In Gwinnett County's two hundred years, the area has been western, southern, rural, suburban, and now increasingly urban. Its stories include the displacement of Native peoples, white settlement, legal battles over Indian Removal, slavery and cotton, the Civil War and the Lost Cause, New South railroad and town development, Reconstruction and Jim Crow, business development and finance in a national economy, a Populist uprising and Black outmigration, the entrance of women into the political arena, the evolution of cotton culture, the development of modern infrastructure, and the transformation from rural to suburban to a multicultural urbanizing place. Gwinnett, as its chamber of commerce likes to say, has it all. However, Gwinnett has yet to be the focus of a major historical exploration-until now. Through a compilation of essays written by professional historians with expertise in a diverse array of eras and fields, Michael Gagnon and Matthew Hild's collection finally tells these stories in a systematic way-avoiding the pitfalls of nonprofessional local histories that tend to ignore issues of race, class, or gender. While not claiming to be comprehensive, this book provides general readers and scholars alike with a glimpse at Gwinnett through the ages. CONTRIBUTORS: Julia Brock, William D. Bryan, Richard A. Cook Jr., Lisa L. Crutchfield, Michael Gagnon, Edward Hatfield, Keith S. Hebert, Matthew Hild, R. Scott Huffard Jr., David L. Mason, Marko Maunula, Erica Metcalfe, Katheryn L. Nikolich, David B. Parker, Bradley R. Rice, and Carey Olmstead Shellman

In Gwinnett County's two hundred years, the area has been western, southern, rural, suburban, and now increasingly urban. Its stories include the displacement of Native peoples, white settlement, legal battles over Indian Removal, slavery and cotton, the Civil War and the Lost Cause, New South railroad and town development, Reconstruction and Jim Crow, business development and finance in a national economy, a Populist uprising and Black outmigration, the entrance of women into the political arena, the evolution of cotton culture, the development of modern infrastructure, and the transformation from rural to suburban to a multicultural urbanizing place. Gwinnett, as its chamber of commerce likes to say, has it all. However, Gwinnett has yet to be the focus of a major historical exploration-until now. Through a compilation of essays written by professional historians with expertise in a diverse array of eras and fields, Michael Gagnon and Matthew Hild's collection finally tells these stories in a systematic way-avoiding the pitfalls of nonprofessional local histories that tend to ignore issues of race, class, or gender. While not claiming to be comprehensive, this book provides general readers and scholars alike with a glimpse at Gwinnett through the ages. CONTRIBUTORS: Julia Brock, William D. Bryan, Richard A. Cook Jr., Lisa L. Crutchfield, Michael Gagnon, Edward Hatfield, Keith S. Hebert, Matthew Hild, R. Scott Huffard Jr., David L. Mason, Marko Maunula, Erica Metcalfe, Katheryn L. Nikolich, David B. Parker, Bradley R. Rice, and Carey Olmstead Shellman

Within the realm of American culture and its construction of its citizenry, geography, and ideology, who are southerners and who are queers, and what is the South and what is queerness? Queering the South on Screen addresses these questions by examining the intersections of queerness, regionalism, and identity depicted in film, television, and other visual media about the South during the twentieth and twenty-first centuries. Southern queers on screen often reflect the fantasy of cultural stereotypes. Editor Tison Pugh contends that when southern queers appear in films and on television, and when southern queers watch these portrayals, the inherent contradictions of these cultural depictions reveal the fault lines of gender, geography, and desire. These underlying schisms point to the infinite, if infrequently portrayed, possibilities of actual queer southern life. Examining a range of materials, including gothic horror films and drag queens on public-access television, the contributors show that queer southerners have always expressed desires for distinctiveness in the making and consumption of visual media. Read together, the introduction and twelve chapters deconstruct premeditated labels of identity such as queer and southern. In doing so, they expose the reflexive nature of these labels to construct ideological fantasies of southerners regardless of the complexity of their lives.

Within the realm of American culture and its construction of its citizenry, geography, and ideology, who are southerners and who are queers, and what is the South and what is queerness? Queering the South on Screen addresses these questions by examining the intersections of queerness, regionalism, and identity depicted in film, television, and other visual media about the South during the twentieth and twenty-first centuries. Southern queers on screen often reflect the fantasy of cultural stereotypes. Editor Tison Pugh contends that when southern queers appear in films and on television, and when southern queers watch these portrayals, the inherent contradictions of these cultural depictions reveal the fault lines of gender, geography, and desire. These underlying schisms point to the infinite, if infrequently portrayed, possibilities of actual queer southern life. Examining a range of materials, including gothic horror films and drag queens on public-access television, the contributors show that queer southerners have always expressed desires for distinctiveness in the making and consumption of visual media. Read together, the introduction and twelve chapters deconstruct premeditated labels of identity such as queer and southern. In doing so, they expose the reflexive nature of these labels to construct ideological fantasies of southerners regardless of the complexity of their lives.