The story of Manon Lescaut has become part of the European imagination: she is the fun-loving woman who is irresistible to men. Of Massenet's many operas, she inspired the most popular one, and this libretto shows his minute attention to detail in bringing the character and the period to life. This guide opens with a general survey of Massenet's career by the musicologist Gerard Conde, and includes two essays about this particular opera. Professor Hugh Macdonald explores the interplay of speech and song in Manon and Massenet's genius for comedy. Professor Vivienne Mylne traces the sources and context of Prevost's novel. Contents: Massenet, Gerard Conde; A Musical Synopsis, Hugh Macdonald; Prevost and 'Manon Lescaut', Vivienne Mylne; Manon: Libretto by Henri Meilhac and Philippe Gille; Manon: English version by Edmund Tracey

Aida is, for most of us, the quintessence of Ancient Egypt, but it is certainly not just for archaeologists. Michael Rose points out that it is really about patriotism - an issue of burning importance to Verdi and his contemporaries. Music critic William Mann reflects that even a short look at the score reveals subtleties that repay careful listening. And Verdi's own letters show the germs of the opera grow from suggestion to creation. Contents: Verdi's 'Egyptian business', Michael Rose; 'Aida' - Text and Music, William Mann; The Genesis of 'Aida', Roger Parker; Aida: Libretto by Antonio Ghislanzoni; Aida: English version by Edmund Tracey