Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

High quality electrical service is key to power systems around the world, particularly in utilities and industrial facilities. Both voltage and grid frequency must be kept within tight limits to maintain functioning of critical infrastructure. The growing use of renewable power of intermittent character is adding to that challenge. One of the keys to achieving quality service is the protection system, which needs to be reliable, fast and with a good cost/benefit ratio. It consists of various components, including relays, circuit breakers and fuses. An understanding of the different behaviours of these components in the face of malfunctions, and of countermeasures, is needed. This book has established itself as a classic work in its field, allowing the reader to easily follow the ideas explored. It provides an overview of most aspects of electrical protections, with emphasis on distribution systems; but protection of generation and transmission systems are also addressed. For this 4th edition, new topics have been added, such as protection of renewable power plants and transient stability analysis. It offers a thorough revision of the material, particularly the numerical type of relays, protective functions, control, measurement, communications and oscillography features. Most chapters have illustrative examples using MATLAB or PSAT (Power System Analysis Tools). This work remains essential reading for researchers, utility engineers, design, maintenance and consulting engineers as well as for instructors and senior students.

This 1845 biography of Mozart by the music journalist Edward Holmes was the first to be published in English. Holmes, who numbered the poet Keats and the publisher Vincent Novello amongst his friends, wrote extensively for periodicals including the Musical Times and The Atlas. A lifelong admirer of Mozart's work, Holmes's keen understanding of its significance is evident throughout the biography. It is based on a thorough study of the then available printed and manuscript sources, in particular many of Mozart's letters which Holmes translated and included as he 'endeavoured throughout to let the composer tell his own story'. He was also able to consult Mozart's own catalogue of his works, that compiled by the publisher Johann Andre, and the Mozart autograph manuscripts bought by Andre from Mozart's widow Constanze. The work is written in a very approachable style and will appeal to anyone with an interest in Mozart.

Published in 1845 as the first adequate account of Mozart to appear in English, Holmes' biography also was the first to be based upon Mozart's letters and the memoirs written following the composer's death in 1791. Writing just before vast changes would occur, Holmes describes music as it must have appeared to the cultured and liberal minds of his era.

Beginning One of the greatest mysteries confronting the United States, Great Britain and the free world is how is terrorism getting funded? One of the most likely theories being discussed is that the money is coming from either hidden Swiss bank accounts and/or Saudi Arabia. The CIA is out to prove that just prior to the beginning of World War Two starting in 1937; the Swiss Banks collaborated with the Third Reich in hiding the gold stolen from the Jews. In 2001, the United States learned that the Swiss had protected an International Bank that handled finances for Osama Bin Laden. One of them, the Bahrain International Bank, had funds transiting through non-published accounts of Clearstream, which has been qualified as a "bank of banks" and was involved in one of Luxembourg's major financial scandals. Middle Ultimately, CIA agent Montana Style is able to prove that the Swiss banks had many secret numbered accounts that contained the stolen "money," taken from the persecuted Jews and is indeed the money being used by Al Qaeda to fund world terrorism. The narrative tells how the United States intelligence agencies and its Allies aggressively attempt to recover and restore gold and other assets stolen by Germany during World War II and hidden by the Swiss Banks for over three generations. End Style is successful in tracking down the Al Qaeda financial support in Germany. Much of that capital has been used to finance worldwide terrorism, including the attack on the World Trade Center, September 11 and funded by the money taken from the Jews in World War II. THE PLOT CIA agent Montana Style investigation documents one of the greatest thefts by a government in history. The illegal confiscation by Nazi Germany of an estimated $580 million of central bank gold around $100 billion in today's values along with indeterminate amounts in other assets during World War II. These goods were stolen from governments and civilians in the countries Germany overran and from Jewish and non-Jewish victims of the Nazis alike, including Jews murdered in extermination camps, from whom everything was taken down to the gold fillings of their teeth. Eventually, Styles is able to show the direct connection between the Swiss banks and terrorism conducted by Al-Qaeda, including the 911 hijacking that led to the death of nearly 3000 Americans.

This Is A New Release Of The Original 1905 Edition.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

With Remarks Upon The Church Music, Singers, Performers, And Composers.

Title: C sar's Conquest of Gaul.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The HISTORY OF THE ANCIENT WORLD collection includes books from the British Library digitised by Microsoft. Titles in this series include lectures, compiled sketches, and chronological discourses on Greece, Rome, and other early European and African civilisations. The collection also has a selection of physical and classical geography texts. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Holmes, Thomas Rice Edward; Caesar, Caius Julius; 1899. xliii, 846 p.; 8 . 9041.h.7.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

With Remarks Upon The Church Music, Singers, Performers, And Composers.

With Remarks Upon The Church Music, Singers, Performers, And Composers.

BCC: In his timeless biography written long before the significance of Mozart's work was fully realized, author Edward Holmes reveals the musician's character and genius, his struggles, his influence on art, and the brilliant reputation that surrounded him. Published in 1845 as the first authentic narrative of the life of Mozart to appear in English, it was also the first biography after the composer's death in 1791 to be based upon his letters. Holmes explores Mozart's work from the perspective as a cultured mind of the era. AUTHOR BIO: Edward Holmes, a schoolmate of Keats, provides the first complete account of Wolfgang Amadeus Mozart, based upon the composer's own letters and memoirs.