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Fictions of the Press in Nineteenth-Century France (Hardcover, 1st ed. 2018): Edmund Birch Fictions of the Press in Nineteenth-Century France (Hardcover, 1st ed. 2018)
Edmund Birch
R3,514 Discovery Miles 35 140 Ships in 12 - 17 working days

This book explores how writers responded to the rise of the newspaper over the course of the nineteenth century. Taking as its subject the ceaseless intertwining of fiction and journalism at this time, it tracks the representation of newspapers and journalists in works by Honore de Balzac, Edmond and Jules de Goncourt, and Guy de Maupassant. This was an era in which novels were published in newspapers and novelists worked as journalists. In France, fiction was to prove an utterly crucial presence at the newspaper's heart, with a gilded array of predominant literary figures active in journalism. Today, few in search of a novel would turn to the pages of a daily newspaper. But what are usually cast as discrete realms - fiction and journalism - came, in the nineteenth century, to occupy the same space, a point which complicates our sense of the cultural history of French literature.

Fictions of the Press in Nineteenth-Century France (Paperback, Softcover reprint of the original 1st ed. 2018): Edmund Birch Fictions of the Press in Nineteenth-Century France (Paperback, Softcover reprint of the original 1st ed. 2018)
Edmund Birch
R3,076 Discovery Miles 30 760 Out of stock

This book explores how writers responded to the rise of the newspaper over the course of the nineteenth century. Taking as its subject the ceaseless intertwining of fiction and journalism at this time, it tracks the representation of newspapers and journalists in works by Honore de Balzac, Edmond and Jules de Goncourt, and Guy de Maupassant. This was an era in which novels were published in newspapers and novelists worked as journalists. In France, fiction was to prove an utterly crucial presence at the newspaper's heart, with a gilded array of predominant literary figures active in journalism. Today, few in search of a novel would turn to the pages of a daily newspaper. But what are usually cast as discrete realms - fiction and journalism - came, in the nineteenth century, to occupy the same space, a point which complicates our sense of the cultural history of French literature.

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