Originally published in 1909, this book contains a careful dissection and analysis of european travellers in India's narratives; the author has striven throughout to regard the various characters who flit across the following pages in the light as much of adventures and pioneers as of collectors of social and political facts - in other words, the author has tried to preserve in their narrative as much as they could of the large amount of humna interest which naturally invests the subject, and animates the writings, of these early wanderers in India.

Originally published in 1909, this book contains a careful dissection and analysis of european travellers in India's narratives; the author has striven throughout to regard the various characters who flit across the following pages in the light as much of adventures and pioneers as of collectors of social and political facts - in other words, the author has tried to preserve in their narrative as much as they could of the large amount of humna interest which naturally invests the subject, and animates the writings, of these early wanderers in India.

First published in 1908, Farley pioneering essay on the subject of Anglo Indian literature, by this point had never been attempted to be explored in such detail at the time of winning the coveted Cambridge University Le Bas Prize Essay, 1907. Focusing on prominent Anglo English writers , such as Rudyard Kipling , Farley Oaten and examining the plethora of their work in the context of the British Raj.

First published in 1908, Farley pioneering essay on the subject of Anglo Indian literature, by this point had never been attempted to be explored in such detail at the time of winning the coveted Cambridge University Le Bas Prize Essay, 1907. Focusing on prominent Anglo English writers , such as Rudyard Kipling , Farley Oaten and examining the plethora of their work in the context of the British Raj.

'Aesthetics' and 'theological aesthetics' usually imply a focus on questions about the arts and how faith or religion relates to the arts; only the final pages of this work take up that problem. The central theme of this book is that of beauty. Farley employs a new typology of western texts on beauty and a theological analysis of the image of God and redemption to counter the centuries-long tendency to ignore or marginalize beauty and the aesthetic as part of the life of faith. Studying the interpretation of beauty in ancient Greece, eighteenth-century England, the work of Jonathan Edwards, and nineteenth and twentieth-century philosophies of human self-transcendence, the author explores whether Christian existence, the life of faith, and the ethical exclude or require an aesthetic dimension in the sense of beauty. The work will be of particular interest to those interested in Christian theology, ethics, and religion and the arts.

On September 1, 1939, the day World War II broke out in Europe, Gen. George Marshall was sworn in as chief of staff of the U.S. Army. Ten months later, Roosevelt appointed Henry Stimson secretary of war. For the next five years, from adjoining offices in the Pentagon, Marshall and Stimson headed the army machine that ground down the Axis. Theirs was one of the most consequential collaborations of the twentieth century. A dual biography of these two remarkable Americans, The Partnership tells the story of how they worked together to win World War II and reshape not only the United States, but the world. The general and the secretary traveled very different paths to power. Educated at Yale, where he was Skull and Bones, and at Harvard Law, Henry Stimson joined the Wall Street law firm of Elihu Root, future secretary of war and state himself, and married the descendant of a Founding Father. He went on to serve as secretary of war under Taft, governor-general of the Philippines, and secretary of state under Hoover. An internationalist Republican with a track record, Stimson ticked the boxes for FDR, who was in the middle of a reelection campaign at the time. Thirteen years younger, George Marshall graduated in the middle of his class from the Virginia Military Institute (not West Point), then began the standard, and very slow, climb up the army ranks. During World War I he performed brilliant staff work for General Pershing. After a string of postings, Marshall ended up in Washington in the 1930s and impressed FDR with his honesty, securing his appointment as chief of staff. Marshall and Stimson were two very different men who combined with a dazzling synergy to lead the American military effort in World War II, in roles that blended politics, diplomacy, and bureaucracy in addition to warfighting. They transformed an outdated, poorly equipped army into a modern fighting force of millions of men capable of fighting around the globe. They, and Marshall in particular, identified the soldiers, from Patton and Eisenhower to Bradley and McNair, best suited for high command. They helped develop worldwide strategy and logistics for battles like D-Day and the Bulge. They collaborated with Allies like Winston Churchill. They worked well with their cagey commander-in-chief. They planned for the postwar world. They made decisions, from the atomic bombs to the division of Europe, that would echo for decades. There were mistakes and disagreements, but the partnership of Marshall and Stimson was, all in all, a bravura performance, a master class in leadership and teamwork. In the tradition of group biographies like the classic The Wise Men, The Partnership shines a spotlight on two giants, telling the fascinating stories of each man, the dramatic story of their collaboration, and the epic story of the United States in World War II.

An outstanding group of authors address the structure of theological education using different avenues of approach. Each writer describes and frames a theological response to a major feature of the contemporary scene. The contributors look at events and movements that shape the organization of theological studies, including a review of black religion, feminism, practical theology, and liberation movements. They explore interrelating issues such as social ethics, seminary and university education, and historical consciousness.

Description: This memoir records the story of the author's personal journey toward a life of university teaching and probes that story in reflective essays on a variety of subjects. One group of essays has to do with the characteristic activities and institutional setting of a professor. Other essays explore ways of experiencing the world as mysterious, beautiful, and tragic. One piece offers a rather somber account of current ways in which the American experiment in democracy is in peril. Scraps of what looks like an intellectual autobiography are scattered over the pages of the narrative, recalling the puzzles that gave rise to a number of writing projects. In a way this is a book of paradoxes and antitheses. Janus-like, it faces toward the past and the future. It offers generalized convictions and specific observations, treats both the ordinary themes of life experience and tangled esoterica, and presents both the experiences of an individual and an analysis of educational institutions. As a whole, the book invites readers to join the author in ""thinking about things.""

"Practicing Gospel" is a collection of four new and eight previously published essays on the subjects of practical theology, homiletics and worship, Christian education, and pastoral care. Edward Farley offers a more faithful approach to the tasks of ministry for seminarians and pastors too often tempted to equate pastoral care with popular psychology, good preaching with snappy public speaking, or Christian education with flashy curriculum. By holding theology and practice in an inescapable partnership, Farley rightly re-focuses the church's life on its proper object and subject--a mysterious transforming God.

How do particular world situations impact preaching? How does a preacher use the gospel and Scripture to speak to those situations? This volume, in honor of homiletician David Buttrick, explores the complex and important relationships between world, gospel, and Scripture and their relevance for preaching theology.This book is for those seeking thoughtful and challenging new ways to approach the preaching task now and into the twenty-first century.

'Aesthetics' and 'theological aesthetics' usually imply a focus on questions about the arts and how faith or religion relates to the arts; only the final pages of this work take up that problem. The central theme of this book is that of beauty. Farley employs a new typology of western texts on beauty and a theological analysis of the image of God and redemption to counter the centuries-long tendency to ignore or marginalize beauty and the aesthetic as part of the life of faith. Studying the interpretation of beauty in ancient Greece, eighteenth-century England, the work of Jonathan Edwards, and nineteenth and twentieth-century philosophies of human self-transcendence, the author explores whether Christian existence, the life of faith, and the ethical exclude or require an aesthetic dimension in the sense of beauty. The work will be of particular interest to those interested in Christian theology, ethics, and religion and the arts.

A major work from one of today's leading theologians, Divine Empathy attempts to "think the unthinkable," how God comes forth actively and redemptively to meet the human situation. Apologetic but not polemical, Farley's work sympathetically engages yet moves beyond both the classical tradition as well as contemporary anti-theisms in formulating a concept of God that is strikingly original, intellectually honest, and comprehensive. Farley's treatise employs the "facticity of redemption," the actual experience of freedom and empowerment, as the primordial source for our thinking about God (Part 1), God-symbols (Part 2), and God's activity (Part 3), including the figure of Jesus. Farley's astute analysis leads inexorably to a view of divine creativity and empathy that is one of the more profound religious visions of our time.