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Artistic Anatomy of Animals (Hardcover): Edouard Cuyer Artistic Anatomy of Animals (Hardcover)
Edouard Cuyer
R891 Discovery Miles 8 910 Ships in 10 - 15 working days
Artistic Anatomy of Animals (Paperback): Edouard Cuyer Artistic Anatomy of Animals (Paperback)
Edouard Cuyer
R725 Discovery Miles 7 250 Ships in 10 - 15 working days
Artistic anatomy of animals (Paperback): Edouard Cuyer, George Haywood Artistic anatomy of animals (Paperback)
Edouard Cuyer, George Haywood
R719 R674 Discovery Miles 6 740 Save R45 (6%) Ships in 10 - 15 working days
Artistic Anatomy Of Animals (Paperback): Edouard Cuyer Artistic Anatomy Of Animals (Paperback)
Edouard Cuyer
R974 Discovery Miles 9 740 Ships in 10 - 15 working days

PREFACE A FEW lines will suffice to explain why we have compiled the present volume, to what wants it responds, and what its sphere of usefulness may possibly embrace. In our teaching of plastic anatomy, especially at the cole des Beaux-Arts-where, for the past nine years, we have had the very great honour of supplementing the teaching of our distinguished master, Mathias Duval, after having been prosector for his course of lectures since 1881-it is our practice to give, as a complement to the study of human anatomy, a certain number of lessons on the anatomy of those animals which artists might be called on to represent. Now, we were given to understand that the subject treated in our lectures interested our hearers, so much so that we were not surprised to learn that a certain number repeatedly expressed a desire to see these lectures united in book form. To us this idea was not new for many years the work in question had been in course of preparation, and we had collected materials for it, with the object of filling up a void of which the existence was to be regretted. But our many engagements prevented us from executing our pro- ject as early as we would have wished. It is this work which we publish to-day. Putting aside for a moment the wish expressed by our hearers, we feel ourselves in duty bound to inquire whether the utility of this publication is self-evident. Let it be clearly understood that we wish to express here our opinion on this subject, while putting aside every personal senti- ment of an author. No one now disputes the value of anatomical studies made in view of carrying out the artistic representation of man. Nevertheless-for we must provide against all con-tingencies-the conviction on this subject may be more or less absolute and yet it must possess this character in an intense degree in order that these studies may be profit- able, and permit the attainment of the goal which is proposed in undertaking them. It is in this way that we ever strive to train the students whose studies we direct not only to admit the value of these studies, but to be materially and deeply convinced of the fact without any restriction. Such is the sentiment which we endeavour to create and vigorously encourage. And we may be permitted to add that we have often been successful in this direction. Therefore it is that, at the beginning of our lectures, and in anticipation of possible objections, we are accustomed to take up the question of the utility of plastic anatomy. And in so doing, it is in order to combat at the outset the idea-as mischievous as it is false-which is sometimes imprudently enunciated, that the possession of scientific knowledge is likely to tarnish the purity and freshness of the impressions received by the artist, and to place shackles on the emotional sincerity of their representation. It is chiefly by employment of examples that we approach the subject. These strike the imagination of ths student more forcibly, and the presentation of models of a certain choice, although rough in execution, is, in our opinion, preferable to considerations of an order possibly more exalted, but of a character less clearly practical. Let us, then, ask the question Those artists whose eminence nobody would dare to question, did they study anatomy If the answer be in the affirmative, we surely cannot permit ourselves to believe that we can dispense with asimilar course. And, as proof of the studies of this class which the masters have made, we may cite Raphael, Aiichel- angelo, and, above all, Leonardo da Vinci and, of the modems, GCricault. And we may more clearly define these proofs by an examination of the reproductions of their anatomical works, chosen from certain of their special writings...

Le Corps Humain (French, Hardcover): Edouard Cuyer Le Corps Humain (French, Hardcover)
Edouard Cuyer
R1,092 Discovery Miles 10 920 Ships in 10 - 15 working days
Le Cheval (French, Paperback): Edouard Cuyer, Eugene Alix Le Cheval (French, Paperback)
Edouard Cuyer, Eugene Alix
R447 Discovery Miles 4 470 Ships in 10 - 15 working days
Anatomie Artistique Du Corps Humain (French, Paperback): Edouard Cuyer Anatomie Artistique Du Corps Humain (French, Paperback)
Edouard Cuyer
R678 R612 Discovery Miles 6 120 Save R66 (10%) Out of stock

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

La Mimique... (French, Paperback): Edouard Cuyer La Mimique... (French, Paperback)
Edouard Cuyer
R872 R767 Discovery Miles 7 670 Save R105 (12%) Ships in 10 - 15 working days
Le Corps Humain (French, Paperback): Edouard Cuyer Le Corps Humain (French, Paperback)
Edouard Cuyer
R1,040 Discovery Miles 10 400 Ships in 10 - 15 working days

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

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