Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The music scholar, composer and editor Ebenezer Prout (1835-1909) is best known for his edition of Handel's Messiah and as the man who put words to the fugue subjects in Bach's Well-tempered Klavier. He taught at the Royal Academy of Music (numbering Henry Wood amongst his pupils) and the reputation he established through his works on music theory gained him the post of Professor of Music at Trinity College, Dublin. This is the sixteenth (1903) edition, of his 1889 treatise on harmony which ran through over twenty editions, such was its popularity. This edition marks a significant change in Prout's approach to the theory of harmony, moving from a scientific exposition using the harmonic series to a more aesthetic style, which resulted in extensive re-casting of the work and an entirely new key to the exercises. This reprint includes the analytical key to the exercises.

This account of the life of the missionary John Williams (1796-1839), first published in 1843, celebrates his character and his achievements in evangelizing the South Sea islands. Williams believed that the spread of Christianity, 'civilization', and commerce went hand-in-hand, and his work in and around Tahiti and Rarotonga from the time of his first posting there by the London Missionary Society in 1817 was largely well received. In 1830 he became the first person to introduce Christianity to Samoa and, after returning to England in 1834 to raise money and support for the cause, he returned to the Pacific as a celebrity. His final voyage was to Eromango in the New Hebrides, where he was killed and eaten. This violent death combined with the success of his earlier missions caused him to be regarded as a heroic figure and inspired much popular literature.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

CONTENTS Introduction Rhythm--Sentences and Phrases The Subdivisions of a Musical Sentence-- Sections and Motives Modulation-- Key-Relationship The Means of Modulation-- Modulation by Means of Triads The Construction of Simple Sentences with Regular Rhythm Irregular and Complex Rhythms The Simple Binary Form The Simple Ternary Form Ebenezer Prout (1835-1909) was Professor of Harmony and Composition at the Royal Academy of Music, and Professor of Music in the University of Dublin. He is also the author of Applied Form, Harmony: Its Theory and Practice and Counterpoint: Strict and Free. He edited the Monthly Musical Review (1871-1875), and was a music critic for The Academy (1874-79) and The Athenaeum (1879-89).