Zina Saro-Wiwa: Did You Know We Taught Them How to Dance? is the first publication on the work of Zina Saro-Wiwa, a British-Nigerian video artist and filmmaker based in Brooklyn. Occupying the space between documentary and performance, Saro-Wiwa's videos, photographs, and sound produced in the Niger Delta region of southeastern Nigeria from 2013-2015 explore folklore, masquerade traditions, religious practices, food, and Nigerian popular aesthetics. Engaging Niger Delta residents as subjects and collaborators, Saro-Wiwa cultivates strategies of psychic survival and performance, testing contemporary art's capacity to transform and to envision new concepts of environment and environmentalism. Known for decades for corruption and environmental degradation, the Niger Delta is one of the largest oil producing regions of the world, and until 2010 provided the United States with a quarter of its oil. Saro-Wiwa returns to this contested region-the place of her birth-to tell new stories. Featuring a guest foreword by Ebiegberi Joe Alagoa; essays by Stephanie LeMenager, Amy L. Powell, and Taiye Selasi; an interview with the artist by Chika Okeke-Agulu; and recipes created by the artist.

The Izon of the Niger Delta is a global history of the Izon, Ijo, or Ijaw people from their homelands in the Niger Delta, through Nigeria, the West and Central African coastlands, and in the Africa diaspora into Europe, the America's and the Caribbean. It is a preliminary study which raises questions and opens ground for further research. The book provides chapters that take an overview of issues on the environment of the Niger Delta, an analysis of the Ijo population, the language, culture, resources, history and linkage to the rest of Nigeria and the world. In effect these chapters provide a synopsis of the Ijo in the past and their situation in the present.

The Practice of History in Africa offers a history of African historiography from an African perspective. It attempts to answer some of the questions concerning the practice of history from the civilizations of ancient Egypt, through the varied cultures and regions of the continent to contemporary times. The book presents the philosophy of the oral tradition as it co-existed and co-exists with the written traditions of ancient Egypt, the Islamic tradition, and the western European tradition of historiography.

The first title in a planned series of classic texts, written and published in Africa, on the history and culture of the Niger Delta. Long out of print, this book brings together oral traditional evidence and all other available historical material including the work of the eminent historian of the Niger Delta, Kenneth Owuka Dike. The study is an attempt to reconstruct the early history of the Ijo people of the Niger Delta, from the nineteenth century, using their own mostly oral traditions. The work has been considerably revised and updated to include material and research conclusions from the ongoing Ijo History Project on Niger Delta history chaired by the author.

The contemporary reader probably best remembers the State of Bonny for the 1967 capturing of Nigeria's main oil port terminal from the secessionists by Federal Government forces - a local victory against military and economic blockades. This work is largely the result of the reinterpretaion of oral tradition and nineteenth century manuscripts in the light of recent research. In bringing together records of nineteenth century diplomatic relations of Bonny with foreign and neighbouring states, the study traces the significance of Bonny from the first Portuguese settlers and the Atlantic slave trade to the increasing British dominance in the nineteenth century, the rudiments and role of the European trading community in the twentieth century and independent Nigeria.

This handbook sets out the relevant legislation, and explains the rationale behind the policy. It presents the legal framework of the local government system, and discusses the pertaining acts of parliament. The areas covered are: the legal framework for local government; the local governments act, 1997; good governance indicators; financial management; intergovernmental fiscal relationships; accountability; human resource management; and procurement at local government level.

J. A. Green (1873-1905) was one of the most prolific and accomplished indigenous photographers to be active in West Africa. This beautiful book celebrates Green's photographs and opens a new chapter in the early photographic history of Africa. Soon after photography reached the west coast of Africa in the 1840s, the technology and the resultant images were disseminated widely, appealing to African elites, European residents, and travelers to the region. Responding to the need for more photographs, expatriate and indigenous photographers began working along the coasts, particularly in major harbor towns. Green, whose identity remained hidden behind his English surname, maintained a photography business in Bonny along the Niger Delta. His work covered a wide range of themes including portraiture, scenes of daily and ritual life, commerce, and building. Martha G. Anderson, Lisa Aronson, and the contributors have uncovered 350 of Green's images in archives, publications, and even albums that celebrated colonial achievements. This landmark book unifies these dispersed images and presents a history of the photographer and the area in which he worked.