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In the early nineteenth century there was a sudden vogue for novels
centering on the glamour of aristocratic social and political life.
Such novels, attractive as they were to middle-class readers, were
condemned by contemporary critics as dangerously seductive, crassly
commercial, designed for the 'masses' and utterly unworthy of
regard. Until recently, silver-fork novels have eluded serious
consideration and been overshadowed by authors such as Jane Austen.
They were influenced by Austen at their very deepest levels, but
were paradoxically drummed out of history by the very canon-makers
who were using Austen's name to establish their own legitimacy.
This first modern full-length study of the silver-fork novel argues
that these novels were in fact tools of persuasion, novels
deliberately aimed at bringing the British middle classes into an
alliance with an aristocratic program of political reform.
Sense and Sensibility, Jane Austen's first published novel (1811),
introduced its readers to many of the themes which would dominate
Austen's future work. On one level it is a simple story of two
sisters finding fulfilment within a society bounded by regulations
and restrictions. But on another it is a comprehensive exploration
of the moral dilemmas facing young women in the choices they have
to make about their lives. Austen writes about everyday events of
her own time with a subtlety and sensitivity unprecedented in the
English novel. This edition, first published in 2006, takes as its
copytext the second edition of 1813, which corrects some errors of
the first edition. The volume provides comprehensive explanatory
notes, an extensive critical introduction covering the context and
publication history of the work, a chronology of Austen's life and
an authoritative textual apparatus. This edition is an
indispensable resource for all scholars and readers of Austen.
In the early nineteenth century there was a sudden vogue for novels
centering on the glamour of aristocratic social and political life.
Such novels, attractive as they were to middle-class readers, were
condemned by contemporary critics as dangerously seductive, crassly
commercial, designed for the 'masses' and utterly unworthy of
regard. Until recently, silver-fork novels have eluded serious
consideration and been overshadowed by authors such as Jane Austen.
They were influenced by Austen at their very deepest levels, but
were paradoxically drummed out of history by the very canon-makers
who were using Austen's name to establish their own legitimacy.
This first modern full-length study of the silver-fork novel argues
that these novels were in fact tools of persuasion, novels
deliberately aimed at bringing the British middle classes into an
alliance with an aristocratic program of political reform.
Jane Austen's stock in the popular marketplace has never been
higher, while academic studies continue to uncover new aspects of
her engagement with her world. This fully updated edition of the
acclaimed Cambridge Companion offers clear, accessible coverage of
the intricacies of Austen's works in their historical context, with
biographical information and suggestions for further reading. Major
scholars address Austen's six novels, the letters and other works,
in terms accessible to students and the many general readers, as
well as to academics. With seven new essays, the Companion now
covers topics that have become central to recent Austen studies,
for example, gender, sociability, economics, and the increasing
number of screen adaptations of the novels.
Jane Austen's stock in the popular marketplace has never been
higher, while academic studies continue to uncover new aspects of
her engagement with her world. This fully updated edition of the
acclaimed Cambridge Companion offers clear, accessible coverage of
the intricacies of Austen's works in their historical context, with
biographical information and suggestions for further reading. Major
scholars address Austen's six novels, the letters and other works,
in terms accessible to students and the many general readers, as
well as to academics. With seven new essays, the Companion now
covers topics that have become central to recent Austen studies,
for example, gender, sociability, economics, and the increasing
number of screen adaptations of the novels.
This study addresses a paradox in the lives of women in Jane
Austen's time who had no legal access to money yet were held
responsible for domestic expenditure. The book translates the
fictional money of the novels of Jane Austen's day into the power
of contemporary spendable incomes, and from the perspective of what
the British pound could buy at the market, the economic lives of
women in the novels emerge as part of a general picture of women's
economic disability. Through the work of writers such as Austen and
Edgeworth, as well as those of magazine fiction, the author
examines the professional lives of women authors, their publishers,
their profits, and the demands of their reading public. By linking
authorship to the economic lives of contemporary women, Women
Writing About Money links the fantasy worlds of women's fiction
with the social and economic realities of both readers and writers.
Sense and Sensibility, Jane Austen's first published novel (1811),
introduced its readers to many of the themes which would dominate
Austen's future work. On one level it is a simple story of two
sisters finding fulfilment within a society bounded by regulations
and restrictions. But on another it is a comprehensive exploration
of the moral dilemmas facing young women in the choices they have
to make about their lives. Austen writes about everyday events of
her own time with a subtlety and sensitivity unprecedented in the
English novel. This edition, first published in 2006, takes as its
copytext the second edition of 1813, which corrects some errors of
the first edition. The volume provides comprehensive explanatory
notes, an extensive critical introduction covering the context and
publication history of the work, a chronology of Austen's life and
an authoritative textual apparatus. This edition is an
indispensable resource for all scholars and readers of Austen.
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