Examining the origins of the Arthurian legend and major trends in the portrayal of Arthur from the Middle Ages to the present, the sixteen essays in this collection cover the search for the historical Arthur and the depiction of Arthur in medieval romances, nineteenth century art and stories and in twentieth century literature. Works discussed include those by Malory, Spenser, Tennyson and T. H. White.

Examining the origins of the Arthurian legend and major trends in the portrayal of Arthur from the Middle Ages to the present, this collection focuses on discussion of literature written in English, French, Latin, and German. Its 16 essays, four published here for the first time, deal with such matters as the search for the historical Arthur; the depiction of Arthur in the romances "Erec" and "Iwein" of Hartmann von Aue; the way Arthur is depicted in 19th-century art and the Victorian view of manhood; and conceptions of King Arthur in 20th-century literature. Six of the essays, originally published in French and German, are translated into English especially for this book. Two essays have been substantially revised. An introduction offers a general discussion of the development of the legends in the countries of Europe.
Works discussed include medieval and Renaissance chronicles (Geoffrey of Monmouth's "Historia Regum Britanniae," Wace's "Roman de Brut," Polydore Vergil's Anglica Historia, Scottish vernacular and Latin chronicles), medieval romances (the "Lancelot en prose," the "Mort Artu," the Post-Vulgate "Roman du" "Graal," and works of Chretien de Troyes, Hartmann von Aue, and Sir Thomas Malory), Spenser's "Faerie Queene," Tennyson's "Idylls of the King," and T.H. White's "Once and Future King." A bibliography lists selected major secondary studies of King Arthur as well as major reference works.

Edition, with facing translation, of chronicles from the late medieval/early modern period, concerning the history of Scotland. The seven chronicles edited here record Scottish history as it circulated in the late fifteenth century and the early sixteenth century in abbreviated and mostly vernacular texts, intended for a broader, less educated audience than was served by the great Latin chronicles of Fordun, Bower, Boece, and their successors. They reflect the greatly expanded literacy of the end of the Middle Ages, and the consequent necessity of educating a broader public in theoutlines of Scottish history and contemporary Scottish politics. They build their version of medieval events on Scotland's foundation myths and exhibit a distinct anti-English bias - indeed, the Scottis Originale began a type of Scottish anti-Arthurian tradition. They thus present an alternative and distinctly "Scottish" view of "history". The chronicles are presented here with with comprehensive notes and glossaries. They are: La Vraie Cronicque d'Escoce, The Scottis Originale, The Chronicle of the Scots, The Ynglis Chronicle, Nomina Omnium Regum Scotorum, The Brevis Chronica, The St Andrews Chronicle. Dan Embree is Emeritus Professor of English, Mississippi State University; Edward Donald Kennedy is Emeritus Professor of English and Comparative Literature at the University of North Carolina at Chapel Hill; Kathleen Daly was formerly Senior Lecturer in History at the Open University, UK

The motif of death and dying traced through over a thousand years of the English Arthurian tradition. It is arguably the tragic end to Arthur's kingdom which gives the myth its exceptional resonance and power. The essays in this volume explore the presentation of death and dying in Arthurian literature and film produced in Englandand America from the middle ages to the modern day. Authors, texts and topics covered include Geoffrey of Monmouth, the chronicle tradition, and the alliterative Morte Arthure; Gawain and the Green Knight, Ywain and Gawain, the stanzaic Morte Arthur, and Malory's Morte Darthur; Tennyson's Idylls, Pyle's retelling of the myth for American children, David Jones, T.H. White, Donald Barthelme, Rosalind Miles and Parke Godwin. Featured films include Knight Rider, Excalibur, First Knight, and King Arthur. CONTRIBUTORS: Sian Echard, Edward Donald Kennedy, Karen Cherewatuk, Michael W. Twomey, K. S. Whetter, Thomas Crofts, MichaelWenthe, Lisa Robeson, Cory James Rushton, Janina P. Traxler, James Noble, Julie Nelson Couch, Samantha Rayner, Kevin J. Harty

Studies range over the whole field of Arthurian literature, in Europe and North America, with special focus on Malory and Morte Darthur. Peter Field, Professor of English at the University of Wales, Bangor, is a distinguished Arthurian scholar (and vice-president of the International Arthurian Society) whose work has focused particularly on Malory's Morte Darthur. This special interest is reflected by the contributors to this volume, but a wide variety of other Arthurian and associated material is also covered in the twenty-seven studies. The chapters range over the whole field of Arthurian vernacular texts and include new studies of early French and German texts as well as an analysis of the impact of Arthurian materials on Galician-Portuguese poetry. Many provide new insights into Malory's text and sources,and these culminate in reflections on Malory's impact on one later American reader, Mark Twain. Collectively the chapters on Malory substantiate a the claim that Malory is a keen and critical reader of his source texts, and thathe is a powerful stylist. Contributors BRIAN ALLEN, ELIZABETH ARCHIBALD, FANNI BOGDANOW, DEREK S. BREWER, GEOFFREY BROMILEY, HELEN COOPER, JANET M, COWEN, ROSALIND FIELD, LINDA GOWANS, DOUGLAS GRAY, PHILLIPA HARDMAN, AMELIA HUTCHINSON, EDWARD D. KENNEDY, ELSPETH M. KENNEDY, NORRIS J. LACY, MARGARET LOCHERBIE-CAMERON, ROGER MIDDLETON, DAVID MILLS, MALDWYN MILLS, YUJI NAKAO, SHUNICHI NOGUCHI, RALPH NORRIS, AD PUTTER, RALUCA RADULESCU, FRANCOISE LE SAUX, JANE TAYLOR, NEIL E. THOMAS, KEVIN S. WHETTER, ANDREA WILLIAMS.

Studies of major Arthurian works and authors in Old French, Middle High German, Middle English, and of one important novel by C. S. Lewis. Arthurian Literature continues the policy of alternating themed issues and miscellanies. This varied collection includes studies of major Arthurian works and authors in Old French, Middle High German, Middle English, and ofone important novel by C.S. Lewis. A controversial textual crux in Chretien's Yvain, debated vigorously by scholars in the late 1980s, is revisited, while the narrative function of clothing in Chretien's romances comes under review. An enigmatic and linguistically difficult passage from Der jungere Titurel is translated and discussed, and an article on Der arme Heinrich studies this pious tale in the context of its generic affiliations: while not strictly speaking an Arthurian romance, it deserves consideration here as a work of one of medieval Germany's most significant writers of Arthurian romance. There is discussion of Thomas Chestre's adoption of the lai as a vehicle for social criticism in his Middle English adaptation of Marie de France's Lanval; the evolution of Arthurian romance in medieval England is also the primary concern in a study of The Awntyrs off Arthure. The figure of Arthur himself is central to an examination of the Middle English Prose Brut, and the delicate political implications of Malory's Morte Darthur are explored. Finally, C.S. Lewis's transformation and use ofthe figures of Uther Pendragon and Merlin in That Hideous Strength is explored. Contributors: RICHARD BARBER, JANE DEWHURST, TAMAR DRUKKER, CYRIL EDWARDS, DINA HAZELL, DONALD KENNEDY, GERALD SEAMAN, KRISTA SUE-LO-TWU, JANINA P. TRAXLER, MONICA L. WRIGHT.

Essays on Arthurian themes, on Beowulf, Chaucer and Shakespeare, and textual studies of Gower and others. These essays for Shunichi Noguchi, by scholars from Britain, the USA and Japan, reflect his approach to English studies and his wide range of interests from Beowulf to Ulysses. The principal focus, however, is on medieval and renaissance studies: nine of the essays are on Arthurian themes, to which Professor Noguchi has devoted his academic life. There are also essays on Beowulf, Chaucer, the York miracle plays, and Shakespeare, as well as textual studies of Gower, Wulfstan, Wycliffe and Caxton. Contributors: SHUICHI AITA, SHINSUKE ANDO, DEREK BREWER, ANTONY DICKINSON, P.J.C. FIELD, KAZUO FUKUDA, EIICHI HAYAKAWA, TADAHIRO IKEGAMI, MIKIKO ISHII, SOUJIIWASAKI, GREGORY K. JEMBER, TOMOMI KATO, EDWARD DONALD KENNEDY,TADAO KUBOUCHI, JOHN LAWLOR, KIYOKAZU MIZOBATA, GEORGE MOOR, TSUYOSHI MUKAI, YUJI NAKAO, FUMIKO OKA, YUZUYO OKUMURA, ISAMU SAITO, SHIRO SHIBA, JAN SIMKO, JUN SUDO, TAKASHI SUZUKI, TOSHIYUKI TAKAMIYA, RAYMOND P. TRIPP.

An examination of both the role played by Fortune in Arthurian literature and legend, and the fortunes of the legend itself. The essays in this volume offer a general overview and a number of detailed examinations of Arthur's fortunes, in two senses. First is the role of Fortune itself, often personified and consistently instrumental, in accounts of Arthur's court and reign. More generally the articles trace the trajectory of the Arthurian legend - its birth, rise and decline - through the middle ages. The final essay follows the continued turning of Fortune's wheel, emphasizingthe modern revival and flourishing of the legend. The authors, all distinguished Arthurian scholars, illustrate their arguments through studies of early Latin and Welsh sources, chronicles, romances [in English, French, German, Italian, Latin and Welsh], manuscript illustration and modern literary texts. Contributors: CHRISTOPHER A. SNYDER, SIAN ECHARD, EDWARD DONALD KENNEDY, W.R.J. BARRON, DENNIS H. GREEN, NORRIS LACY, CERIDWEN LLOYD-MORGAN, JOAN TASKER GRIMBERT, ALISON STONES, NEIL THOMAS, JANE H.M. TAYLOR, CAROLINE D. ECKHARDT, ALAN C LUPACK.

Continuing its policy of publishing extended explorations of Arthurian subjects, this eighth volume of Arthurian Literature contains four articles. Elizabeth Archibald addresses the reasons for the insertion of the story of Mordred's incestuous birth into many versions of the Arthurian legend (including Malory's) from the early 13th century on, and follows its development from the Vulgate Cycle to later Arthurian narratives. The use of irony to point up aspects of the Lancelot-Guinevere relationship in the prologue to Le Chavalier de la Charrete is explored by Jan Janssens. The early 13th-century Romance of Fergus is introduced and translated by D.D.R. Owen, who finds it of special interest not just because of its uniquely Scottish setting, but also because its use of parody foreshadows later medieval comedy; Scottish concerns also figure in Edward Donald Kennedy's discussion of the 15th-century chronicler John Hardyng's use of the story of Galahad's grail quest, and the changes he made.