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Often considered her best work, and one of the best-known American
poems, the long poem "Renascence" is credited with introducing Edna
St. Vincent Millay to a the broader world. Celebrated for their
lyrical transcendence, Millay's poems convey fiery romance and an
invigorating spirit that are hallmarks of her writing. Published as
the inaugural title in Down East Books Maine Standards series, this
volume brings the classic "Renascence" and two dozen other poems
back to contemporary readers.
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Flowers of Evil
Charles Baudelaire; Translated by Edna St. Vincent Millay, George Dillon
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R550
R428
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A magnificent anthology of the finest works of Edna St. Vincent
Millay, perhaps the premier American lyricist of the twentieth
century. --This text refers to an alternate paperback edition.
One of America’s most celebrated poets—and winner of the Pulitzer Prize in 1923—Edna St. Vincent Millay defined a generation with her passionate lyrics and intoxicating voice of liberation. Edited by Millay biographer Nancy Milford, this Modern Library Paperback Classics collection captures the poet’s unique spirit in works like Renascence and Other Poems, A Few Figs from This-tles, and Second April, as well as in “The Ballad of the Harp-Weaver” and eight sonnets from the early twenties. As Milford writes in her Introduction, “These are the poems that made Edna St. Vincent Millay’s reputation when she was young. Saucy, insolent, flip, and defiant, her little verses sting the page.”
Edna St. Vincent Millay (1892-1950), winner in 1923 of the
second annual Pulitzer Prize for Poetry, was a daring, versatile
writer whose work includes plays, essays, short stories, songs, and
the libretto to an opera that premiered at New York's Metropolitan
Opera House to rave reviews.
Millay infused new life into traditional poetic forms, bringing
new hope to a generation of youth disillusioned by the political
and social upheaval of the First World War. She ventured fearlessly
beyond familiar poetic subjects to tackle political injustice,
social discrimination, and women's sexuality in her poems and
prose. In the 1920s and '30s, Millay was considered a spokesperson
for personal freedom in America, particularly for women, and we
turn to her lines to illuminate the social history of the period
and the Bohemian lifestyle she and her friends enjoyed.
Yet Millay's poetry is still decisively modern in its message,
and it continues to resonate with readers facing personal and moral
issues that defy the test of time: romantic love, loss, betrayal,
compassion for one another, social equality, patriotism, and the
stewardship of the natural world.
Collected Poems features Millay's incisive and impassioned lyric
poetry and sonnets, many of which are considered among the finest
in the language, as well as the poet's last volume, Mine the
Harvest, compiled and published in 1956 by her sister Norma
Millay.
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Poems and Satires (Paperback)
Edna St. Vincent Millay; Edited by Tristram Fane Saunders
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R460
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Edna St Vincent Millay (1892-1950) was one of the most popular
American writers of her generation, and the first woman to win the
Pulitzer Prize for Poetry. Thomas Hardy once remarked that America
had only two great wonders to show the world: skyscrapers, and the
poetry of Edna St Vincent Millay. Poems and Satires restores that
wonder to view, while also revealing Millay as a more innovative
and versatile talent than she is usually given credit for being. It
includes some of her wickedly funny satires (published under the
pseudonym Nancy Boyd, out of print since 1924), as well as her
acclaimed play Aria da Capo, and reveals her to be not only the
defining 'flapper' poet of the 1920s but a crucial voice for the
2020s. The 'fierce and trivial' persona she cultivated in her early
lyric poems and sonnets - with their dazzling wit and daring
attitudes towards love and sexuality - captured the whirl of
bohemian life in New York. In her genre-defying satires, she
questioned society's treatment of women and artists in surreal
stories and plays, non-fiction and spoof agony aunt letters, and
even a Handmaid's Tale-esque dystopia disguised as an almanac from
the future.
Praised by poets and critics ranging from A. E. Housman and Thomas
Hardy to Edmund Wilson, Edna St. Vincent Millay's bold, exquisite
poems take their place among the enduring verse of the twentieth
century. Claiming a lyric tradition stretching back to Sappho and
Catullus and making it very much her own, Millay won over her
contemporaries and readers ever since with her passion, erotic
candor, formal elegance, and often mischievous wit. J. D.
McClatchy's introduction and selections offer new and surprising
insights into Millay's achievement. Included are her most beloved
and justly admired poems, such as the wry bohemian anthem
"Recuerdo" and the sonnet sequence"Fatal Interview," the poetic
record of a love affair that is presented in its entirety.
McClatchy has also chosen works that extend our sense of Millay's
range: translations, her play"Aria da Capo," and excerpts from her
libretto"The King's Henchman." "I have for the most part been
guided by my taste for Millay at her tautest and truest," writes
McClatchy. "There are precise and resonant images everywhere."
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
1917. Pulitzer prize-winning American poet, this is her first book
of poems. Contents: Renascence; Interim; The Suicide; God's World;
Afternoon on a Hill; Sorrow; Tavern; Ashes of Life; The Little
Ghost; Kin to Sorrow; Three Songs of Shattering; The Shroud; The
Dream; Indifference; Witch-Wife; Blight; When Year Grows Old;
Sonnets I-V (unnamed); and Sonnet VI (Bluebeard). See other titles
by this author available from Kessinger Publishing.
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Early Poems (Paperback)
Edna St. Vincent Millay
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R100
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One of the most successful poets in America and a fascinating
literary figure of the early twentieth century, Edna St. Vincent
Millay found her voice in a national poetry contest at the age of
twenty. Her poems received critical praise and became the first
step toward receiving the Pulitzer Award years later. An acclaimed
poet of the Jazz Age, this liberated, often rebellious, woman
enchanted us with her beautiful sonnets and lyrics, even as she
surprised us with her unconventional personal life. This vibrant
volume includes the complete selection of poems from Millay's first
three books. Each gem reflects a different facet of the author's
versatility.
"Renascence and Other Poems" was Millay's first collection of
poetry, a literary sensation when it was published in 1912.
Acclaimed by critics for its remarkable use of compelling language
and imagery, it is a deeply personal work that reflects the poet's
spiritual awakening, using the themes of death and resurrection. In
contrast, the poetry in "A Few Figs from Thistles" represents a
cynical stage, a time of rebellion, and a search for personal
freedom, as depicted in her famous line, "My candle burns at both
ends." Part beauty, part despair, the free verse and heartfelt
sonnets of "Second April" are an expression of Millay's feelings
about love and disillusionment. Eloquent, daring, and sometimes
bittersweet, these masterful lyrics exemplify the best work of a
complex, passionate, and gifted poet. Includes a selection from the
Common Core State Standards Initiative: "Afternoon on a Hill."
1920. Millay was the first woman to win the Pulitzer Prize for this
collection of her poems and sonnets. See other titles by this
author available from Kessinger Publishing.
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Early Poems (Paperback)
Edna St. Vincent Millay
1
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R437
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Millay's first three books of lyrics and sonnets are collected here: Renascence, Second April, and A Few Figs from Thistles. With a balanced and appreciative introduction and useful annotations, this volume presents some of the Pulitzer Prize-winning poet's best work in which she weaves intellect, emotion, and irony.
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