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Regional intercomparisons between ecosystems on different
continents can be a powerful tool to better understand the ways in
which ecosystems respond to global change. Large areas are often
needed to characterize the causal mechanisms governing interactions
between ecozones and their environments. Factors such as weather
and climate patterns, land-ocean and land-atmosphere interactions
all play important roles. As a result of the strong physical
north-south symmetry between the western coasts of North and South
America, the similarities in climate, coastal oceanography and
physiography between these two regions have been extensively
documented. High Latitude Rain Forests and Associated Ecosystems of
the West Coast of the Americas presents current research on West
Coast forest and river ecology, and compares ecosystems of the
Pacific Northwest with those of South America.
Drawing on Australian and comparative case studies, this volume
reconceptualises non-metropolitan creative economies through the
'qualities of place'. This book examines the agricultural and
gastronomic cultures surrounding 'native' foods, coastal sculpture
festivals, universities and regional communities, wine in regional
Australia and Canada, the creative systems of the Hunter Valley,
musicians in 'outback' settings, Fab Labs as alternatives to
clusters, cinema and the cultivation of 'authentic' landscapes, and
tensions between the 'representational' and 'non-representational'
in the cultural economies of the Blue Mountains. What emerges is a
picture of rural and regional places as more than the 'other' of
metropolitan creative cities. Place itself is shown to embody
affordances, unique institutional structures and the invisible
threads that 'hold communities together'. If, in the wake of the
publication of Florida's Rise of the Creative Class, creative
industries models tended to emphasize 'big cities' and the
spatial-cum-cultural imaginaries of the 'Global North', recent
research and policy discourses - especially, in the Australian
context - have paid greater attention to 'small cities', rural and
remote creativity. This collection will be of interest to scholars,
students and practitioners in creative industries, urban and
regional studies, sociology, geography and cultural planning.
Regional intercomparisons between ecosystems on different
continents can be a powerful tool to better understand the ways in
which ecosystems respond to global change. Large areas are often
needed to characterize the causal mechanisms governing interactions
between ecozones and their environments. Factors such as weather
and climate patterns, land-ocean and land-atmosphere interactions
all play important roles. As a result of the strong physical
north-south symmetry between the western coasts of North and South
America, the similarities in climate, coastal oceanography and
physiography between these two regions have been extensively
documented. High Latitude Rain Forests and Associated Ecosystems of
the West Coast of the Americas presents current research on West
Coast forest and river ecology, and compares ecosystems of the
Pacific Northwest with those of South America.
Drawing on Australian and comparative case studies, this volume
reconceptualises non-metropolitan creative economies through the
'qualities of place'. This book examines the agricultural and
gastronomic cultures surrounding 'native' foods, coastal sculpture
festivals, universities and regional communities, wine in regional
Australia and Canada, the creative systems of the Hunter Valley,
musicians in 'outback' settings, Fab Labs as alternatives to
clusters, cinema and the cultivation of 'authentic' landscapes, and
tensions between the 'representational' and 'non-representational'
in the cultural economies of the Blue Mountains. What emerges is a
picture of rural and regional places as more than the 'other' of
metropolitan creative cities. Place itself is shown to embody
affordances, unique institutional structures and the invisible
threads that 'hold communities together'. If, in the wake of the
publication of Florida's Rise of the Creative Class, creative
industries models tended to emphasize 'big cities' and the
spatial-cum-cultural imaginaries of the 'Global North', recent
research and policy discourses - especially, in the Australian
context - have paid greater attention to 'small cities', rural and
remote creativity. This collection will be of interest to scholars,
students and practitioners in creative industries, urban and
regional studies, sociology, geography and cultural planning.
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