Praise for Wall's previous collection Iron Mountain Road:

Eamonn Wall arrived in the United States in the 1980s as part of a wave of young, educated immigrants who became known as the "New Irish". In this book he comments on his own experiences and those of his generation, who identify as much with contemporary immigrant America as they do with the long-settled Irish American community.

Wall's starting point is the now-closed Sin-e Cafe in New York's East Village, which was a hangout in the early 1990s for expatriate Irish musicians, actors, and writers. He comments on the poetry, fiction, essays, and memoirs of both the New Irish and Americans of Irish heritage, locating them within a literary and historical context. But this is also a deeply personal book in which Wall wrestles with his own identity as an Irishman living in America, from the streets of Manhattan to the western hills of Nebraska.

Eamonn Wall has a bright eye for detail--a preacher on a plaza in New Mexico, the arrangement of objects in a window in Co. Sligo, pine needles covered in snow in South Dakota Bend-it is from these visual images that the poems in this new collection take flight. They celebrate the joys and heartaches of time spent intensely in the light. One of the many striking themes in this collection is migration and the search for material and emotional shelter and refuge in unfamiliar locations. Here is a poet in tune with origins, dislocations, and the quiet moments that crave for description.

In recent decades, a large and well-regarded volume of creative work has emerged from the West of Ireland, written by residents of the region, by those raised in West of Ireland families outside the region, and by seasonal and occasional visitors. The fiction of John McGahern, the plays and films of Martin McDonagh, Tim Robinson's maps and place studies, the work of Richard Murphy, and the poetry of Mary O'Malley, Moya Cannon, and Sean Lysaght are known and admired worldwide. Yet, for all that has been made of the Western themes and settings in the work of such writers, and others, little effort has been made to examine their work collectively and in depth. Eamonn Wall's "Writing the Irish West: Ecologies and Traditions" is the first critical study to examine these seven contemporary Irish writers in their shared Western context.

Wall describes, analyzes, and contextualizes their work to show the fundamental ways in which the region has influenced and shaped it. Certain themes and commonplaces recur obsessively: the bilingual nature of Western life and language, landscape, gender, poverty, the individual's relationship to nature and place, connections between Christianity and paganism, the overpowering weight of history, and each author's complex relationship to the Irish Literary Revival of Yeats, Lady Gregory, and J. M. Synge. Although well-developed theoretical approaches to reading Western American literature have been practiced for years, no such approaches exist in Irish discourse. Wall draws on extensive research on the literature of the American West for a comparative study that places the Irish and American Wests side by side. Underlined by an engagement with the role ecology plays in the study of literature, "Writing the Irish West" highlights uncanny connections between the works of West-of-Ireland writers and their Western American counterparts.

"Eamonn Wall's daring book explores the cultural ecology of Ireland and America through the creation of an idea of the west that is at once gesture, criticism, and a sensory history of passing time. If true places are never on maps, Wall's critical cartography points the reader to new departures in the reading of Tim Robinson, Richard Murphy, and many others. Personal, reflective, and ambitious to engage with the wonder of literature and place, Wall has written a rich future for the writers and landscapes he loves." --Nicholas Allen, National University of Ireland, Galway

"This book makes an important contribution to transatlantic Irish studies. Wall's critical focus on ecocriticism is timely, providing new readings of Irish writing across genres. He employs a methodology that attends to literary cartography, postcolonial contexts, and persuasive close readings of his authors. What results is a book that is fresh, illuminating, and substantive, one that elucidates a new understanding of the literary and cinematic representations of the American West." --Susan N. Maher, Dean, College of Liberal Arts, University of Minnesota Duluth

"Eamonn Wall's splendid new study ranges freely through contemporary Irish and American culture with both grace and precision. Focused on seven writers about the Irish West, Wall summons apt and surprising parallels and contrasts within Ireland itself and across the water to America. If, as T. S. Eliot said, disparate materials are always forming new wholes in the poet's mind, then this is a poet's criticism par excellence." --George Bornstein, University of Michigan

This first volume of James Liddy's sparkling essays, selected introduced by Eamonn Wall, provides unique insights into the work of American writers and Irish writers overseas and includes first-hand accounts of meeting many of the canonical figures of American poetry.

This second volume of James Liddy's essays, selected and introduced by Eamonn Wall, is framed by an intense and enduring attachment to Dublin and love of Irish literature. Meeting Patrick Kavanagh was the singular event that changed James Liddy's life and opened up a new world of writers, social life and cultural exchanges.