The works of young American artists Cory Arcangel, Shana Moulton, Jessica Ciocci & Jacob Ciocci of Paper Rad, and Ryan Trecartin & Lizzie Fitch are all characterized by an overwhelming color-charged aesthetic, unhinged narratives and a deluge of content that pitches itself against the excesses of consumer culture. Brought together for this publication, their works define a new idiom of energetic critique.

A deep look at a contemporary artist whose work highlights how the rise of technology and corporate capitalism have disrupted our lives and polarized society One of the most thought-provoking artists of his generation, Josh Kline (b. 1979) creates installations, sculptures, videos, and photographs that address the ways new technologies affect how people live and work. Engaging with a range of concerns that impact the entire labor force, from essential workers to the creative class, Kline demonstrates how climate change, automation, disease, and politics have shaped our identities. At a time when so many aspects of life are under threat, Kline takes an unflinching look at how we got here and boldly imagines a more equitable and empathetic future. Kline's art demonstrates the ways technology has widened and reinforced the gap of inequity in America, while also carrying the potential to make a fairer world. "As an artist who's thinking about the consequences of technological innovation," Kline has said, "I think there's an obligation to raise questions about who benefits." His ongoing cycle of installations (Freedom, 2014-16; Unemployment, 2015-16, Civil War, 2016-19; Climate Change, 2019- ) that imagine the next hundred years of society are featured in this book, along with his earlier bodies of work, Creative Labor (2009- ) and Blue Collars (2014- ) and production images and concept sketches for his newest works that are published here for the first time. Distributed for the Whitney Museum of American Art Exhibition Schedule: Whitney Museum of American Art, New York (April 19-August 13, 2023)

The first comprehensive overview of an influential American photographer and filmmaker whose work is known for its intimacy and social engagement Coming of age in the 1960s, the photographer Danny Lyon (b. 1942) distinguished himself with work that emphasized intimate social engagement. In 1962 Lyon traveled to the segregated South to photograph the civil rights movement. Subsequent projects on biker culture, the demolition and redevelopment of lower Manhattan, and the Texas prison system, and more recently on the Occupy movement and the vanishing culture in China's booming Shanxi Province, share Lyon's signature immersive approach and his commitment to social and political issues that concern those on the margins of society. Lyon's photography is paralleled by his work as a filmmaker and a writer. Danny Lyon: Message to the Future is the first in-depth examination of this leading figure in American photography and film, and the first publication to present his influential bodies of work in all media in their full context. Lead essayists Julian Cox and Elisabeth Sussman provide an account of Lyon's five-decade career. Alexander Nemerov writes about Lyon's work in Knoxville, Tennessee; Ed Halter assesses the artist's films; Danica Willard Sachs evaluates his photomontages; and Julian Cox interviews Alan Rinzler about his role in publishing Lyon's earliest works. With extensive back matter and illustrations, this publication will be the most comprehensive account of this influential artist's work. Published in association with the Fine Arts Museums of San Francisco Exhibition Schedule: Whitney Museum of American Art (06/17/16-09/25/16) de Young, Fine Arts Museums of San Francisco (11/05/16-03/12/17) Fotomuseum Winterthur (05/20/17-08/27/17) C/O Berlin Foundation (09/15/17-12/10/17)

Exploring the life and work of avant-garde film's most influential and intriguing figure Between 1950 and his death, the artist and impresario Jonas Mekas (1922-2019) made more than one hundred radically innovative, often diaristic films and video works. He also founded film festivals, cooperatives, archives, and magazines and wrote film criticism and poetry. Jonas Mekas: The Camera Was Always Running is the first major publication in English on this pivotal member of the New York avant-garde scene, presenting an extensively illustrated, in-depth exploration of his radical art and restless life. Born in rural Lithuania, Mekas made his way to New York, where he became a central figure in the overlapping realms of experimental theater, music, poetry, performance, and film. This book brings his work alive on the page with sequences of stills from film and video, photographic series and installations, and archival documents. Leading scholars examine his work and influence, and a timeline expands our understanding of his life. Published in association with the Jewish Museum, New York, and the Lithuanian National Museum of Art, Vilnius Published in association with the Jewish Museum, New York, and the Lithuanian National Museum of Art, Vilnius Exhibition Schedule: Lithuanian National Museum of Art, Vilnius (November 19, 2021-February 27, 2022) Jewish Museum, New York (February 18-June 5, 2022)