The Grand Tour has become a subject of major interest to scholars and general readers interested in exploring the historic connections between nations and their intellectual and artistic production. Although traditionally associated with the eighteenth century, when wealthy Englishmen would complete their education on the continent, the Grand Tour is here investigated in a wider context, from the decline of the Roman Empire to recent times.
Authors from Chaucer to Erasmus came to mock the custom but even the Reformation did not stop the urge to travel. From the mid-sixteenth century, northern Europeans justified travel to the south in terms of education. The English had previously travelled to Italy to study the classics; now they travelled to learn Italian and study medicine, diplomacy, dancing, riding, fencing, and, eventually, art and architecture. Famous men, and an increasing proportion of women, all contributed to establishing a convention which eventually came to dominate European culture.Documenting the lives and travels of these personalities, Professor Chaney's remarkable book provides a complete picture of one of the most fascinating phenomena in the history of western civilisation.

The Grand Tour has become a subject of major interest to scholars and general readers interested in exploring the historic connections between nations and their intellectual and artistic production. Although traditionally associated with the eighteenth century, when wealthy Englishmen would complete their education on the continent, the Grand Tour is here investigated in a wider context, from the decline of the Roman Empire to recent times. Authors from Chaucer to Erasmus came to mock the custom but even the Reformation did not stop the urge to travel. From the mid-sixteenth century, northern Europeans justified travel to the south in terms of education. The English had previously travelled to Italy to study the classics; now they travelled to learn Italian and study medicine, diplomacy, dancing, riding, fencing, and, eventually, art and architecture. Famous men, and an increasing proportion of women, all contributed to establishing a convention which eventually came to dominate European culture. Documenting the lives and travels of these personalities, Professor Chaney's remarkable book provides a complete picture of one of the most fascinating phenomena in the history of western civilisation.

'The best conceivable guide to the city' - an essential cultural history for all visitors of Florence The rich and glorious past of one of the best loved cities in the world, Florence, is brought vividly to life for today's visitor in this collection which draws on letters, diaries and memoirs of travellers to Florence and the Florentines themselves. Of all Italian cities, Florence has always had the strongest English accent: the Goncourt brothers in 1855 called it 'ville tout anglaise'. Though that accent is diminished now, Florence remains for the English-speaking traveller what it always has been - one of the best loved, and most visited, of cities. In this Traveller's Reader, Florence's rich and glorious past is brought vividly to life for the tourist of today through the medium of letters, diaries and memoirs of travellers to Florence from past centuries and of the Florentines themselves. The extracts chosen by cultural historain Edward Chaney include: Boccaccio on the Black Death; Vasari on the building of Giotto's Campanile; an eye-witness account of the installation of Michaelangelo's 'David'; the death of Elizabeth Barrett Browning at the Casa Guidi; and D. H. Lawrence and Dylan Thomas on twentieth-century Florentine society. Sir Harold Acton's introduction provides a concise history of the city from its origins, through its zenith as a prosperous city state which, under the Medici, gave birth to the Renaissance, and up to the Arno's devastating flood in 1966. Sir Harold Acton, man of letters, historian, aesthete, novelist and poet, spent most of his life in Florence. Among his best-known books is The Last Medici, Memoirs of an Aesthete.