Dangerous denizens lurk around every dark corner as Kitty searches for clues in bookstores, alleyways, rooftops, and waterfronts. Who made off with the majestic Marshmallow Monkey (inspired by none other than the Maltese Falcon)? Where is the beloved Mitch the Mutt? Kitty's got plenty of questions and not enough answers! Follow along through a tangled web of crime and intrigue as Kitty tries to solve the case.

Eddie Muller-host of TCM's Noir Alley, one of the world's leading authorities on film noir, and cocktail connoisseur-takes film buffs and drinks enthusiasts alike on a spirited tour through the "dark city" of film noir in this stylish book packed with equal parts great cocktail recipes and noir lore. Eddie Muller's Noir Bar pairs carefully curated classic cocktails and modern noir-inspired libations with behind-the-scenes anecdotes and insights on 50 film noir favorites. Some of the cocktails are drawn directly from the films: If you've seen In a Lonely Place and wondered what's in a "Horse's Neck"-now you'll know. If you're watching Pickup on South Street you'll find out what its director, Sam Fuller, actually drank off-screen. Didn't know that Nightmare Alley's Joan Blondell inspired a cocktail? It may become a new favorite. Meanwhile, Rita Hayworth is toasted with a "Sailor Beware," an original concoction which, like the film that inspired it (The Lady From Shanghai), is unique, complex, and packs a wallop. ?Featuring dozens of movie stills, poster art, behind-the-scenes imagery, and stunning cocktail photography, Noir Bar is both a stylish and exciting excursion through classic cinema's most popular genre.

Film noir is all about style, even more than it is about crime. The poster art from the noir era has a bold look and an iconography all its own. During noir's golden age, studios commissioned these arresting illustrations for even the lowliest "B" thriller. "The Art of Noir" is the first book to present this striking artwork in a lavishly produced, large-format, full-color volume. The more than 300 dazzling posters and other promotional material range from the classics to rare archive films such as "The Devil Thumbs a Ride" and "Blonde Kiss." With rare offerings from around the world and background information on the illustrators, "The Art of Noir" is the ultimate companion for movie buffs and collectors, as well as artists and designers.

TCM host Eddie Muller's Dark City is a film noir lover's bible, taking readers on a tour of the urban landscape of the grim and gritty genre in an authoritative, highly illustrated volume. This narrative history is packed with stories about the stars and makers of both long-recognized classics like The Maltese Falcon and under-the-radar "lost" greats such as Cry Danger. The book highlights more than one hundred films, breaking down plots and offering insider accounts behind-the-scenes of their making. ". . . a righteous, rip-snorting riff on the ultimate cinematic genre-film noir. This book displays a salutary knowledge of the underpinnings of the genre; serves as a fabulous reference book; and most importantly, dishes the real life dirt on the freaks, geeks, commies, nymphos, hopheads, has-beens, red-baiters, and all-purpose fiends who made the genre great." -James Ellroy

Welcome to Hollywood, circa 1950, the end of the Golden Age. A remarkably handsome young boy, still a teenager, gets "discovered by a big-time movie agent. Because when he takes his shirt off young hearts beat faster, because he is the picture of innocence and trust and need, he will become a star. It seems almost preordained. The open smile says, "You will love me," and soon the whole world does.
The young boy's name was Tab Hunter a made-up name, of course, a Hollywood name and it was his time. Stardom didn't come overnight, although it seemed that way. In fact, the fame came first, when his face adorned hundreds of magazine covers; the movies, the studio contract, the name in lights all that came later. For Tab Hunter was a true product of Hollywood, a movie star created from a stable boy, a shy kid made even more so by the way his schoolmates both girls and boys reacted to his beauty, by a mother who provided for him in every way except emotionally, and by a secret that both tormented him and propelled him forward.
In "Tab Hunter Confidential: The Making of a Movie Star," Hunter speaks out for the first time about what it was like to be a movie star at the end of the big studio era, to be treated like a commodity, to be told what to do, how to behave, whom to be seen with, what to wear. He speaks also about what it was like to be gay, at first confused by his own fears and misgivings, then as an actor trapped by an image of boy-next-door innocence. And when he dared to be difficult, to complain to the studio about the string of mostly mediocre movies that were assigned to him, he learned that just like any manufactured product, he was disposable "disposable and replaceable."
Hunter's career as a bona fide movie star lasted a decade. But he persevered as an actor, working continuously at a profession he had come to love, seeking and earning the respect of his peers, and of the Hollywood community.
And so, "Tab Hunter Confidential" is at heart a story of survival of the giddy highs of stardom, and the soul-destroying lows when phone calls begin to go unreturned; of the need to be loved, and the fear of being consumed; of the hope of an innocent boy, and the rueful summation of a man who did it all, and who lived to tell it all."