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Everyone who has studied the upheavals of modern China knows that
one of them has taken place in Chinese writing. Anyone who has read
Chinese texts has also eventually pondered the possible
significance of this upheaval for understanding the text, and vice
versa. By analyzing formal features and speculating about their
relevance to the construction of a modern Chinese culture, this
book intends to show why the Chinese have come to write the way
they do in this century.
Written as the ludicrous and disturbing ramblings of an errant, pseudo-intellectual urbanite secluding himself from the underworld in an impoverished coastal village of Taiwan in the early 1960s, this novel prompted the first critical discussion of postmodernism in Chinese fiction and still stands as the most provocative and innovative narrative published in Taiwan over the past two decades.
Written as the ludicrous and disturbing ramblings of an errant, pseudo-intellectual urbanite secluding himself from the underworld in an impoverished coastal village of Taiwan in the early 1960s, this novel prompted the first critical discussion of postmodernism in Chinese fiction and still stands as the most provocative and innovative narrative published in Taiwan over the past two decades.
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