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Rome's once independent Italian allies became communities of a new
Roman territorial state after the Social War of 91-87 BC. Edward
Bispham examines how the transition from independence to
subordination was managed, and how, between the opposing tensions
of local particularism, competing traditions and identities,
aspirations for integration, cultural change, and indifference from
Roman central authorities, something new and dynamic appeared in
the jaded world of the late Republic. Bispham charts the successes
and failures of the attempts to make a new political community
(Roman Italy), and new Roman citizens scattered across the
peninsula - a dramatic and important story in that, while Italy was
being built, Rome was falling apart; and while the Roman Republic
fell, the Italian municipal system endured, and made possible the
government, and even the survival, of the Roman empire in the West.
This volume traces the rise of Rome and the extension of Roman
power across Europe, from the viewpoints of both conquerors and
conquered, and also Rome's barbarian heirs, covering the period
from 1000 BC through to AD 400. The book reconstructs as far as
possible the indigenous experience of contact with Rome, showing
how Roman domination impacted upon the already complex world of
Iron Age Europe, before leaving a new 'barbarian' world in its
wake. Using both literary and archaeological evidence, the eight
expert contributors analyse the transformation of Europe, and the
laying of the foundations of the Middle Ages, including chapters on
Iron Age Europe, Roman society, warfare and the army, economy and
trade, religions, and the cultural implications of Roman conquest,
as well as narrative chapters on war and politics.
This collection explores the multifaceted nature of the gods and
goddesses worshipped in ancient Italy. It examines Italic,
Etruscan, and Latin deities in context and in the material remains,
and also in the Greco-Roman written record and later scholarship
which drew on these texts. Many deities were worshipped in ancient
Italy by different individuals and communities, using different
languages, at different sanctuaries, and for very different
reasons. This multiplicity creates challenges for modern historians
of antiquity at different levels. How do we cope with it? Can we
reduce it to the conceptual unity necessary to provide a meaningful
historical interpretation? To what extent can deities named in
different languages be considered the equivalent of one another
(e.g. Artemis and Diana)? How can we interpret the visual
representations of deities that are not accompanied by written
text? Can we reconstruct what these deities meant to their local
worshippers although the overwhelming majority of our sources were
written by Romans and Greeks? The contributors of this book, a
group of ten scholars from the UK, Italy, France, and Poland, offer
different perspectives on these problems, each concentrating on a
particular god or goddess. Gods and Goddesses in Ancient Italy
offers an invaluable resource for anyone working on ancient Roman
and Italian religion.
This collection explores the multifaceted nature of the gods and
goddesses worshipped in ancient Italy. It examines Italic,
Etruscan, and Latin deities in context and in the material remains,
and also in the Greco-Roman written record and later scholarship
which drew on these texts. Many deities were worshipped in ancient
Italy by different individuals and communities, using different
languages, at different sanctuaries, and for very different
reasons. This multiplicity creates challenges for modern historians
of antiquity at different levels. How do we cope with it? Can we
reduce it to the conceptual unity necessary to provide a meaningful
historical interpretation? To what extent can deities named in
different languages be considered the equivalent of one another
(e.g. Artemis and Diana)? How can we interpret the visual
representations of deities that are not accompanied by written
text? Can we reconstruct what these deities meant to their local
worshippers although the overwhelming majority of our sources were
written by Romans and Greeks? The contributors of this book, a
group of ten scholars from the UK, Italy, France, and Poland, offer
different perspectives on these problems, each concentrating on a
particular god or goddess. Gods and Goddesses in Ancient Italy
offers an invaluable resource for anyone working on ancient Roman
and Italian religion.
As Rome extended its influence throughout Italy, gradually
incorporating its various peoples in a process of Romanization and
conquest, its religion was extensively influenced by the cults of
religious practices of its new subjects and citizens. It was a
period of intense religious ferment and creativity. Roman religion,
controlled and determined by religious and political functionaries
who mediated between humans, had centred on a select pantheon of
gods with Jupiter at its head. It was a religion in the process of
becoming the servant of the state, however genuine its priests and
votaries might be.
Understanding the dynamics of religious change is fundamental to
understanding the changing culture and politics of Rome during the
last five centuries B.C. "Religion in Archaic and Republic Rome"
and Italy tells that story.
This volume traces the rise of Rome and the extension of Roman
power across Europe, from the viewpoints of both conquerors and
conquered, and also Rome's barbarian heirs, covering the period
from 1000 BC through to AD 400. The book reconstructs as far as
possible the indigenous experience of contact with Rome, showing
how Roman domination impacted upon the already complex world of
Iron Age Europe, before leaving a new 'barbarian' world in its
wake. Using both literary and archaeological evidence, the eight
expert contributors analyse the transformation of Europe, and the
laying of the foundations of the Middle Ages, including chapters on
Iron Age Europe, Roman society, warfare and the army, economy and
trade, religions, and the cultural implications of Roman conquest,
as well as narrative chapters on war and politics.
The Edinburgh Companion, newly available in paperback, is a gateway
to the fascinating worlds of ancient Greece and Rome. Wide-ranging
in its approach, it demonstrates the multifaceted nature of
classical civilisation and enables readers to gain guidance in
drawing together the perspectives and methods of different
disciplines, from philosophy to history, from poetry to
archaeology, from art history to numismatics, and many more. Key
features *written by experts in the field *contains basic and
essential information clearly and concisely presented *gives an
up-to-date overview of the classical world *guides readers to
sources of current reference and further reading material *over 100
illustrations, maps and plans
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