Often considered her best work, and one of the best-known American poems, the long poem "Renascence" is credited with introducing Edna St. Vincent Millay to a the broader world. Celebrated for their lyrical transcendence, Millay's poems convey fiery romance and an invigorating spirit that are hallmarks of her writing. Published as the inaugural title in Down East Books Maine Standards series, this volume brings the classic "Renascence" and two dozen other poems back to contemporary readers.

A magnificent anthology of the finest works of Edna St. Vincent Millay, perhaps the premier American lyricist of the twentieth century. --This text refers to an alternate paperback edition.

Edna St. Vincent Millay (1892-1950), winner in 1923 of the second annual Pulitzer Prize for Poetry, was a daring, versatile writer whose work includes plays, essays, short stories, songs, and the libretto to an opera that premiered at New York's Metropolitan Opera House to rave reviews.

Millay infused new life into traditional poetic forms, bringing new hope to a generation of youth disillusioned by the political and social upheaval of the First World War. She ventured fearlessly beyond familiar poetic subjects to tackle political injustice, social discrimination, and women's sexuality in her poems and prose. In the 1920s and '30s, Millay was considered a spokesperson for personal freedom in America, particularly for women, and we turn to her lines to illuminate the social history of the period and the Bohemian lifestyle she and her friends enjoyed.

Yet Millay's poetry is still decisively modern in its message, and it continues to resonate with readers facing personal and moral issues that defy the test of time: romantic love, loss, betrayal, compassion for one another, social equality, patriotism, and the stewardship of the natural world.

Collected Poems features Millay's incisive and impassioned lyric poetry and sonnets, many of which are considered among the finest in the language, as well as the poet's last volume, Mine the Harvest, compiled and published in 1956 by her sister Norma Millay.

One of America’s most celebrated poets—and winner of the Pulitzer Prize in 1923—Edna St. Vincent Millay defined a generation with her passionate lyrics and intoxicating voice of liberation. Edited by Millay biographer Nancy Milford, this Modern Library Paperback Classics collection captures the poet’s unique spirit in works like Renascence and Other Poems, A Few Figs from This-tles, and Second April, as well as in “The Ballad of the Harp-Weaver” and eight sonnets from the early twenties. As Milford writes in her Introduction, “These are the poems that made Edna St. Vincent Millay’s reputation when she was young. Saucy, insolent, flip, and defiant, her little verses sting the page.”

This beautifully produced first annotated edition of Edna St. Vincent Millay's oeuvre re-presents the work of the Jazz Age's most famous poet More than sixty years after her death, the Pulitzer Prize-winning poet Edna St. Vincent Millay continues to captivate new generations of readers. The twentieth-century American author was catapulted to fame after the publication of Renascence, her first major work and a poem written while she was still a teenager. Millay's frank attitude toward sexuality-along with immortal lines such as "My candle burns at both ends"-solidified her reputation as the quintessential liberated woman of the Jazz Age. In this authoritative volume, Timothy F. Jackson has compiled and annotated a new selection that represents the full range of her published work alongside previously unpublished manuscript excerpts, poems, prose, and correspondence. The poems, appearing as they were printed in their first editions, are complemented by Jackson's extensive, illuminating notes that draw on archival sources and help situate her work in its historical and literary context. Two introductory essays-one by Jackson and the other by Millay's literary executor, Holly Peppe-also help critically frame the poet's work. This deluxe edition will be cherished by readers who continue to study and enjoy the work of this iconic figure.

Edna St Vincent Millay (1892-1950) was one of the most popular American writers of her generation, and the first woman to win the Pulitzer Prize for Poetry. Thomas Hardy once remarked that America had only two great wonders to show the world: skyscrapers, and the poetry of Edna St Vincent Millay. Poems and Satires restores that wonder to view, while also revealing Millay as a more innovative and versatile talent than she is usually given credit for being. It includes some of her wickedly funny satires (published under the pseudonym Nancy Boyd, out of print since 1924), as well as her acclaimed play Aria da Capo, and reveals her to be not only the defining 'flapper' poet of the 1920s but a crucial voice for the 2020s. The 'fierce and trivial' persona she cultivated in her early lyric poems and sonnets - with their dazzling wit and daring attitudes towards love and sexuality - captured the whirl of bohemian life in New York. In her genre-defying satires, she questioned society's treatment of women and artists in surreal stories and plays, non-fiction and spoof agony aunt letters, and even a Handmaid's Tale-esque dystopia disguised as an almanac from the future.

1917. Pulitzer prize-winning American poet, this is her first book of poems. Contents: Renascence; Interim; The Suicide; God's World; Afternoon on a Hill; Sorrow; Tavern; Ashes of Life; The Little Ghost; Kin to Sorrow; Three Songs of Shattering; The Shroud; The Dream; Indifference; Witch-Wife; Blight; When Year Grows Old; Sonnets I-V (unnamed); and Sonnet VI (Bluebeard). See other titles by this author available from Kessinger Publishing.

One of the most successful poets in America and a fascinating literary figure of the early twentieth century, Edna St. Vincent Millay found her voice in a national poetry contest at the age of twenty. Her poems received critical praise and became the first step toward receiving the Pulitzer Award years later. An acclaimed poet of the Jazz Age, this liberated, often rebellious, woman enchanted us with her beautiful sonnets and lyrics, even as she surprised us with her unconventional personal life. This vibrant volume includes the complete selection of poems from Millay's first three books. Each gem reflects a different facet of the author's versatility.
"Renascence and Other Poems" was Millay's first collection of poetry, a literary sensation when it was published in 1912. Acclaimed by critics for its remarkable use of compelling language and imagery, it is a deeply personal work that reflects the poet's spiritual awakening, using the themes of death and resurrection. In contrast, the poetry in "A Few Figs from Thistles" represents a cynical stage, a time of rebellion, and a search for personal freedom, as depicted in her famous line, "My candle burns at both ends." Part beauty, part despair, the free verse and heartfelt sonnets of "Second April" are an expression of Millay's feelings about love and disillusionment. Eloquent, daring, and sometimes bittersweet, these masterful lyrics exemplify the best work of a complex, passionate, and gifted poet. Includes a selection from the Common Core State Standards Initiative: "Afternoon on a Hill."

Praised by poets and critics ranging from A. E. Housman and Thomas Hardy to Edmund Wilson, Edna St. Vincent Millay's bold, exquisite poems take their place among the enduring verse of the twentieth century. Claiming a lyric tradition stretching back to Sappho and Catullus and making it very much her own, Millay won over her contemporaries and readers ever since with her passion, erotic candor, formal elegance, and often mischievous wit. J. D. McClatchy's introduction and selections offer new and surprising insights into Millay's achievement. Included are her most beloved and justly admired poems, such as the wry bohemian anthem "Recuerdo" and the sonnet sequence"Fatal Interview," the poetic record of a love affair that is presented in its entirety. McClatchy has also chosen works that extend our sense of Millay's range: translations, her play"Aria da Capo," and excerpts from her libretto"The King's Henchman." "I have for the most part been guided by my taste for Millay at her tautest and truest," writes McClatchy. "There are precise and resonant images everywhere."