Contents Include: Janus - To Twelfth Night - Jasmine - Trouble at Twilight - Expressions at the Market - The Jays - The British School - The Fan Tod - Young February - Winter Proud - Lent Passes - Wills and Testaments - The Starling's Nest - "Theres Nought but Winning and Losing" - No Hurry - Great Hurry - The Hop Leaf - Evening Walks - An Ancient Holiday - The Sigh - A Corner of the Meadow - Summer and the Poets - "While Fields Shall Bloom, Thy Name Shall Live" - Imaginary Work - The Tower - Pastoral No Fable - Art and Nature - Just a Victorian - Floodland - Urn Burial - Young Travellers - The Winter Moth - Fireside Collaboration - Mists and Fogs - The Village Chimneys - The Find - An Ex-Footballer - Battlefield - A Country Prayer - National Biography

Originally published in 1933, Charles Lamb and his Contemporaries by Edmund Blunden was included in the Cambridge Miscellany series in 1937. It is the 'Miscellany' edition which is re-issued here. The volume was based on the Clark Lectures delivered by the author in Cambridge in 1932 and offers a critical sketch of the English essayist Charles Lamb.

To mark the centenary of the First World War, a Selected Poems of Edmund Blunden brings back into print the work of a major war poet and author of the classic memoir Undertones of War. Edmund Blunden joined the Royal Sussex Regiment in 1915, and served in France and Flanders. This selection of his poems includes a substantial sampler of his war verse (the last poem he wrote was on revisiting the battlefields of the Somme). And yet, it is not easy to draw a line between the poems on war and those on other subjects, so deeply did his wartime experience suffuse and haunt his writing. Memories of what was `shrieking, dumb, defiled’ constantly test a vision of `faith, life, virtue in the sun’. Here is a poet of range and depth deserving of rediscovery.

Edmund Blunden (1896 - 1974) moved among the ghosts of the Great War every day of his long life, having survived the battles of Ypres and the Somme. His classic prose memoir, Undertones of War, and his early edition of Wilfred Owen's poems were just two examples of the ways in which he sought to convey his war experience, and to keep faith with his comrades in arms. His poetry is suffused by this experience, and he was haunted by it throughout his writing life, as the men with whom he had served gradually joined the ranks of the departed. This selection of Blunden's prose about the First World War includes the complete text of De bello germanico, his first, lively sketch of the war as he lived it in 1916. Deeply informed by his reading of eighteenth- and nineteenth-century literature, and equally by his knowledge of the countryside, Blunden's vivid prose summons up for us what was human and natural in that most unnatural of environments, the battlefields of the Western Front.

Wilfred Owen was twenty-two when he enlisted in the Artists' Rifle Corps during World War I. By the time Owen was killed at the age of 25 at the Battle of Sambre, he had written what are considered the most important British poems of WWI. This definitive edition is based on manuscripts of Owen's papers in the British Museum and other archives.

Edmund Blunden (1896-1974) was one of the youngest of the war poets, enlisting straight from school to find himself in some of the Western Front's most notorious hot-spots. His prose memoir, written in a rich, allusive vein, full of anecdote and human interest, is unique for its quiet authority and for the potency of its dream-like narrative. Once we accept the archaic conventions and catch the tone-which can be by turns horrifying or hilarious-Undertones of War gradually reveals itself as a masterpiece. It is clear why it has remained in print since it first appeared in 1928. This new edition not only offers the original unrevised version of the prose narrative, written at white heat when Blunden was teaching in Japan and had no access to his notes, but provides a great deal of supplementary material never before gathered together. Blunden's 'Preliminary' expresses the lifelong compulsion he felt 'to go over the ground again' and for half a century he prepared new prefaces, added annotations. All those prefaces and a wide selection of his commentaries are included here-marginalia from friends' first editions, remarks in letters, extracts from later essays, and a substantial part of his war diary. John Greening has provided a scholarly introduction discussing the bibliographical and historical background, and brings his poet's eye to a much expanded (and more representative) selection of Blunden's war poetry. For the first time we can see the poet Blunden as the major figure he was. Blunden had always hoped for a properly illustrated edition of the work, and kept a folder full of possible pictures. The editor, with the Blunden family's help, has selected some of the best of them to include in this new edition.

Other Ranks is a First World War classic, first published in 1931 but quickly lost in the wave of war memoirs and novels. It is the fictionalised account of William Tilsley's war experiences through the eyes of ordinary soldier Dick Bradshaw in the 55th West Lancashire Division. This authentic memoir of life and death on the front line begins with Bradshaw's "C" Company leaving the depot at Etaples and heading for their first engagement at the front on the Somme in the Autumn of 1916. Over the next fourteen months it follows the chores behind the line and unwelcome stints on the front line through to his wounding during the Third battle of Ypres in 1917 and subsequent return to Blighty. As well as criticism of the conduct of the war, there is description of the desolation of the landscape and continual conditions of the trenches as experienced by the Poor Bloody Infantry (PBI); wet, cold, frost bite, trench foot, shelling and general life in trenches with continual risk of collapse. War is not a chivalrous experience and his narrative does not hold back in his thoughts and feelings concerning soldiers behind the lines out of the reach of the guns and those at the top. This new edition follows research by Gaye Magnall and is accompanied by introductions from relatives of the three main characters, O'Neill, Magnall and WVT's great nephew, David Tilsley.

In one of the finest autobiographies to come out of the First World War, the acclaimed poet Edmund Blunden records his devastating experiences in France and Flanders. Enlisting at the age of twenty, he took part in the disastrous battles of the Somme, Ypres and Passchendale, describing the latter as 'murder, not only to the troops but to their singing faiths and hopes'. In his compassionate yet unsentimental prose, he tells of the endurance, heroism - and despair - among the men of his battalion.

This volume, which contains a selection of Blunden's war poems, also reveals his close affinity with the natural world: the 'shepherd in a soldier's coat' whose love of the rural landscape gave him some refuge from the terrible betrayal enacted in Flanders fields.

This is a new release of the original 1936 edition.

This is a new release of the original 1936 edition.

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Title: The Waggoner, and other poems.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Blunden, Edmund; null 8 . 011648.f.157.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone