1905) is a novel by English author E.M. Forster. The work was Forster's first novel, and its success helped launch his lengthy and critically acclaimed career as a writer of literary fiction. Where Angels Fear to Tread-the title is drawn from Alexander Pope's An Essay on Criticism (1711)-is a moving meditation on class, gender, social convention, and the grieving process. Following the death of her husband, a widow named Lilia Herriton travels to Tuscany with her friend Caroline Abbott. In Italy, Lilia falls in love with a young Italian named Gino, with whom she decides to remain. This prompts a fierce backlash among members of her deceased husband's family, who privilege their honor and name over Lilia's happiness. Although they send Philip, her brother-in-law, to Italy in order to retrieve her, Lilia has already married Gino, and is pregnant with their child. When she dies in childbirth, however, a fight ensues over the care of the boy, whom the Herritons want to be raised as an Englishman in their midst. Philip returns to Italy with his sister Harriet, meeting Caroline and devising a plan to wrest control of the boy from Gino, a loving and caring father. Where Angels Fear to Tread is a novel that traces the consequences of selfish decisions, the politics of family life, and the social conventions which hold women prisoner to those who claim to support them. The novel was an immensely successful debut for Forster, who would go on to become one of England's most popular and critically acclaimed novelists of the twentieth century. With a beautifully designed cover and professionally typeset manuscript, this edition of E.M. Forster's Where Angels Fear to Tread is a classic of English literature reimagined for modern readers.

This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England. A charming young English woman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson--who is entirely unsuitable and whose father just may be a Socialist--Lucy is soon at war with the snobbery of her class and her own conflicting desires. Back in England she is courted by a more acceptable, if stifling, suitor, and soon realizes she must make a startling decision that will decide the course of her future: she is forced to choose between convention and passion. The enduring delight of this tale of romantic intrigue is rooted in Forster's colorful characters, including outrageous spinsters, pompous clergymen and outspoken patriots. Written in 1908, A Room With A View is one of E.M. Forster's earliest and most celebrated works.

When "Lord of the Flies" appeared in 1954 it received unprecedented reviews for a first novel. Critics used such phrases as "beautifully writeen, tragic and provocative... vivid and enthralling... this beautiful and desperate book... completely convincing and often very frightening... its progress is magnificient... like a fragment of nightmare... a dizzy climax of terror... the terrible spell of this book..." E.M. Forster chose it as the Outstanding Novel of the Year. "Time and Tide" touched upon perhaps the most important facet of this book when it said, "It is not only a first-rate adventure but a parable of our times, " and articles on this and subsequent Golding novels have stressed these twin aspects of Golding: a consummate control of the novel form, and a superb all-encompassing vision of reality which communicates itself with a power reminiscent of Conrad.

A tour of Italy takes young Lucy Honeychurch out of her predictable life in Edwardian England and places her into a new world that even her chaperoning spinster aunt cannot control. Encountering everything from unlikely traveling companions to street violence, Lucy faces the greatest challenge in understanding her own shifting emotions toward a most unsuitable suitor. Since it first appeared in 1908 A Room With a View has been recognized as a masterful depiction of character and conflict. Known to many through Merchant Ivory's lush 1985 film adaptation, which won multiple awards including the Oscar for Best Adapted Screenplay, the novel provides an even richer experience. Lucy's journey toward a fresh, true understanding of herself and her passions make a compelling story, leavened by both an unexpected dry humor and a belief in the power of love.With an eye-catching new cover, and professionally typeset manuscript, this edition of A Room With a View is both modern and readable.

Howards End (1910) is a novel by English author E.M. Forster. Inspired by his interactions with the famous Bloomsbury Group of writers and intellectuals, as well as by his personal experience growing up with a large inheritance on the family estate of Rooks Nest, Howards End has been recognized as one of the finest novels ever written in English. The story loosely follows the lives of three families: the Wilcoxes, whose wealth derives from the exploitation of British colonies; the Basts, an impoverished couple; and the Schlegels, half-German sisters who find themselves set between the vastly opposing classes of their peers. Much of the novel is set on the Wilcox estate, known as Howards End, a symbol of fortune and a reminder of the generational implications of hoarded wealth. When Ruth Wilcox moves to London, she befriends her neighbor Margaret Schlegel. On her deathbed, and in secret, Ruth leaves a note instructing that Howards End be left to Margaret in her will, bypassing her family entirely. When her son Henry, a widower, finds out, he destroys the note, ensuring that the estate remains within the family. Years later, when the two meet again, Henry proposes to Margaret, bringing the Wilcox and Schlegel families closer together. But when her sister Helen brings the struggling Leonard and Jacky Bast to a party at Howards End, Henry, who recognizes Jacky as a former mistress, believes he is being set up, and breaks off the engagement. Although they reconcile, Margaret is driven apart from her sisters, who resent the Wilcoxes and distrust Henry. But when Helen becomes pregnant by Leonard, and a tragic event destroys several lives, the families are brought together once more, and both Margaret and Henry are forced to choose between the fortune they stand to gain and the love they stand to lose. E.M. Forster's Howards End is a masterpiece, a brilliant study of family, wealth, romance, and secrecy that captures the depravity of the English aristocracy without losing what sets it apart-an undeterred sense of humanity. With a beautifully designed cover and professionally typeset manuscript, this edition of E.M. Forster's Howards End is a classic of English literature reimagined for modern readers.

In the autumn of 1915, in a "slightly heroic mood", E.M. Forster arrived in Alexandria, full of lofty ideals as a volunteer for the Red Cross. Yet most of his time was spent exploring "the magic, antiquity and complexity" of the place in order to cope with living in what he saw as a "funk-hole". With a novelist's pen, he brings to life the fabled, romantic city of Alexander the Great, capital of Graeco-Roman Egypt, beacon of light and culture symbolised by the Pharos, where the doomed love affair of Antony and Cleopatra was played out and the greatest library the world has ever known was built. Threading 3,000 years of history with vibrant strands of literature and punctuating the narrative with his own experiences, Forster immortalised Alexandria, painting an incomparable portrait of the great city and, inadvertently, himself.

Young Lucy Honeychurch leaves Edwardian England for a tour of Italy, where she becomes immersed in an exotic new environment full of unexpected possibilities. A Room With a View by E.M. Forster is an influential classic that follows Lucy as she encounters characters and events far outside her previous experience and must see through the clash of cultures and personalities to recognize both herself and whom she loves.

Introduction by Alfred Kazan